Search Results - "Film director"

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  1. 1

    ‘C’était moi mais ce n’était pas moi’: portrayal of the disabled body in Catherine Breillat’s Abus de faiblesse (2013) by Dooley, Kath

    Published 2018
    “…This semi-autobiographic film follows the story of film director Maud (Breillat’s alter ego), who forms a destructive relationship with a conman, Vilko, after she suffers a disabling stroke. …”
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  2. 2

    The ascension of a photo-poet : Garin Nugroho's quest for beauty / Maszalida Hamzah by Hamzah, Maszalida

    Published 2008
    “…This essay is part of the four poles of a meta-philosophical approach towards apprehending the films of acclaimed Indonesian film director Garin Nugroho as photo-poetry and himself, the photo-poet. …”
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  3. 3

    Salaam Cinema: unlikely journeys in documentary by Traverso, Antonio, Mhando, M.

    Published 2005
    “…After such roller-coaster fiction films as The Peddler (1987), The Cyclist (1989) and Marriage of the Blessed (1989), the Iranian film director Mohsen Makhmalbaf went on to celebrate the first centenary of cinema with the production of an explosive hybrid, Salaam Cinema (1995), with which he managed to rock the increasingly complacent boat of Western cinema at Cannes that year. …”
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  4. 4

    Lady in Red: framing the representation of women through mise-en-scène by Napat Ruangnapakul, Norsiah Abdul Hamid

    Published 2017
    “…In this study, the researchers applied close textual analysis on scenes of the main female characters in four Thai films of Bhandevanov Devakula, a Thai film director. The four selected films, namely, The Eternity, The Outrage, Jan Dara the Beginning, and Jan Dara the Finale, are samples of the study. …”
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  5. 5

    Cultural violence against women in Thai films: perspective from multi-sector stakeholders by Napat Ruangnapakul, Norhafezah Yusof, Norsiah Abdul Hamid

    Published 2018
    “…The purpose of this study is to examine cultural violence against women in three films directed by a prominent Thai film director, Bhandevanov Devakula: The Eternity, The Outrage, and Jan Dara. …”
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  6. 6

    Cultural Violence against Women in Thai Films: Perspective from Multi-Sector Stakeholders by Ruangnapakul, Napat, Yusof, Norhafezah, Abdul Hamid, Norsiah

    Published 2017
    “…The purpose of this study is to examine cultural violence against women in three films directed by a prominent Thai film director, Bhandevanov Devakula: The Eternity, The Outrage, and Jan Dara. …”
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  7. 7

    Violence against woman in selected Thai films: A perspective by Ruangnapakul, Napat, Yusof, Norhafezah, Abdul Hamid, Norsiah

    Published 2015
    “…Worldwide, researchers have shown interest in the studies of violence and violence against women in the media that influence people's behaviour with different approach and theory.This paper introduces the concept for the study of violence against women in Thai films by using Framing theory, and Johan Galtung’s violence model.Violence against women in films, the role of film directors in framing the meaning and pres- entation of violence in films are also discussed.In line with this concept of study, we can better understand the categories of violence against women in film’s content.…”
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  8. 8

    Film rating and its current challenges in Malaysia and Bangladesh by Islam, Md. Zahidul, Rahman, Md. Mashiur

    Published 2019
    “…The research also conducted semi-structured interviews with film directors and members of the Film Censorship Board. …”
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  9. 9

    Visualizing Islamic law and values in Semerah Padi (1956): P. Ramlee as cinematographic auteur by Mohd Zaki, Nurul Ezzati Aisyaa, Mustaffa, Che Su, Irmawati, Noer Doddy

    Published 2014
    “…In film studies, the Auteur Theory is mainly employed to explore film directors’ signature styles in creating their mastery artifacts.Individual style of a director in filmmaking is based on his/her preferences; genre, theme, mise-en-scéne, cinematography or even casts line-up.Grounded by American auteur scholar, Andrew Sarris's idea of ‘how’ in style and techniques a director conveys ‘what’ in film storytelling, this paper looks at P. …”
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  10. 10

