Search Results - "choreographer"

Refine Results
  1. 1

    Choreographing the everyday feast: accommodating Malaysian temporary markets in a changing context by Zakariya, Khalilah, Ware, SueAnne, Helsel, Sand

    Published 2012
    “…The findings revealed that the operations of temporary markets need to be adapted to its context, through choreographing the flows of its spaces, users and activities, and the provision of specific hard and soft infrastructures. …”
    Get full text
    Get full text
  2. 2

    Feminisme dalam karya tari kontemporari dan kehidupan Aida Redza / Azura Abal Abas by Azura, Abal Abas

    Published 2017
    “…As a pioneer Malay female choreographer since the 1990s, Aida actively stages Malay women's domestic plight through her choreographies. …”
    Get full text
    Get full text
    Get full text
  3. 3

    Bharata Natyam training at The Temple of Fine Arts: Pre arangetram, arangetram and post- arangetram / Bhanumathi K Nadson by Bhanumathi , K Nadson

    Published 2019
    “…TFA goes one step further and provides a platform for its graduates to emerge as soloists, group performers, and choreographers, continuously nurturing the artistic growth of its students. …”
    Get full text
    Get full text
    Get full text
  4. 4

    Ruang Dan Memori Dalam Koreografi: Kajian Terhadap Karya Tari Sitespecific Oleh Koreografer Terpilih Di Malaysia by Abdul Wahid, Nurulakmal

    Published 2021
    “…The exploration in the choreographic process involves twelve dance works produced in 2009 until 2018 by six local choreographers. …”
    Get full text
    Get full text
  5. 5

    Re-Wired/Re-Mixed: Event for Dismembered Body, Performance and interactive installation, Exhibited at: Radical Ecologies, Perth Institute of Contemporary Art, Perth, 3-7 August, 20... by Stelarc, Stelarc

    Published 2017
    “…The artist wore a head-up display, sound cancelling earphones and a robotic, exoskeleton arm, causing the body to see through the eyes of someone in London, hear through the ears of someone in New York, while anyone, anywhere could access and choreograph his right arm. What constitutes embodiment, agency and identity become problematic.…”
    Get full text
  6. 6

    Effectiveness of a musical-based learning approach on knowledge and happy index related to anatomy syllabus: a quasi-experimental pilot study by Minhat, Halimatus Sakdiah, Abas, Razif, Zakariah, Siti Zulaikha, Ibrahim, Rosni, Mohamed Razali, Camellia Siti Maya, Salleh, Marzelan

    Published 2023
    “…This study aimed to evaluate a musical-based anatomy learning module using the combination of music, choreographed movements and 3D anatomy illustrations on muscles of the hand. …”
    Get full text
    Get full text
  7. 7

    Beautiful South by Gray, Michael

    Published 2011
    “…In their diverse worlds their virtuosity celebrates the potential of the photographic medium, and presents unique documentary imagery in choreographed scenography…”
    Get full text
  8. 8

    Moving with and Without Music: Scaling and Lapsing in Time in the Performance of Contemporary Dance by Stevens, C., Schubert, E., Wang, S., Kroos, Christian, Halovic, S.

    Published 2009
    “…Motion was recorded during ensemble performances of a four-minute choreographed piece with and without music. The median of 24 markers in the height dimension was analyzed for scaling and lapsing. …”
    Get full text
    Get full text
  9. 9

    MY SAY: New world order, G20-style by Abd Razak, Dzulkifli

    Published 2009
    “…Then, there were the many (if stiff) smiles to fit the photo opportunities. One choreographed "thumbs up" picture was perhaps meant to signal that things are indeed well. …”
    Get full text
    Get full text
  10. 10

    Fundamental of stomp music case study: far from too late by no noise percussion / Oly Fizly Othman by Othman, Oly Fizly

    Published 2010
    “…Some would even look at it only as an entertainment perfonuance for the choreographic elements. However, most people who appreciate stomp music maybe does not know the fundamental essence in shaping or perfOlming stomp music as "real music". …”
    Get full text
  11. 11

