Interlocking Rhythmic Composition Style of Borneo Ketebong-The Gendang Pampat

This work was conducted using the PicoScope signal extraction and Adobe Audition procedure, which revealed significant insights regarding the Iban traditional drum called ketebong. Three ketebong of different lengths, i.e., long, medium, and short sizes were studied. The amplitude of the long ketebo...

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Main Authors: Sinin, Aaliyawani E., Hamdan, Sinin, Said, Khairul A. Mohamad, Duin, Ezra A. M., Musib, Ahmad F.
Format: Article
Published: BioResources 2024
Online Access:http://psasir.upm.edu.my/id/eprint/115713/
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author Sinin, Aaliyawani E.
Hamdan, Sinin
Said, Khairul A. Mohamad
Duin, Ezra A. M.
Musib, Ahmad F.
author_facet Sinin, Aaliyawani E.
Hamdan, Sinin
Said, Khairul A. Mohamad
Duin, Ezra A. M.
Musib, Ahmad F.
author_sort Sinin, Aaliyawani E.
building UPM Institutional Repository
collection Online Access
description This work was conducted using the PicoScope signal extraction and Adobe Audition procedure, which revealed significant insights regarding the Iban traditional drum called ketebong. Three ketebong of different lengths, i.e., long, medium, and short sizes were studied. The amplitude of the long ketebong signal remains constant, showing that it had sustained its timbre for a longer duration compared to medium and short ketebong. Considering the diameter, all ketebong are almost similar, all the ketebong yield fundamental frequency at 50.15 Hz (i.e., G1# ~51.9 Hz). Although all ketebong showed similar fundamental frequency, Adobe Audition showed that the long ketebong has a brighter sound than the medium ketebong followed by the short ketebong. The purpose of this study is to derive the musical qualities of Gendang Pampat (GP), with a particular emphasis on the ketebong performance technique. The goal is to produce a rhythmic composition that integrates and reinforces a connected, expressive, rhythmic musical arrangement. The study aims to establish a framework by investigating the interlocking of rhythmic of GP to generate musical interpretation for composing a new repertoire for GP performance.
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institution Universiti Putra Malaysia
institution_category Local University
last_indexed 2025-11-15T14:27:06Z
publishDate 2024
publisher BioResources
recordtype eprints
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spelling upm-1157132025-03-10T08:17:49Z http://psasir.upm.edu.my/id/eprint/115713/ Interlocking Rhythmic Composition Style of Borneo Ketebong-The Gendang Pampat Sinin, Aaliyawani E. Hamdan, Sinin Said, Khairul A. Mohamad Duin, Ezra A. M. Musib, Ahmad F. This work was conducted using the PicoScope signal extraction and Adobe Audition procedure, which revealed significant insights regarding the Iban traditional drum called ketebong. Three ketebong of different lengths, i.e., long, medium, and short sizes were studied. The amplitude of the long ketebong signal remains constant, showing that it had sustained its timbre for a longer duration compared to medium and short ketebong. Considering the diameter, all ketebong are almost similar, all the ketebong yield fundamental frequency at 50.15 Hz (i.e., G1# ~51.9 Hz). Although all ketebong showed similar fundamental frequency, Adobe Audition showed that the long ketebong has a brighter sound than the medium ketebong followed by the short ketebong. The purpose of this study is to derive the musical qualities of Gendang Pampat (GP), with a particular emphasis on the ketebong performance technique. The goal is to produce a rhythmic composition that integrates and reinforces a connected, expressive, rhythmic musical arrangement. The study aims to establish a framework by investigating the interlocking of rhythmic of GP to generate musical interpretation for composing a new repertoire for GP performance. BioResources 2024 Article PeerReviewed Sinin, Aaliyawani E. and Hamdan, Sinin and Said, Khairul A. Mohamad and Duin, Ezra A. M. and Musib, Ahmad F. (2024) Interlocking Rhythmic Composition Style of Borneo Ketebong-The Gendang Pampat. BioResources, 19 (4). pp. 9447-9457. ISSN 1930-2126; eISSN: 1930-2126 10.15376/biores.19.4.9447-9457
spellingShingle Sinin, Aaliyawani E.
Hamdan, Sinin
Said, Khairul A. Mohamad
Duin, Ezra A. M.
Musib, Ahmad F.
Interlocking Rhythmic Composition Style of Borneo Ketebong-The Gendang Pampat
title Interlocking Rhythmic Composition Style of Borneo Ketebong-The Gendang Pampat
title_full Interlocking Rhythmic Composition Style of Borneo Ketebong-The Gendang Pampat
title_fullStr Interlocking Rhythmic Composition Style of Borneo Ketebong-The Gendang Pampat
title_full_unstemmed Interlocking Rhythmic Composition Style of Borneo Ketebong-The Gendang Pampat
title_short Interlocking Rhythmic Composition Style of Borneo Ketebong-The Gendang Pampat
title_sort interlocking rhythmic composition style of borneo ketebong-the gendang pampat
url http://psasir.upm.edu.my/id/eprint/115713/
http://psasir.upm.edu.my/id/eprint/115713/