Interlocking rhythmic composition style of Borneo ketebong - the Gendang Pampat

This work was conducted using the PicoScope signal extraction and Adobe Audition procedure, which revealed significant insights regarding the Iban traditional drum called ketebong. Three ketebong of different lengths, i.e., long, medium, and short sizes were studied. The amplitude of the long ketebo...

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Main Authors: Sinin, Aaliyawani Ezzerin, Sinin, Hamdan, Mohamad Said, Khairul Anwar, M Duin, Ezra Alfandy
Format: Article
Language:English
Published: BioResources 2024
Online Access:http://psasir.upm.edu.my/id/eprint/117855/
http://psasir.upm.edu.my/id/eprint/117855/1/117855.pdf
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author Sinin, Aaliyawani Ezzerin
Sinin, Hamdan
Mohamad Said, Khairul Anwar
M Duin, Ezra Alfandy
author_facet Sinin, Aaliyawani Ezzerin
Sinin, Hamdan
Mohamad Said, Khairul Anwar
M Duin, Ezra Alfandy
author_sort Sinin, Aaliyawani Ezzerin
building UPM Institutional Repository
collection Online Access
description This work was conducted using the PicoScope signal extraction and Adobe Audition procedure, which revealed significant insights regarding the Iban traditional drum called ketebong. Three ketebong of different lengths, i.e., long, medium, and short sizes were studied. The amplitude of the long ketebong signal remains constant, showing that it had sustained its timbre for a longer duration compared to medium and short ketebong. Considering the diameter, all ketebong are almost similar, all the ketebong yield fundamental frequency at 50.15 Hz (i.e., G1# ~51.9 Hz). Although all ketebong showed similar fundamental frequency, Adobe Audition showed that the long ketebong has a brighter sound than the medium ketebong followed by the short ketebong. The purpose of this study is to derive the musical qualities of Gendang Pampat (GP), with a particular emphasis on the ketebong performance technique. The goal is to produce a rhythmic composition that integrates and reinforces a connected, expressive, rhythmic musical arrangement. The study aims to establish a framework by investigating the interlocking of rhythmic of GP to generate musical interpretation for composing a new repertoire for GP performance.
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institution Universiti Putra Malaysia
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spelling upm-1178552025-07-11T07:22:35Z http://psasir.upm.edu.my/id/eprint/117855/ Interlocking rhythmic composition style of Borneo ketebong - the Gendang Pampat Sinin, Aaliyawani Ezzerin Sinin, Hamdan Mohamad Said, Khairul Anwar M Duin, Ezra Alfandy This work was conducted using the PicoScope signal extraction and Adobe Audition procedure, which revealed significant insights regarding the Iban traditional drum called ketebong. Three ketebong of different lengths, i.e., long, medium, and short sizes were studied. The amplitude of the long ketebong signal remains constant, showing that it had sustained its timbre for a longer duration compared to medium and short ketebong. Considering the diameter, all ketebong are almost similar, all the ketebong yield fundamental frequency at 50.15 Hz (i.e., G1# ~51.9 Hz). Although all ketebong showed similar fundamental frequency, Adobe Audition showed that the long ketebong has a brighter sound than the medium ketebong followed by the short ketebong. The purpose of this study is to derive the musical qualities of Gendang Pampat (GP), with a particular emphasis on the ketebong performance technique. The goal is to produce a rhythmic composition that integrates and reinforces a connected, expressive, rhythmic musical arrangement. The study aims to establish a framework by investigating the interlocking of rhythmic of GP to generate musical interpretation for composing a new repertoire for GP performance. BioResources 2024 Article PeerReviewed text en http://psasir.upm.edu.my/id/eprint/117855/1/117855.pdf Sinin, Aaliyawani Ezzerin and Sinin, Hamdan and Mohamad Said, Khairul Anwar and M Duin, Ezra Alfandy (2024) Interlocking rhythmic composition style of Borneo ketebong - the Gendang Pampat. BioResources, 19 (4). pp. 9447-9457. ISSN 1930-2126 https://bioresources.cnr.ncsu.edu/resources/interlocking-rhythmic-composition-style-of-borneo-ketebong-the-gendang-pampat/ 10.15376/biores.19.4.9447-9457
spellingShingle Sinin, Aaliyawani Ezzerin
Sinin, Hamdan
Mohamad Said, Khairul Anwar
M Duin, Ezra Alfandy
Interlocking rhythmic composition style of Borneo ketebong - the Gendang Pampat
title Interlocking rhythmic composition style of Borneo ketebong - the Gendang Pampat
title_full Interlocking rhythmic composition style of Borneo ketebong - the Gendang Pampat
title_fullStr Interlocking rhythmic composition style of Borneo ketebong - the Gendang Pampat
title_full_unstemmed Interlocking rhythmic composition style of Borneo ketebong - the Gendang Pampat
title_short Interlocking rhythmic composition style of Borneo ketebong - the Gendang Pampat
title_sort interlocking rhythmic composition style of borneo ketebong - the gendang pampat
url http://psasir.upm.edu.my/id/eprint/117855/
http://psasir.upm.edu.my/id/eprint/117855/
http://psasir.upm.edu.my/id/eprint/117855/
http://psasir.upm.edu.my/id/eprint/117855/1/117855.pdf