Lauten in regionalen kulturbildern des orients : barbat, gambus, ud und pipa.

Lutes are well respected as indicators of a certain development regarding their material and technological as well as their intellectual level in various histories of oriental cultures. They are considered especially interesting concerning questions about acculturations, transculturations and re-def...

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Bibliographic Details
Main Author: Jaehnichen, Gisa
Other Authors: Boeschoten, Hedrik
Format: Book Section
Published: Are Musik 2012
Online Access:http://psasir.upm.edu.my/id/eprint/26304/
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author Jaehnichen, Gisa
author2 Boeschoten, Hedrik
author_facet Boeschoten, Hedrik
Jaehnichen, Gisa
author_sort Jaehnichen, Gisa
building UPM Institutional Repository
collection Online Access
description Lutes are well respected as indicators of a certain development regarding their material and technological as well as their intellectual level in various histories of oriental cultures. They are considered especially interesting concerning questions about acculturations, transculturations and re-definitions of cultural affiliation, which are represented in the stock of musical instruments of different regions. Though the four names of the lutes barbat, gambus, ud and pipa are already very abstract terms in their actual developing context of cultural life, they mark an important status of musical coexistence of lutes and imply tangible and intangible relations between them. However, I want to apply these terms for being used in the affiliated cultures with a quite clear understanding of their actual differences that are connected to their history and to their social condition.
first_indexed 2025-11-15T08:48:30Z
format Book Section
id upm-26304
institution Universiti Putra Malaysia
institution_category Local University
last_indexed 2025-11-15T08:48:30Z
publishDate 2012
publisher Are Musik
recordtype eprints
repository_type Digital Repository
spelling upm-263042013-12-24T07:22:51Z http://psasir.upm.edu.my/id/eprint/26304/ Lauten in regionalen kulturbildern des orients : barbat, gambus, ud und pipa. Jaehnichen, Gisa Lutes are well respected as indicators of a certain development regarding their material and technological as well as their intellectual level in various histories of oriental cultures. They are considered especially interesting concerning questions about acculturations, transculturations and re-definitions of cultural affiliation, which are represented in the stock of musical instruments of different regions. Though the four names of the lutes barbat, gambus, ud and pipa are already very abstract terms in their actual developing context of cultural life, they mark an important status of musical coexistence of lutes and imply tangible and intangible relations between them. However, I want to apply these terms for being used in the affiliated cultures with a quite clear understanding of their actual differences that are connected to their history and to their social condition. Are Musik Boeschoten, Hedrik Wiesend, Reinahrd 2012 Book Section PeerReviewed Jaehnichen, Gisa (2012) Lauten in regionalen kulturbildern des orients : barbat, gambus, ud und pipa. In: Musik im Orient: Zwischen Maqam und Epengesang. Are Musik , Mainz, Germany, pp. 24-63.
spellingShingle Jaehnichen, Gisa
Lauten in regionalen kulturbildern des orients : barbat, gambus, ud und pipa.
title Lauten in regionalen kulturbildern des orients : barbat, gambus, ud und pipa.
title_full Lauten in regionalen kulturbildern des orients : barbat, gambus, ud und pipa.
title_fullStr Lauten in regionalen kulturbildern des orients : barbat, gambus, ud und pipa.
title_full_unstemmed Lauten in regionalen kulturbildern des orients : barbat, gambus, ud und pipa.
title_short Lauten in regionalen kulturbildern des orients : barbat, gambus, ud und pipa.
title_sort lauten in regionalen kulturbildern des orients : barbat, gambus, ud und pipa.
url http://psasir.upm.edu.my/id/eprint/26304/