    Perception of congruence between music and movement in a rhythmic gymnastics routine by Loo, Fung Chiat, Loo, Fung Ying, Chua, Yan Piaw

    Published 2013
    “…Contrary to the conventional method of choreographing a routine based on selected music, this research aims to investigate the quality of the routine with existing choreography accompanied by a newly-composed music. …”
    Get full text
    Get full text
  12. 12

    Measuring, Mapping, Creating: A mixed method approach to sedentary behaviours and work-place design by McGann, Sarah, Tye, Marian, Jancey, Jonine, Blackford, Krysten, Creagh, Robyn, Tollis, Leanne

    Published 2013
    “…The research team has been especially choreographed to include a diverse membership with different skills and expertise ranging from highly scientific to highly creative practices. …”
    Get full text
  13. 13

    ‘When you have your back to the wall, everything becomes easy’: performance and direction in the films of Catherine Breillat by Dooley, Kath

    Published 2014
    “…Rather than allow actors to move and act on the emotional responses they draw from the script, Breillat physically puts them into position, choreographs their movement in advance and models the performance she wishes to capture. …”
    Get full text
  14. 14

    DanVideo: an MPEG-7 authoring and retrieval system for dance videos by Kannan, R., Andres, F., Guetl, Christian

    Published 2010
    “…DanVideo provides methods of annotation and authoring and retrieval tools for choreographers, dancers, and students. We demonstrate how dance media can be semantically annotated and how this information can be used for the retrieval of the dance video semantics. …”
    Get full text
  15. 15

    The perception of dancers on the congruence between music and movement in a rhythmic gymnastics routine by Loo, Fung Chiat, Loo, Fung Ying

    Published 2014
    “…In sports which involve a routine, it has been observed that some athletes use music merely as a background effect while others opt to choreograph routines in close congruence with musical details. …”
    Get full text
    Get full text
  16. 16

    Dance anthropology and the impact of 1930s Haiti on Katherine Dunham's scientific and artistic consciousness by Durkin, Hannah

    Published 2011
    “…Her observations of dance rituals whilst working as a graduate researcher in 1930s Haiti played a formative role in her dance. Her choreographic method combined Caribbean cultural forms with ballet and modern dance practices and has had a profound but rarely acknowledged influence on twentieth century dance. …”
    Get full text
  17. 17

    Opinion Leadership Emergence In A Leadership Networked Movement Via Twitter: A Case Study Of #UNDIROSAK by Pauzi, Syibratul Fauzana Mohd

    Published 2020
    “…In recent years, a glaring trend that emerges out of 21st century networked movements — where digital technologies such as social media have a key role in choreographing them — is the rise of leaderless movements. …”
    Get full text
    Get full text
  18. 18

    Element the good practice in reviving and preserving the value of MTCs / Zainudin Md Nor ... [et. al] by Zainudin, Md Nor, Zaharah, Jaafar, Muhamad Rozali, Othman, Rizal Azni, Dahaman

    Published 2018
    “…The researcher has interviewed 60 respondents who are experienced and expert in their field of the making and styling of the traditional Malay costume; such as old tailors and old dressmakers, fashion designers, industrialist, choreographers, culturalist, researchers and lecturers. …”
    Get full text
  19. 19

    Kaili structured sonic and movement systems, Kreasi Baru, and the assertion of a national presence through the performing arts in Central Sulawesi by Santaella, Mayco A.

    Published 2016
    “…It also investigates the inception of post-independence music and dance genres depicting nationalized aesthetics, as well as a post-national contestation of kreasi baru through new compositional and choreographical approaches. I argue that these three forms namely the heritage, the national and the post-national are part of the present cultural matrix that represents Kaili identity through performance.…”
    Get full text
    Get full text
  20. 20

    The MAJOR PUBLIC EVENT at the John Curtin Gallery that launched Permeable Boundaries: a field of possibilities by Smith, Dianne, Lommerse, Marina

    Published 2010
    “…Research Background :: This event served to bring the industry, profession, educators and students together to reflect on the nature of Interior Architecture (IA), to challenge preconceptions, and to choreograph a number of significant aspects of Interior Architecture into the evening. …”
    Get full text