Search Results - "screenwriting"
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Writing Cinematic Sound: Audiovisual Phrasing and Screenwriting Practice
Published 2023“…Joachim Strand’s thesis investigated the emergence of cinematic sound on the screenplay page through practice-based research involving both original creative screenwriting and critical analysis of theoretical and artistic texts. …”
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Screenwriting the body in Fireflies: An analysis of the devising and writing process
Published 2016“…In doing so I hoped to explore notions of intimacy and bodily control. My practicebased screenwriting research in this area is concerned with the way that recording observations of the female form on video and in still images can inform the representation of female agency and sexuality in a screenplay. …”
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Fundamentals of screenwriting : the first step / Wan Aida Wan Yahaya
Published 2004“…Screenwriting returns to its roots in an attempt to inspire young writers to write and tell their story. …”
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Oppositions and lines of desire: Exploring the screenwriting approach of Claire Denis in a practice-based study
Published 2014“…Keywords: Claire Denis, screenwriting, the body…”
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The Ridge and the River: Adapting a novel set in World War Two into a screenplay for a contemporary Australian film audience
Published 2016“…This two-part thesis argues that academic studies of adaptation from novel to film disregard the importance to the screenwriter of industrial and commercial pressures. …”
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A promise of change: 52 Tuesdays (2013) – a case study of collaborative, low-budget feature-filmmaking practice
Published 2014“…The article is informed by interviews with screenwriter Matt Cormack and director Sophie Hyde, as well as a formal textual analysis of the film. …”
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Night Bus: a short film screenplay
Published 2015“…I have sought an answer to the question of how the screenwriter’s description of material gives rise to a visceral response in the reader, which may also be reflected in a resulting film text. …”
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The cinematic Boston: space, production, and politics
Published 2024“…Third, it delves into how Boston native screenwriters have constructed significant Boston cinematic themes and narratives. …”
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Emotional engagement in feature film storytelling : reframing the classical three-act structure / Norlela Ismail
Published 2006“…The purpose of this article is to provide a platform (not offering a formula) for a filmmaker or screenwriter to emulate an approach that could help obtain an emotionally engaging story.…”
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‘A mí, estos pleitos no me interesan’: Carlos Saura’s Llanto por un bandido and banditry in the ominous decade
Published 2017“…This article argues that Carlos Saura's 1964 film biography of the 1830s Andalusian bandit El Tempranillo, Llanto por un bandido, provides an insight into the impact of the War of Independence (1808–1814) and its aftermath on bandits in terms of physical and mental trauma, their involvement in politics and their interaction with civil society. Saura and his co-screenwriter used the French authors Théophile Gautier and Prosper Mérimée in their research on the period, thus incorporating views of Spain emanating from the culture of the Napoleonic aggressor. …”
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Scripting the virtual: Formats and development paths for recent australian narrative 360-degree virtual reality projects
Published 2018“…While this medium is one that is increasingly being adopted by established, traditional 2D filmmakers, the specificity of the form gives rise to a number of challenges for the screenwriter when considering screen grammar, script formats and the writing process. …”
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The partnership of patriarchy and capitalism in Cho Nam-joo’s Kim Jiyoung, born 1982
Published 2021“…Kim Jiyoung, Born 1982 is an English-translated novel written by contemporary South Korean writer and screenwriter Cho Nam-joo. The novel was translated into English by award-winning translator Jamie Chang in 2020. …”
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The rise of the sound designer: Northern California film sound in the 1960s and 1970s
Published 2017“…They created the new job title of sound designer to signify a person who supervises and collaborates with the director, department heads, and screenwriter on the use and function of sound through all of the filmmaking phases from the writing stage through the final mix. …”
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