Search Results - "calligrapher"

Transculturation in The gift of rain and The calligrapher's daughter by Ng, Wen Lee

“…On the other hand, although reviews on The Calligrapher’s Daughter have highlighted the protagonist, Han Najin’s namelessness state, collision of cultures between tradition and modernity, and her conflicting emotions towards Christianity, the complex interactions between various cultures practised by Najin appear to have been neglected. …”
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Cultural identity in Eugenia Kim’s The Calligrapher’s Daughter by Ng, Wen Lee, Mani, Manimangai, Wan Yahya, Wan Roselezam

“…Eugenia Kim’s The Calligrapher’s Daughter (2009) is a well-received East Asian novel about a Korean Christian, Najin’s encounter with western culture. …”
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Calligraphic of contemporary Malay world: the case of Selangor mosques by Baniyamin, Nurhaya, Kamaruddin, Zumahiran, Abdul Razak, Rajabi

“…Mosques in the Malay region is now synonymous with Arabic alphabet characters, verses from the Quran, religious phrase, Islamic quotes, poems and local Arabic writing called Jawi were among the common elements depicted as calligraphic decorative components. The usage and application of the various decorative Arabic scripts concerning art and design is part of a study in identifying and describing major Islamic calligraphic themes, styles and scripts. …”
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Calligraphic woodcarving ornamentations in selected Peninsular Malaysian mosques / Ahmadreza Saberi by Saberi, Ahmadreza

“…The objectives are: i) to establish the judgments of mosque users about calligraphic woodcarving ornamentations based on types of scripts, legibility, locations, function, aesthetic, desirability and combination of patterns; ii) to analyse the current calligraphic woodcarving ornamentation (writing styles, locations and contents) of Malaysian mosques; and iii) to propose recommendations on the appropriate design of calligraphic woodcarving ornamentations for Malaysian mosques. …”
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Exploring tourist perceptions of calligraphic landscapes: insights from social media text analysis by Xiao, Baifang, Abdul Shukor, Shureen Faris, Mat Noor, Mohd Sallehuddin

“…Calligraphic landscapes, as distinctive cultural symbols and landscapes with Chinese characteristics, are widely used in urban design, placemaking, and tourism promotion. …”
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Unity and multiplicity in Islamic geometric and calligraphic expression: a photographic and visual journey of space in nusantara mosques by Baniyamin, Nurhaya, Kamaruddin, Zumahiran, Abdul Razak, Rajabi

“…The paper describes how the experience and philosophy of Islamic unity and multiplicity are heightened through a photographic compilation of surface patterning; geometric and calligraphic in Mosques in the region. It then focuses on two mosques to highlight their particular contributions to achieved a contextualisation of such a universal aesthetic design and expression. …”
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The development of character category in Jawi typography-an implementation in typography course in UiTM / Intan Nur Firdaus Muhammad Fuad, Sharifah Raudzah S. Mahadi and Ahmad Khai... by Muhammad Fuad, Intan Nur Firdaus, S. Mahadi, Sharifah Raudzah, Ahmad, Ahmad Khairul Azizi

“…This is important to designer espeacially typographer or calligrapher to use it in every project to ensure that they are using the same level of quality and displaying consistenly of the end result in every each of jawi typeface exploration.…”
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秦刻石李斯书法研究 by 刘, 晓曼

“…Li Si was a statesman, writer, and calligrapher of the Qin Dynasty. Li Si was a county official and studied from Xun Qing. …”
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Graphic Adaptive Transformation Of Islamic Motifs A Case Study Of Kedah Traditional House by A. Bakar, Abdelaziz Eisa

“…Furthermore the calligraphic motifs needed certain ways of modification and changes. …”
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Exploring the multiple aspects of epigraphic culture: taking Miao Quansun's calligraphy during the late Qing dynasty as example by Hao, Changning, Hiong, Ser Wue

“…The findings illuminate the complex relationships inherent in late Qing dynasty epigraphic culture, Miao Quansun's calligraphy, traditional Chinese calligraphic styles, artistic adaptation, cultural landscape, and recognition and impact. …”
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Segmentation of Nastaliq script for OCR by Sattar, Sohail A., Haque, Shamsul, Haque, Mahmood K.Haque Pathan

“…In this paper we have presented a novel segmentation technique for the implementation of an OCR (Optical Character Recognition) for printed Nastalique text, a calligraphic style of Urdu which uses the Arabic script for its writing.OCR for many of the world major languages have been developed and are being used but at present an OCR for Nastalique is not available and the published research on Nastalique OCR, Urdu OCR or even on any area of Urdu computing is almost non-existent, the reason being the challenges that the Nastalique style poses for its optical recognition. …”
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Arabic calligraphy as mosque decoration: architectural significance in Indonesia by Dariyadi, Moch Wahib, Murtadho, Nurul, Huda, Ibnu Samsul, Hassan, Abd Rauf

“…Analyzing the several calligraphic scripts, mostly Thuluth, Kufi, and Naskh, why these letters are chosen, and how they are incorporated into architectural features such domes, mihrabs, minbars, arches, and walls, the study analyzes at Emphasizing case studies of historically and culturally important mosques all throughout Indonesia, including in Java, Aceh, and South Kalimantan, the study employs a qualitative methodology. …”
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Toward a novel module for computerizing Quran’s full-script writing by Abudena, Mussa, Hameed, Shihab A.

“…Till today, The writing of Quran script is done manually by calligraphers using the traditional techniques (papers and pens). …”
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Islamic calligraphy in contemporary art of Malaysia. Vol. 1 / Nor Azlin Hamidon by Hamidon, Nor Azlin

“…The style was expressive, if the artists were trained in western-educational system, whereas the traditional calligraphers tend to produce hard-edged calligraphy adhering to the rules of writing calligraphy. …”
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