Playing gamelan bonang in the air: user requirements for designing a digital musical instrument for the Malay bonang
In recent years, computer technologies have been impactful in the design and development of Digital Musical Instruments (DMIs). As music interaction became prominent in the Human-Computer Interaction (HCI) field, emphasis on user requirement upon the design of musical interfaces has also grown since...
| Main Authors: | , , , , |
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| Format: | Article |
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Universiti Pendidikan Sultan Idris
2024
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| Online Access: | http://psasir.upm.edu.my/id/eprint/102792/ |
| _version_ | 1848863873737687040 |
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| author | Ahmad Saffian, Khatriza Mohd Norowi, Noris Abdullah, Lili Nurliyana Sulaiman, Puteri Suhaiza Musib, Ahmad Faudzi |
| author_facet | Ahmad Saffian, Khatriza Mohd Norowi, Noris Abdullah, Lili Nurliyana Sulaiman, Puteri Suhaiza Musib, Ahmad Faudzi |
| author_sort | Ahmad Saffian, Khatriza |
| building | UPM Institutional Repository |
| collection | Online Access |
| description | In recent years, computer technologies have been impactful in the design and development of Digital Musical Instruments (DMIs). As music interaction became prominent in the Human-Computer Interaction (HCI) field, emphasis on user requirement upon the design of musical interfaces has also grown since the last decade. Although designing new DMIs is becoming very popular, it is often determined by the designers and often not reflective of users’ needs. In this study, we explored user requirements for the design of a virtual musical instrument of the Malay bonang, an instrument found in the Malay gamelan ensemble. The requirements were elicited from a group of gamelan experts to establish the bonang playing techniques to be mapped to the virtual instrument which we called Air Bonang. Findings revealed that in designing the Air Bonang that is natural and expressive, the fundamental playing techniques of the bonang should be integrated into the system using mid-air interaction. In addition, exploratory techniques might also be integrated into the Air Bonang to leverage musical expression. The outcome of the study proposes design criteria that encompass three aspects of a natural Air Bonang, namely, embodiment, expressiveness, and feedback. |
| first_indexed | 2025-11-15T13:39:50Z |
| format | Article |
| id | upm-102792 |
| institution | Universiti Putra Malaysia |
| institution_category | Local University |
| last_indexed | 2025-11-15T13:39:50Z |
| publishDate | 2024 |
| publisher | Universiti Pendidikan Sultan Idris |
| recordtype | eprints |
| repository_type | Digital Repository |
| spelling | upm-1027922024-06-30T01:51:15Z http://psasir.upm.edu.my/id/eprint/102792/ Playing gamelan bonang in the air: user requirements for designing a digital musical instrument for the Malay bonang Ahmad Saffian, Khatriza Mohd Norowi, Noris Abdullah, Lili Nurliyana Sulaiman, Puteri Suhaiza Musib, Ahmad Faudzi In recent years, computer technologies have been impactful in the design and development of Digital Musical Instruments (DMIs). As music interaction became prominent in the Human-Computer Interaction (HCI) field, emphasis on user requirement upon the design of musical interfaces has also grown since the last decade. Although designing new DMIs is becoming very popular, it is often determined by the designers and often not reflective of users’ needs. In this study, we explored user requirements for the design of a virtual musical instrument of the Malay bonang, an instrument found in the Malay gamelan ensemble. The requirements were elicited from a group of gamelan experts to establish the bonang playing techniques to be mapped to the virtual instrument which we called Air Bonang. Findings revealed that in designing the Air Bonang that is natural and expressive, the fundamental playing techniques of the bonang should be integrated into the system using mid-air interaction. In addition, exploratory techniques might also be integrated into the Air Bonang to leverage musical expression. The outcome of the study proposes design criteria that encompass three aspects of a natural Air Bonang, namely, embodiment, expressiveness, and feedback. Universiti Pendidikan Sultan Idris 2024 Article PeerReviewed Ahmad Saffian, Khatriza and Mohd Norowi, Noris and Abdullah, Lili Nurliyana and Sulaiman, Puteri Suhaiza and Musib, Ahmad Faudzi (2024) Playing gamelan bonang in the air: user requirements for designing a digital musical instrument for the Malay bonang. Malaysian journal of music, 11 (1). pp. 68-83. ISSN 2600-9366; ESSN: 2600-9331 https://ejournal.upsi.edu.my/index.php/MJM/article/view/6917 10.37134/mjm.vol11.1.5.2022 |
| spellingShingle | Ahmad Saffian, Khatriza Mohd Norowi, Noris Abdullah, Lili Nurliyana Sulaiman, Puteri Suhaiza Musib, Ahmad Faudzi Playing gamelan bonang in the air: user requirements for designing a digital musical instrument for the Malay bonang |
| title | Playing gamelan bonang in the air: user requirements for designing a digital musical instrument for the Malay bonang |
| title_full | Playing gamelan bonang in the air: user requirements for designing a digital musical instrument for the Malay bonang |
| title_fullStr | Playing gamelan bonang in the air: user requirements for designing a digital musical instrument for the Malay bonang |
| title_full_unstemmed | Playing gamelan bonang in the air: user requirements for designing a digital musical instrument for the Malay bonang |
| title_short | Playing gamelan bonang in the air: user requirements for designing a digital musical instrument for the Malay bonang |
| title_sort | playing gamelan bonang in the air: user requirements for designing a digital musical instrument for the malay bonang |
| url | http://psasir.upm.edu.my/id/eprint/102792/ http://psasir.upm.edu.my/id/eprint/102792/ http://psasir.upm.edu.my/id/eprint/102792/ |