Search Results - "Revolutionary"
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The normalization of sexual diversity in revolutionary Cuba
Published 2015“…This Thesis examines and analyzes the development of the normalization of attitudes towards sexual diversity in revolutionary Cuba. This includes the evolution of homophobia in Cuba, the Federation of Cuban Women’s development of sexual education, the establishment of the Nation Centre for Sexual Education (CENESEX), and how these elements engage with the island’s view of health. …”
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Techno-utopianism and the Orient in Russian revolutionary culture
Published 2013“…In the opening decades of the twentieth century this multifarious dichotomy achieves even greater prominence, as evidenced by a range of revolutionary-era writers, from Symbolists such as Blok and Belyi, to proletarian poets such as Gastev, and early Soviet novelists such as Pilnyak, Zamyatin, and Platonov. …”
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The dense web: local governance and popular participation in Revolutionary Cuba
Published 2018“…This thesis makes a sustained case for the importance of local government to the revolutionary leadership and argues that no assessment of the Cuban polity can claim to be comprehensive without taking local government into account.…”
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Personal and political networks in 1917: Vladimir Zenzinov and the Socialist Revolutionary Party
Published 2016Subjects: “…Socialist Revolutionary Party (PSR) ; 1917 ; Provisional Government ; Vladimir Zenzinov ; Revolutionary Russia…”
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‘So far and yet so near’: Cuba and revolutionary Burkina Faso
Published 2025“…Radical nationalist and anti-imperialist in their ideological outlook, the Burkinabè revolutionaries appeared deeply inspired by the example of the Cuban Revolution. …”
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Lousy Revolutionaries: Fiction, Feminism, and Failure in Ilene Segalove's The Riot Tapes (1984)
Published 2019“…Drawing on Lauren Berlant’s delineation of ‘the female complaint’ (1988) and Hayden White’s ‘practical past’ (2014), I argue that in the video Segalove performs the position of failure, both in her quasi-autobiographical narrative of the “lousy revolutionary” and in her adoption of cultural genres historically deemed trivial and subordinate. …”
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