Search Results - "James Joyce"

James Joyce’s father foreclosure: the symbolic order of language and social existence by Massiha, Laleh, Omar, Noritah

“…In symbolising society, the father is a significant cultural representation of authority or power. James Joyce’s works are commonly read for Irish history, his unique style of writing, and as sources of autobiography. …”
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Intertextual relations: James Joyce and William Shakespeare in Angela Carter’s Wise Children by Davison, Sarah

“…This article proposes that the novel also makes sustained references to the life and work of James Joyce and thereby provides a crucial but overlooked counterpoint to Carter’s use of Shakespeare. …”
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A Lacanian Reading of Finnegans Wake in Relation to James Joyce's Feminine Structure by Massiha, Laleh

“…According to Jacques Lacan, James Joyce was a rare man who could achieve a jouissance normally only accessible to women. …”
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A portrait of Hugo Claus as a young artist: the influence of James Joyce on The Sorrow of Belgium by Davison, Sarah, Mertens, Bram

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“The true-born Englishman” and the Irish bull: Daniel Defoe in the “Oxen of the Sun” episode of Ulysses by Davison, Sarah

Subjects: “…James Joyce…”
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Qualities of movement: travel and environment in modern epic literature by Wood, Melanie

“…Chronological discussions of individual narratives focus upon John Milton's Paradise Lost (1667), William Wordsworth's The Prelude (1805), Lord Byron's Don Juan (1819-24), James Joyce's Ulysses (1922), Derek Walcott's Umeros (1990), and Aiden Andrew Dun's Vale Royal (1995). …”
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Carl Rogers’ notion of “self-actualization” in Joyce’s A Portrait of the Artist as a Young Man by Yazdani, Saeed, Ross, Stephen

“…This article analyzes the personality of the protagonist of James Joyce's A Portrait of the Artist as a Young Man, Stephen Dedalus, using Carl Rogers' notion of self and self-actualization, with particular reference to the incongruency of the real and ideal self. …”
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Welcome to the desert of the real: resisting a postcolonial reality in the modern Irish novel by Mansouri, Shahriyar

“…For the Irish, on the one hand, reality emerges as a monolithic, obdurate construct, fabricated and observed by the State; and on the other, it materialises as the nation’s memory of economic hardships, political marginalisation, ideological bifurcations, and psychological exiles. By exploring James Joyce’s A Portrait of the Artist as a Young Man (1916) and Flann O’Brien’s The Third Policeman (1974), this paper shall answer the question that Anderson and Inglis failed to address: what made the contemporary Irish literature a difficult reflection of postcolonial identity, which neither accepts the State’s atavistic nativism nor identifies with neocolonial political mindset?…”
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Four discourses and sinthomatique writing in Saul Bellow’s Herzog: a Lacanian approach by Teymouri, Tohid, Ladani, Zahra Jannessari, Abbasi, Pyeaam

“…Regarding Jacques Lacan’s example about James Joyce in using specific styles and epiphany, letter-writing is introduced as the Sinthome in Herzog that helps Herzog deliver his subjectivity from dissolution. …”
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Unacknowledged influence of existentialism in three selected English novels by Jalil, Nabeel Abdul Razaq

“…The research selects three novels, (A Portrait of the Artist as a Young Man by James Joyce, Nineteen Eighty-Four by George Orwell, and Pincher Martin by William Golding), to examine them for selected concepts of existentialism, (freedom of choice and bad faith taken from Sartre's philosophy, the absurd and absurd rebellion taken from Camus's philosophy). …”
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Literary stylistics: pedagogical perspectives in an EFL context by Ghazalah, Hasan

“…Two twentieth century short stories The sisters, by James Joyce, and Enough, by Samuel Beckett are analysed separately to demonstrate how this model works and to show readers and students the way(s) of applying and performing it. …”
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Frank confessions: performance in the life-writings of Frank McCourt by Eaton, Margaret Mary Catherine

“…The fifth chapter, ‘Frank McCourt’s Performance of Irishness: Joycean and Other Legacies’ broadens out beyond the four walls of the playhouse to analyse how McCourt may be relying on a set of paradigms from Ireland’s best known writer, James Joyce. As I will show, this is not simply a case of McCourt emulating Joyce’s own writings – which of course he does – but also a question of how McCourt navigates a set of expectations about how a post-Joycean Irish writer ought to perform.…”
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