Search Results - "iconography"

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  1. 1

    Factors influencing preferences of garden iconographies by Kaboudarahangi, Mina, Mohd Tahir, Osman, Mohd Shariff, Mustafa Kamal, Maulan, Suhardi

    Published 2013
    “…The collection of these representative images or iconography forms the particular identity of a garden. …”
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    Preferred iconography for development of new garden identity by Kaboudarahangi, Mina

    Published 2012
    “…These historical gardens are easily recognized through particular images that illustrate their distinctive iconographies. However, the iconography of new developing gardens is still unclear. …”
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  3. 3

    Iconography and hybridity in the epic film Hikayat Merong Mahawangsa (2011) / Al Mubarakah Suleiman by Suleiman, Al Mubarakah

    Published 2020
    “…This study aims at examining the elements of iconography in the epic film Hikayat Merong Mahawangsa directed by Yusry Abdul Halim in 2011. …”
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    ‘The viceroys are disappearing from the roundabouts in Delhi’: British symbols of power in post-colonial India by McGarr, Paul M.

    Published 2015
    Subjects: “…Britain; India; Foreign Policy; Diplomacy; International Relations; Soft Power; Iconography; Empire…”
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    Lembing Awang Pulang ke Dayang (2009): Satu kajian kes terhadap ikonografi yang dilihat menerusi filem epik. / Khurratu Ainaa Ahmad by Ahmad, Khurratu Ainaa

    Published 2013
    “…The study is focused on the effectiveness of the iconography represented in the film and also to analyze the elements of iconography that seen in the film. …”
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  9. 9

    The fantastic creatures of Bronze age Crete by Zouzoula, Evgenia

    Published 2007
    “…This thesis studies the imaginary beings of Minoan iconography with the aim of understanding their functions and meaning within the iconography of Bronze Age Crete. …”
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  10. 10

    Queen Victoria and Prince Albert: Constructing a Sustainable Monarchy and Negotiating Gender and Foreignness Under Conditions of precarity by Caswell, Tia E. C.

    Published 2022
    “…I argue that Queen Victoria and Prince Albert utilised royal iconography and portraiture in order to gain the approval of their subjects and to demonstrate that they were capable of sustaining the monarchy at a politically precarious time. …”
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    There is unrest in the forest, there is trouble in the trees (extended) by Dagnall, Rebecca

    Published 2012
    “…The images depict the elements of suburban cultural iconography that have become cliché and brings them into an almost uncomfortable realm of high art. …”
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  12. 12

    Rubik & ‘We Have No Future’: The science-fictionalised present by Tan, Elizabeth

    Published 2015
    “…This thesis investigates the intrusion of science-fictional tropes and iconography onto our current social reality, and the cultural anxieties that this has produced. …”
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    The mitred Avalokitesvara from Palembang its significance on the origin and development of Srivijayan Art. by Nik Hassan Shuhaimi Nik Abdul Rahman.

    Published 1978
    “…The study of the Avalokitesvara image discovered in Palembang, on the basis of the headdress, dhoti, body-shape, iconography and associated finds, shows that the image was made by a local artist in the 7th century A.D. …”
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  14. 14

    The Research and the Arts Practice - A Symbiotic Liaison? by Abdullah, Sarena

    Published 2011
    “…For example, through discussing the subject matter of the work, the study of iconography and iconology of objects/subjects, and recently through Critical Theories such as feminism, semiotics, post-structuralism, deconstruction, psychoanalysis and postmodernism to name a few!…”
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    Reproducing temples in Fremantle by Kerr, Thor

    Published 2012
    “…This paper explores the production and reproduction of a sacred-soliciting built environment in the Western Australian port town of Fremantle, drawing attention to temple iconography produced in the first century of European settlement and its preservation and reproduction at the hands of local and national heritage movements since the 1970s. …”
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    Indian mythology and art = اسطورة شناسي وهنر هند by Zekrgoo, Amir Hossein

    Published 2016
    “…It provides a link between India’s faiths and their manifestation in the domain of religious arts and iconography. It is divided into three main parts: Book I = Celestial Deities; Book II = Atmospheric Deities and Book III = Earth Deities. …”
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    The Facial Approximation of the Skull Attributed to Jan Žižka (ca. AD 1360–1424) by Moraes, Cicero, Abdullah, Johari Yap, Sindelar, Jiri, Sindelar, Matej, Thomova, Zuzana, Smrcka, Jakub, Vaccarezza, Mauro, Beaini, Thiago, Galassi, Francesco Maria

    Published 2025
    “…The final face was the result of the cross-referencing of all data and the completion of the structure respected the iconography attributed to Jan Žižka…”
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    The baskets and the basket-makers of prehistoric south-east Europe: a palaeoethnobotanical approach by Mila, Andonova

    Published 2020
    “…This thesis will attempt to reveal the ‘invisibility’ of archaeological basketry in the study region of South-east Europe, via an integrated approach, including established and novel techniques for the assessment and identification of botanical remains, in combination with field ethnographic work, access to museum archive material and reference no supportive proxies as palaeoenvironmental data, iconography and aspects of materiality. This multi-proxy approach highlights the high informative potential of archaeological basketry and perhaps, it will encourage future studies on the subject.…”
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    Bukit Chapalang: the mousedeer in the formation of a nation by Kheong, Christopher Quah Wai, Anita Harris Satkunananthan

    Published 2023
    “…This is based on an analysis of the works of Sonny Liew (2015) a Malaysian born artist, The Art of Charlie Chan Hock Chye (2015), which utilises the iconography of the mousedeer in the formation of a nation. …”
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    Ganesa And His Cult In Contemporary Thailand by Agarwal, Ruchi, Jones, William J.

    Published 2018
    “…This paper attempts to explore this phenomenon, both by examining shifting belief practices associated with Ganesa locally and by looking at how these shifts are reflected in the evolving trade in Ganesa iconography. Considering both together, the authors will demonstrate that Ganesa cult is presently the focal point for a number of people, each with its own unique approach to the deity, powers and representation.…”
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