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Feng Xiaogang’s New Year celebration films and contemporary Chinese commercial cinema: industry, regulatory authority and pop culture by Ai, Qi

“…This thesis selects, as case studies, Feng’s eight NYCFs of modern urban life across the period from the late 1990s, when he began making films in this mode with governmental support, to the 2000s, when his NYCFs address genre shift in the context of China’s entry to the WTO: Party A, Party B (Jiafang yifang, 1997), Be There or Be Square (Bujian busan, 1998), Sorry Baby (Meiwan meiliao, 1999), Sigh (Yisheng tanxi, 2000), Big Shot’s Funeral (Dawan, 2001), Cell Phone (Shouji, 2003), A World Without Thieves (Tianxia wuzei, 2004) and If You Are The One (Feicheng wurao, 2008). …”
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