The ontological characteristics and construction mechanism of low-carbon art in Chinese kung fu films
The essence of beauty resides in the liberation of emotions. In comparison to natural objects, artistic objects have a greater propensity to evoke intense and unrestrained emotions in aesthetic subjects. Researchers have categorized these emotions into three types based on their quality and quantity...
| Main Authors: | , , |
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| Format: | Article |
| Language: | English |
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Pegem Akademi Yayincilik
2024
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| Online Access: | http://psasir.upm.edu.my/id/eprint/117655/ http://psasir.upm.edu.my/id/eprint/117655/1/117655.pdf |
| _version_ | 1848867306258563072 |
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| author | De Costa, Feroz Kasimon, Diyana Nawar Guangsheng, Meng |
| author_facet | De Costa, Feroz Kasimon, Diyana Nawar Guangsheng, Meng |
| author_sort | De Costa, Feroz |
| building | UPM Institutional Repository |
| collection | Online Access |
| description | The essence of beauty resides in the liberation of emotions. In comparison to natural objects, artistic objects have a greater propensity to evoke intense and unrestrained emotions in aesthetic subjects. Researchers have categorized these emotions into three types based on their quality and quantity: enlightening free emotion, sensory free emotion, and immersive free emotion. Low-carbon art refers to an artistic text that incorporates objective truth as its defining characteristic in textual composition, while also incorporating intuitive truth, surrealistic truth, or subjective truth as its fundamental condition. Through interaction with aesthetic subjects, low-carbon art stimulates enlightening free emotion and promotes both physical and mental well-being for the individuals involved. Objective truth serves as the necessary and sufficient condition for creating a low-carbon artistic text. There are two primary approaches to achieving objective reality within a low-carbon art text: one is grounded in intuitive reality or surrealistic reality; the second is rooted in subjective truth. |
| first_indexed | 2025-11-15T14:34:24Z |
| format | Article |
| id | upm-117655 |
| institution | Universiti Putra Malaysia |
| institution_category | Local University |
| language | English |
| last_indexed | 2025-11-15T14:34:24Z |
| publishDate | 2024 |
| publisher | Pegem Akademi Yayincilik |
| recordtype | eprints |
| repository_type | Digital Repository |
| spelling | upm-1176552025-06-04T06:33:16Z http://psasir.upm.edu.my/id/eprint/117655/ The ontological characteristics and construction mechanism of low-carbon art in Chinese kung fu films De Costa, Feroz Kasimon, Diyana Nawar Guangsheng, Meng The essence of beauty resides in the liberation of emotions. In comparison to natural objects, artistic objects have a greater propensity to evoke intense and unrestrained emotions in aesthetic subjects. Researchers have categorized these emotions into three types based on their quality and quantity: enlightening free emotion, sensory free emotion, and immersive free emotion. Low-carbon art refers to an artistic text that incorporates objective truth as its defining characteristic in textual composition, while also incorporating intuitive truth, surrealistic truth, or subjective truth as its fundamental condition. Through interaction with aesthetic subjects, low-carbon art stimulates enlightening free emotion and promotes both physical and mental well-being for the individuals involved. Objective truth serves as the necessary and sufficient condition for creating a low-carbon artistic text. There are two primary approaches to achieving objective reality within a low-carbon art text: one is grounded in intuitive reality or surrealistic reality; the second is rooted in subjective truth. Pegem Akademi Yayincilik 2024-04-13 Article PeerReviewed text en cc_by_4 http://psasir.upm.edu.my/id/eprint/117655/1/117655.pdf De Costa, Feroz and Kasimon, Diyana Nawar and Guangsheng, Meng (2024) The ontological characteristics and construction mechanism of low-carbon art in Chinese kung fu films. Educational Administration: Theory and Practice, 30 (4). pp. 1739-1745. ISSN 1300-4832; eISSN: 2148-2403 https://kuey.net/index.php/kuey/article/view/1740 |
| spellingShingle | De Costa, Feroz Kasimon, Diyana Nawar Guangsheng, Meng The ontological characteristics and construction mechanism of low-carbon art in Chinese kung fu films |
| title | The ontological characteristics and construction mechanism of low-carbon art in Chinese kung fu films |
| title_full | The ontological characteristics and construction mechanism of low-carbon art in Chinese kung fu films |
| title_fullStr | The ontological characteristics and construction mechanism of low-carbon art in Chinese kung fu films |
| title_full_unstemmed | The ontological characteristics and construction mechanism of low-carbon art in Chinese kung fu films |
| title_short | The ontological characteristics and construction mechanism of low-carbon art in Chinese kung fu films |
| title_sort | ontological characteristics and construction mechanism of low-carbon art in chinese kung fu films |
| url | http://psasir.upm.edu.my/id/eprint/117655/ http://psasir.upm.edu.my/id/eprint/117655/ http://psasir.upm.edu.my/id/eprint/117655/1/117655.pdf |