Embracing The Victimhood: A History Of A-bomb Manga In Japan

This paper examines the representations of the A-bomb and its victims in Japanese manga. While Keiji Nakazawa's Hadashi no Gen (Barefoot Gen) stands tall in this genre, the brief look at the history of A-bomb manga in Japan will reveal that the nuclear bombs that killed more than a quarter m...

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Main Author: Ichiki, Masashi
Format: Article
Language:English
Published: Penerbit Universiti Sains Malaysia (USM Press) 2011
Subjects:
Online Access:http://eprints.usm.my/40468/
http://eprints.usm.my/40468/1/AbombManga-MasashiIchiki.pdf
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author Ichiki, Masashi
author_facet Ichiki, Masashi
author_sort Ichiki, Masashi
building USM Institutional Repository
collection Online Access
description This paper examines the representations of the A-bomb and its victims in Japanese manga. While Keiji Nakazawa's Hadashi no Gen (Barefoot Gen) stands tall in this genre, the brief look at the history of A-bomb manga in Japan will reveal that the nuclear bombs that killed more than a quarter million people in Hiroshima and Nagasaki have been a popular topic in Japanese manga and has manifested in variety of manga genres. In overviewing the history of A-bomb manga in Japan, this paper aims to explore the social connotations of A-bomb manga. I wish to show that Japanese manga is a major vehicle in promoting and proliferating the Genbaku Otome, or A-bomb beauties myth. This myth lies at the centre of the Japanese imagination of the A-bomb victims and which contributes significantly to the establishment of the social notion of victimisation in post-war Japan.
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spelling usm-404682018-05-21T06:32:02Z http://eprints.usm.my/40468/ Embracing The Victimhood: A History Of A-bomb Manga In Japan Ichiki, Masashi P1-1091 Philology. Linguistics(General) This paper examines the representations of the A-bomb and its victims in Japanese manga. While Keiji Nakazawa's Hadashi no Gen (Barefoot Gen) stands tall in this genre, the brief look at the history of A-bomb manga in Japan will reveal that the nuclear bombs that killed more than a quarter million people in Hiroshima and Nagasaki have been a popular topic in Japanese manga and has manifested in variety of manga genres. In overviewing the history of A-bomb manga in Japan, this paper aims to explore the social connotations of A-bomb manga. I wish to show that Japanese manga is a major vehicle in promoting and proliferating the Genbaku Otome, or A-bomb beauties myth. This myth lies at the centre of the Japanese imagination of the A-bomb victims and which contributes significantly to the establishment of the social notion of victimisation in post-war Japan. Penerbit Universiti Sains Malaysia (USM Press) 2011 Article PeerReviewed application/pdf en http://eprints.usm.my/40468/1/AbombManga-MasashiIchiki.pdf Ichiki, Masashi (2011) Embracing The Victimhood: A History Of A-bomb Manga In Japan. International Journal of Asia Pacific Studies (IJAPS), 7 (3). pp. 36-52. ISSN ISSN: 1823-6243 http://ijaps.usm.my/wp-content/uploads/2012/07/AbombManga-MasashiIchiki.pdf
spellingShingle P1-1091 Philology. Linguistics(General)
Ichiki, Masashi
Embracing The Victimhood: A History Of A-bomb Manga In Japan
title Embracing The Victimhood: A History Of A-bomb Manga In Japan
title_full Embracing The Victimhood: A History Of A-bomb Manga In Japan
title_fullStr Embracing The Victimhood: A History Of A-bomb Manga In Japan
title_full_unstemmed Embracing The Victimhood: A History Of A-bomb Manga In Japan
title_short Embracing The Victimhood: A History Of A-bomb Manga In Japan
title_sort embracing the victimhood: a history of a-bomb manga in japan
topic P1-1091 Philology. Linguistics(General)
url http://eprints.usm.my/40468/
http://eprints.usm.my/40468/
http://eprints.usm.my/40468/1/AbombManga-MasashiIchiki.pdf