    Orientalism in celluloid: the production of the ‘crazy year’ / Thery Beord and Achim Alan Merlo by Beord, Thery, Alan Merlo, Achim

    Published 2017
    “…Period of the creation of a popular culture or popularisation of culture, Orientalism became a mean to escape with fantasy the everyday way of life of modern European society. The film directors involved in the new emerging art, cinema for instance, included Orientalism into their scripts as an artistic style which was already extensively developed in painting and literature beforehand. …”
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  11. 11

    The ideological struggle of multicultural nationalism: cultural identity in the 2014 Malaysian top-grossing movie the journey by Changsong, Wang, Yiming, Chen

    Published 2017
    “…This study attempts to discover how multiculturalism interacts with sub-state nationalism as portrayed in the Malaysian top-grossing film of 2014 – The Journey directed by Chiu Keng Guan.The nature of Malaysian society and its colonial history might suggest that cultural interaction among its three major races (Malays, Chinese, and Indians) is a norm, but this study argues that the culture of these three major races as portrayed in the fictional film is made up of “systems of representations”; such systems of representations do not reflect the intentions of the subjects, but rather, actively construct meanings as conditions and instruments, signifying practice in reality.The application of in-depth interviews (e.g., the film director and the screenplay writer) discovered cultural identity depicted in the film as always having a specific ‘positionality’ within their representation, and the ideological struggle of multicultural nationalism embedded in the film is considered ‘nonsubjective’.The authors believe that every culture is local, but no culture is autochthonous, and cultural identity illustrated in the film can be regarded as ‘uniqueness of the soil’.…”
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  12. 12

    A study of visual representation in the selected Malays films in the year of 90’s / Siti Jamilah Md Nor by Md Nor, Siti Jamilah

    Published 2016
    “…This objective of this research is to analyze the understanding, application and achievement of visual representation in selected Malay films in the era of 90’s among film directors. This research is to provide guidance to the producer, the director, art director, film students, movie audience and society. …”
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  13. 13

    Lady in Red: Framing the Representation of Women through Mise-En-Scène by Ruangnapakul, Napat, Abdul Hamid, Norsiah

    Published 2017
    “…Films are popular medium that can reflect and contribute to changes in cultural norms and values.The films represent reality by combining film elements with stories, expression of emotions, and creation of the expression.This study focuses on enabling audiences to view women in films through the aspects of mise-en-scène in a frame.In this study, the researchers applied close textual analysis on scenes of the main female characters in four Thai films of Bhandevanov Devakula, a Thai film director.The four selected films, namely, The Eternity, The Outrage, Jan Dara the Beginning, and Jan Dara the Finale, are samples of the study.Findings suggest that the aspects of mise-en-scène in the films constantly use the red colour in the scenes of the main female characters to show the confidence, non-innocence, or high sexual attractiveness of women. …”
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  14. 14

    No job for a lady: women directors in Hollywood by Williams, Rachel L.

    Published 2001
    “…This thesis explores the position of female film directors working in Hollywood. It is intended to address an area in feminist film theory which has often been overlooked. …”
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  15. 15

    Pembangunan modal insan dan motivasi kerja dalam industri perfileman di Malaysia: Satu kajian ke atas industri filem cereka by Abdul Razak, Mohaideen

    Published 2016
    “…The data from the case study was derived from a panel discussion involving three Malaysian film directors. The respondents of the survey were those who are actively involved in the Malaysian filmmaking industry, namely, producers, directors, assistant directors, art directors, director of photography, makeup artists, technical directors, costume directors, postproduction directors, scriptwriters and production directors. …”
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  16. 16

    Filem dan wanita: perspektif pengarah tentang pemaparan Islam by Afeez Nawfal, Mohd Isa

    Published 2018
    “…Thus, this research aims to investigate the understanding and philosophical thinking among film directors with regard to the Islamization process, and their link to the films that have been successfully produced. …”
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  17. 17

    Patterns And Recurring Themes In The Music Of John Carpenter by Cundell, Tomasz Adam

    Published 2024
    “…Despite being one of the most popular cult film directors of the late twentieth century, very little has been written about John Carpenter’s work and even less about the scores that he wrote for his films. …”
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