Search Results - "Jane Eyre"

Unveiling Jane Eyre: space escape and the construction of subjectivity through a Foucauldian lens by Nie, Zhixing, Kaur, Hardev, Mani, Manimangai

“…This paper reexamines Charlotte Brontë’s Jane Eyre through a Foucauldian lens, focusing on how traditional societal structures and the rise of capitalism impact women in 19th-century Britain, as observed by literary critic Sandra M. …”
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From Pasha to Cleopatra and Vashti: the oriental other in Charlotte Brontë’s Villette by Mohd Ramli, Aimillia

“…Critics have argued that Jane’s engagement with the Orient in Jane Eyre (1847) is grounded in the vocabulary of her role as liberator and the discourse of female slavery and male domination as represented by the use of the harem metaphor in the text. …”
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From Pasha to Cleopatra and Vashti: the Oriental Other in Charlotte Brontë’s Villette by Mohd Ramli, Aimillia

“…Critics have argued that Jane’s engagement with the Orient in Jane Eyre (1847) is grounded in the vocabulary of her role as liberator and the discourse of female slavery and male domination as represented by the use of the harem metaphor in the text. …”
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A study of displacement in Jean Rhys' novel Wide Sargasso Sea by Che Jamal, Inna Malissa, Jujar Singh, Hardev Kaur, Mani, Manimangai

“…This novel is an illustration of the mad woman in the novel Jane Eyre, by Charlotte Bronte, as the story of her life before madness is told in the novel Wide Sargasso Sea. …”
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Green shadows: exploring tropes of ecophobia in jean rhys’ wide sargasso sea by Jana, Pooja, Padmaja, C.V.

“…Wide Sargasso Sea, written by Jean Rhys, primarily portrayed as a postcolonial response to Charlotte Bronte’s Jane Eyre, is replete with gothic imagery. Fear and anxiety of nature are commonly found as the centre of Gothicised texts throughout literary history, wreathing concerns of ecophobia, a term used by Simon Estok to define this irrational traumatic response to the natural. …”
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An Irigarayan reading of selected novels of Emily and Charlotte Brontë, Alice Walker and Anaïs Nin / Shiva Hemmati by Shiva , Hemmati

“…Though Irigaray’s theories of ‘feminine divine’ and ‘sexual difference’ have been discussed by many feminist scholars, I found Irigaray-inspired notions of non-duality within duality remarkably interesting in reading women novelists’ works from different ages, namely, Emily Brontë’s Wuthering Heights (1847), Charlotte Brontë’s Jane Eyre (1848), Alice Walker’s The Color Purple (1982), and Anaïs Nin’s A Spy in the House of Love (1954), in terms of exploring women’s self-consciousness and liberation. …”
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Home and abroad: Racial stereotyping of the Muslim orient in selected of Victorian fiction / Mafaz M. Mustafa by Mafaz M. , Mustafa

“…Chapter One on Victorian women writers and Victorian aesthetics, examines the anxieties present in the captivity narratives of Emma Roberts’ “The Florentines” and selected tales of Julia Pardoe’s The Romance of the Harem, which were used as a vehicle for the emancipation of Victorian women in Charlotte Bronte’s Jane Eyre before the New Woman movement. Using Sir Walter Scott’s historical romances as the background for challenging the stereotypes of Muslims and Jews in The Talisman and Ivanhoe, Chapter Two examines the extent to which Benjamin Disraeli’s Alroy, Edward B. …”
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