From Classical To Fusion : Changes In Hindustani Sitar Music In Malaysia As Exemplified In The Works Of Orm Maheswaran And Samuel J. Dass [M142.S5 P918 2008 f rb].

Raag and Taal merupakan unsur-unsur asas dalam persembahan muzik Hindustani. Pada zaman kini, walaupun sebuah persembahan Sitar mengekalkan kebanyakkan daripada bentuk-bentuk dan cara permainan yang asal, pemuzik-pemuzik tempatan seperti Samuel J. Dass telah mula mengeksperimentasi dengan idia-idia...

Full description

Bibliographic Details
Main Author: Manoharan, Pravina
Format: Thesis
Language:English
Published: 2008
Subjects:
Online Access:http://eprints.usm.my/9900/
http://eprints.usm.my/9900/1/FROM_CLASSICAL_TO_FUSION.pdf
_version_ 1848870850191687680
author Manoharan, Pravina
author_facet Manoharan, Pravina
author_sort Manoharan, Pravina
building USM Institutional Repository
collection Online Access
description Raag and Taal merupakan unsur-unsur asas dalam persembahan muzik Hindustani. Pada zaman kini, walaupun sebuah persembahan Sitar mengekalkan kebanyakkan daripada bentuk-bentuk dan cara permainan yang asal, pemuzik-pemuzik tempatan seperti Samuel J. Dass telah mula mengeksperimentasi dengan idia-idia baru. Raag (melody) and Taal (rhythm) are the fundamental elements that govern a Hindustani piece. Today in Malaysia, while a classical Sitar recital still retains many of its original forms and practices, local musicians like Samuel J. Dass, are experimenting with new musical ideas.
first_indexed 2025-11-15T15:30:44Z
format Thesis
id usm-9900
institution Universiti Sains Malaysia
institution_category Local University
language English
last_indexed 2025-11-15T15:30:44Z
publishDate 2008
recordtype eprints
repository_type Digital Repository
spelling usm-99002017-06-13T06:45:44Z http://eprints.usm.my/9900/ From Classical To Fusion : Changes In Hindustani Sitar Music In Malaysia As Exemplified In The Works Of Orm Maheswaran And Samuel J. Dass [M142.S5 P918 2008 f rb]. Manoharan, Pravina M6-175.5 One solo instrument Raag and Taal merupakan unsur-unsur asas dalam persembahan muzik Hindustani. Pada zaman kini, walaupun sebuah persembahan Sitar mengekalkan kebanyakkan daripada bentuk-bentuk dan cara permainan yang asal, pemuzik-pemuzik tempatan seperti Samuel J. Dass telah mula mengeksperimentasi dengan idia-idia baru. Raag (melody) and Taal (rhythm) are the fundamental elements that govern a Hindustani piece. Today in Malaysia, while a classical Sitar recital still retains many of its original forms and practices, local musicians like Samuel J. Dass, are experimenting with new musical ideas. 2008-05 Thesis NonPeerReviewed application/pdf en http://eprints.usm.my/9900/1/FROM_CLASSICAL_TO_FUSION.pdf Manoharan, Pravina (2008) From Classical To Fusion : Changes In Hindustani Sitar Music In Malaysia As Exemplified In The Works Of Orm Maheswaran And Samuel J. Dass [M142.S5 P918 2008 f rb]. Masters thesis, Universiti Sains Malaysia.
spellingShingle M6-175.5 One solo instrument
Manoharan, Pravina
From Classical To Fusion : Changes In Hindustani Sitar Music In Malaysia As Exemplified In The Works Of Orm Maheswaran And Samuel J. Dass [M142.S5 P918 2008 f rb].
title From Classical To Fusion : Changes In Hindustani Sitar Music In Malaysia As Exemplified In The Works Of Orm Maheswaran And Samuel J. Dass [M142.S5 P918 2008 f rb].
title_full From Classical To Fusion : Changes In Hindustani Sitar Music In Malaysia As Exemplified In The Works Of Orm Maheswaran And Samuel J. Dass [M142.S5 P918 2008 f rb].
title_fullStr From Classical To Fusion : Changes In Hindustani Sitar Music In Malaysia As Exemplified In The Works Of Orm Maheswaran And Samuel J. Dass [M142.S5 P918 2008 f rb].
title_full_unstemmed From Classical To Fusion : Changes In Hindustani Sitar Music In Malaysia As Exemplified In The Works Of Orm Maheswaran And Samuel J. Dass [M142.S5 P918 2008 f rb].
title_short From Classical To Fusion : Changes In Hindustani Sitar Music In Malaysia As Exemplified In The Works Of Orm Maheswaran And Samuel J. Dass [M142.S5 P918 2008 f rb].
title_sort from classical to fusion : changes in hindustani sitar music in malaysia as exemplified in the works of orm maheswaran and samuel j. dass [m142.s5 p918 2008 f rb].
topic M6-175.5 One solo instrument
url http://eprints.usm.my/9900/
http://eprints.usm.my/9900/1/FROM_CLASSICAL_TO_FUSION.pdf