MAKING CREATIVE INDUSTRIES POLICY: THE MALAYSIAN CASE

With the launch of the Dasar Industri Kreatif Negara (DIKN) document in 2009, the creative industries have become a policy focus area for the Malaysian government in line with Wawasan 2020 (Vision 2020). By critically analysing the institutional background of the DIKN and creative industries poli...

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Main Authors: Barker, Thomas, Lee, Yuen Beng
Format: Article
Language:English
Published: Universiti Sains Malaysia 2017
Subjects:
Online Access:http://eprints.usm.my/38734/
http://eprints.usm.my/38734/1/MAKING_CREATIVE_INDUSTRIES_POLICY-_THE_MALAYSIAN_CASE.pdf
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author Barker, Thomas
Lee, Yuen Beng
author_facet Barker, Thomas
Lee, Yuen Beng
author_sort Barker, Thomas
building USM Institutional Repository
collection Online Access
description With the launch of the Dasar Industri Kreatif Negara (DIKN) document in 2009, the creative industries have become a policy focus area for the Malaysian government in line with Wawasan 2020 (Vision 2020). By critically analysing the institutional background of the DIKN and creative industries policies implemented to date, this paper shows how the DIKN has been translated into subsequent policy. This paper argues that creative industries policy has largely narrowed to funding schemes and resulted in a proliferation of government agencies. Due in part to the legacy of the Multimedia Super Corridor (MSC) and Multimedia Development Corporation (MDEC), "digital" has increasingly come to be synonymous with "creative". We argue that this raises questions as to how the creative industries are perceived and supported and ultimately the meaning of creativity in the Malaysian creative industries policy context
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spelling usm-387342018-02-08T04:08:36Z http://eprints.usm.my/38734/ MAKING CREATIVE INDUSTRIES POLICY: THE MALAYSIAN CASE Barker, Thomas Lee, Yuen Beng PN1993-1999 Motion pictures TR845-899 Cinematography. Motion pictures With the launch of the Dasar Industri Kreatif Negara (DIKN) document in 2009, the creative industries have become a policy focus area for the Malaysian government in line with Wawasan 2020 (Vision 2020). By critically analysing the institutional background of the DIKN and creative industries policies implemented to date, this paper shows how the DIKN has been translated into subsequent policy. This paper argues that creative industries policy has largely narrowed to funding schemes and resulted in a proliferation of government agencies. Due in part to the legacy of the Multimedia Super Corridor (MSC) and Multimedia Development Corporation (MDEC), "digital" has increasingly come to be synonymous with "creative". We argue that this raises questions as to how the creative industries are perceived and supported and ultimately the meaning of creativity in the Malaysian creative industries policy context Universiti Sains Malaysia 2017 Article PeerReviewed application/pdf en http://eprints.usm.my/38734/1/MAKING_CREATIVE_INDUSTRIES_POLICY-_THE_MALAYSIAN_CASE.pdf Barker, Thomas and Lee, Yuen Beng (2017) MAKING CREATIVE INDUSTRIES POLICY: THE MALAYSIAN CASE. Kajian Malaysia, 35 (2). pp. 21-37. ISSN 0127-4082 http://web.usm.my/km/35(2)2017/km35022017_2.pdf
spellingShingle PN1993-1999 Motion pictures
TR845-899 Cinematography. Motion pictures
Barker, Thomas
Lee, Yuen Beng
MAKING CREATIVE INDUSTRIES POLICY: THE MALAYSIAN CASE
title MAKING CREATIVE INDUSTRIES POLICY: THE MALAYSIAN CASE
title_full MAKING CREATIVE INDUSTRIES POLICY: THE MALAYSIAN CASE
title_fullStr MAKING CREATIVE INDUSTRIES POLICY: THE MALAYSIAN CASE
title_full_unstemmed MAKING CREATIVE INDUSTRIES POLICY: THE MALAYSIAN CASE
title_short MAKING CREATIVE INDUSTRIES POLICY: THE MALAYSIAN CASE
title_sort making creative industries policy: the malaysian case
topic PN1993-1999 Motion pictures
TR845-899 Cinematography. Motion pictures
url http://eprints.usm.my/38734/
http://eprints.usm.my/38734/
http://eprints.usm.my/38734/1/MAKING_CREATIVE_INDUSTRIES_POLICY-_THE_MALAYSIAN_CASE.pdf