Absenteeism of Malaysian identity in art in the early years of independence

This paper discusses the shaping of modern art identity in Malaysia during the 1950s and 1960s. It frames or investigates the development of modern art in terms of Malaysia’s plural society. While writings by Malaysian art historians such as Redza Piyadasa highlights that Malaysian modern art onl...

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Main Author: Abdullah, Sarena
Format: Article
Language:English
Published: 2010
Subjects:
Online Access:http://eprints.usm.my/28238/
http://eprints.usm.my/28238/1/ABSENTEEISM_OF_MALAYSIAN_ART_IDENTITY.pdf
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author Abdullah, Sarena
author_facet Abdullah, Sarena
author_sort Abdullah, Sarena
building USM Institutional Repository
collection Online Access
description This paper discusses the shaping of modern art identity in Malaysia during the 1950s and 1960s. It frames or investigates the development of modern art in terms of Malaysia’s plural society. While writings by Malaysian art historians such as Redza Piyadasa highlights that Malaysian modern art only in terms of its linear development, this paper attempts to discuss the early development of modern art in Malaysia as being influenced either directly or indirectly by the political and social conditions of Malaysia, therefore shifting ways of investigating Malaysia art in a wider context of Malaysia’s cultural and plural studies. Focusing on Malaysian fine arts in the 1950s and 1960s, this paper suggests the ways that Malaysia’s early form of plural society had influenced the early modern art development among artists in groups such as the Nanyang, Wednesday Art Group (WAG) and Angkatan Pelukis Semenanjung (APS).
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spelling usm-282382017-09-20T09:55:58Z http://eprints.usm.my/28238/ Absenteeism of Malaysian identity in art in the early years of independence Abdullah, Sarena NX1-820 Arts in general This paper discusses the shaping of modern art identity in Malaysia during the 1950s and 1960s. It frames or investigates the development of modern art in terms of Malaysia’s plural society. While writings by Malaysian art historians such as Redza Piyadasa highlights that Malaysian modern art only in terms of its linear development, this paper attempts to discuss the early development of modern art in Malaysia as being influenced either directly or indirectly by the political and social conditions of Malaysia, therefore shifting ways of investigating Malaysia art in a wider context of Malaysia’s cultural and plural studies. Focusing on Malaysian fine arts in the 1950s and 1960s, this paper suggests the ways that Malaysia’s early form of plural society had influenced the early modern art development among artists in groups such as the Nanyang, Wednesday Art Group (WAG) and Angkatan Pelukis Semenanjung (APS). 2010-12 Article PeerReviewed application/pdf en http://eprints.usm.my/28238/1/ABSENTEEISM_OF_MALAYSIAN_ART_IDENTITY.pdf Abdullah, Sarena (2010) Absenteeism of Malaysian identity in art in the early years of independence. Jati, 15.
spellingShingle NX1-820 Arts in general
Abdullah, Sarena
Absenteeism of Malaysian identity in art in the early years of independence
title Absenteeism of Malaysian identity in art in the early years of independence
title_full Absenteeism of Malaysian identity in art in the early years of independence
title_fullStr Absenteeism of Malaysian identity in art in the early years of independence
title_full_unstemmed Absenteeism of Malaysian identity in art in the early years of independence
title_short Absenteeism of Malaysian identity in art in the early years of independence
title_sort absenteeism of malaysian identity in art in the early years of independence
topic NX1-820 Arts in general
url http://eprints.usm.my/28238/
http://eprints.usm.my/28238/1/ABSENTEEISM_OF_MALAYSIAN_ART_IDENTITY.pdf