The voice of the silenced in Salman Rushdie’s Shame, Caryl Phillips’s Foreigners: Three English Lives, and Colum McCann’s

This article examines the implications of history in Salman Rushdie’s Shame (1983), Caryl Phillips’s Foreigners: Three English Lives (2007), and Colum McCann’s TransAtlantic (2013). History plays an important role in discriminating and distinguishing the proper characteristics of certain nations and...

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Main Authors: Talif, Rosli, Mani, Manimangai, Bahar, Ida Baizura, Wagaa, Intisar Mohammed
Format: Article
Language:English
Published: Australian International Academic Centre 2017
Online Access:http://psasir.upm.edu.my/id/eprint/63552/
http://psasir.upm.edu.my/id/eprint/63552/1/The%20Voice%20of%20the%20Silenced%20in%20Salman%20Rushdie%E2%80%99s%20Shame%2C%20Caryl%20Phillips%E2%80%99s%20Foreigners.pdf
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author Talif, Rosli
Mani, Manimangai
Bahar, Ida Baizura
Wagaa, Intisar Mohammed
author_facet Talif, Rosli
Mani, Manimangai
Bahar, Ida Baizura
Wagaa, Intisar Mohammed
author_sort Talif, Rosli
building UPM Institutional Repository
collection Online Access
description This article examines the implications of history in Salman Rushdie’s Shame (1983), Caryl Phillips’s Foreigners: Three English Lives (2007), and Colum McCann’s TransAtlantic (2013). History plays an important role in discriminating and distinguishing the proper characteristics of certain nations and people of a specific historical era. The purpose of the current paper is to scrutinize the historical components in the selected novels. These novels incarnate the authors’ visions of the silenced minorities depicted in the fictional plots. They embody the sense of individual sufferings at the time of human devastation and retardation caused by historical events. In essence, my study focuses on the authors’ abstract voices which are uttered through the fictional characters’ dialogic voices. That is, the authors portray the neglected and suppressed voices which need alleviation and freedom. Thus, the authors do not tend to express their authorial voices directly in the novels. Instead, they convey their literary meanings through the characters’ voices. Thus, my analysis will focus on both the authors’ implied voices and their manifestation in the characters’ direct fictional voices. The methodological analysis of the study will concentrate on the way by which the authors present the peculiarities of their fictional characters and discourses.
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spelling upm-635522018-11-05T03:35:51Z http://psasir.upm.edu.my/id/eprint/63552/ The voice of the silenced in Salman Rushdie’s Shame, Caryl Phillips’s Foreigners: Three English Lives, and Colum McCann’s Talif, Rosli Mani, Manimangai Bahar, Ida Baizura Wagaa, Intisar Mohammed This article examines the implications of history in Salman Rushdie’s Shame (1983), Caryl Phillips’s Foreigners: Three English Lives (2007), and Colum McCann’s TransAtlantic (2013). History plays an important role in discriminating and distinguishing the proper characteristics of certain nations and people of a specific historical era. The purpose of the current paper is to scrutinize the historical components in the selected novels. These novels incarnate the authors’ visions of the silenced minorities depicted in the fictional plots. They embody the sense of individual sufferings at the time of human devastation and retardation caused by historical events. In essence, my study focuses on the authors’ abstract voices which are uttered through the fictional characters’ dialogic voices. That is, the authors portray the neglected and suppressed voices which need alleviation and freedom. Thus, the authors do not tend to express their authorial voices directly in the novels. Instead, they convey their literary meanings through the characters’ voices. Thus, my analysis will focus on both the authors’ implied voices and their manifestation in the characters’ direct fictional voices. The methodological analysis of the study will concentrate on the way by which the authors present the peculiarities of their fictional characters and discourses. Australian International Academic Centre 2017 Article PeerReviewed text en http://psasir.upm.edu.my/id/eprint/63552/1/The%20Voice%20of%20the%20Silenced%20in%20Salman%20Rushdie%E2%80%99s%20Shame%2C%20Caryl%20Phillips%E2%80%99s%20Foreigners.pdf Talif, Rosli and Mani, Manimangai and Bahar, Ida Baizura and Wagaa, Intisar Mohammed (2017) The voice of the silenced in Salman Rushdie’s Shame, Caryl Phillips’s Foreigners: Three English Lives, and Colum McCann’s. International Journal of Applied Linguistics & English Literature, 6 (7). 17 - 22. ISSN 2200-3592; ESSN: 2200-3452 http://www.journals.aiac.org.au/index.php/IJALEL/article/view/3754
spellingShingle Talif, Rosli
Mani, Manimangai
Bahar, Ida Baizura
Wagaa, Intisar Mohammed
The voice of the silenced in Salman Rushdie’s Shame, Caryl Phillips’s Foreigners: Three English Lives, and Colum McCann’s
title The voice of the silenced in Salman Rushdie’s Shame, Caryl Phillips’s Foreigners: Three English Lives, and Colum McCann’s
title_full The voice of the silenced in Salman Rushdie’s Shame, Caryl Phillips’s Foreigners: Three English Lives, and Colum McCann’s
title_fullStr The voice of the silenced in Salman Rushdie’s Shame, Caryl Phillips’s Foreigners: Three English Lives, and Colum McCann’s
title_full_unstemmed The voice of the silenced in Salman Rushdie’s Shame, Caryl Phillips’s Foreigners: Three English Lives, and Colum McCann’s
title_short The voice of the silenced in Salman Rushdie’s Shame, Caryl Phillips’s Foreigners: Three English Lives, and Colum McCann’s
title_sort voice of the silenced in salman rushdie’s shame, caryl phillips’s foreigners: three english lives, and colum mccann’s
url http://psasir.upm.edu.my/id/eprint/63552/
http://psasir.upm.edu.my/id/eprint/63552/
http://psasir.upm.edu.my/id/eprint/63552/1/The%20Voice%20of%20the%20Silenced%20in%20Salman%20Rushdie%E2%80%99s%20Shame%2C%20Caryl%20Phillips%E2%80%99s%20Foreigners.pdf