Sound Art in Malaysia from a Malaysian Sound Artist Perspective
Early exploration of the use of computers in Musical Instrument Digital Interface (MIDI), somehow allowed me to venture further into the domain of sound. Nothing much was known or noted in terms of the notion or historical perspectives of electroacoustic music in Malaysia. Unlike in the West, our m...
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| Format: | Article |
| Language: | English |
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Malaysian Music Journal
2013
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| Subjects: | |
| Online Access: | http://ir.unimas.my/id/eprint/4388/ http://ir.unimas.my/id/eprint/4388/1/Hasnizam.pdf |
| _version_ | 1848835414197010432 |
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| author | Hasnizam, Abdul Wahid |
| author_facet | Hasnizam, Abdul Wahid |
| author_sort | Hasnizam, Abdul Wahid |
| building | UNIMAS Institutional Repository |
| collection | Online Access |
| description | Early exploration of the use of computers in Musical Instrument Digital Interface (MIDI), somehow allowed me to venture further into the domain of sound. Nothing much
was known or noted in terms of the notion or historical perspectives of electroacoustic music in Malaysia. Unlike in the West, our music industry accommodated Western
music, particularly popular music, but not experimental or electroacoustic music. The advancement in computer technology in music applications introduced new creative
ideas, and its democratization permitted more creative exploration, technically and aesthetically. This paper is a recollection of the long journey of a Malaysian composer
venturing into electroacoustic music. |
| first_indexed | 2025-11-15T06:07:29Z |
| format | Article |
| id | unimas-4388 |
| institution | Universiti Malaysia Sarawak |
| institution_category | Local University |
| language | English |
| last_indexed | 2025-11-15T06:07:29Z |
| publishDate | 2013 |
| publisher | Malaysian Music Journal |
| recordtype | eprints |
| repository_type | Digital Repository |
| spelling | unimas-43882022-01-25T06:22:54Z http://ir.unimas.my/id/eprint/4388/ Sound Art in Malaysia from a Malaysian Sound Artist Perspective Hasnizam, Abdul Wahid N Visual arts (General) For photography, see TR Early exploration of the use of computers in Musical Instrument Digital Interface (MIDI), somehow allowed me to venture further into the domain of sound. Nothing much was known or noted in terms of the notion or historical perspectives of electroacoustic music in Malaysia. Unlike in the West, our music industry accommodated Western music, particularly popular music, but not experimental or electroacoustic music. The advancement in computer technology in music applications introduced new creative ideas, and its democratization permitted more creative exploration, technically and aesthetically. This paper is a recollection of the long journey of a Malaysian composer venturing into electroacoustic music. Malaysian Music Journal 2013 Article PeerReviewed text en http://ir.unimas.my/id/eprint/4388/1/Hasnizam.pdf Hasnizam, Abdul Wahid (2013) Sound Art in Malaysia from a Malaysian Sound Artist Perspective. Malaysian Music Journal, 2 (2). pp. 118-128. ISSN 2232-1020 |
| spellingShingle | N Visual arts (General) For photography, see TR Hasnizam, Abdul Wahid Sound Art in Malaysia from a Malaysian Sound Artist Perspective |
| title | Sound Art in Malaysia from a Malaysian Sound Artist Perspective |
| title_full | Sound Art in Malaysia from a Malaysian Sound Artist Perspective |
| title_fullStr | Sound Art in Malaysia from a Malaysian Sound Artist Perspective |
| title_full_unstemmed | Sound Art in Malaysia from a Malaysian Sound Artist Perspective |
| title_short | Sound Art in Malaysia from a Malaysian Sound Artist Perspective |
| title_sort | sound art in malaysia from a malaysian sound artist perspective |
| topic | N Visual arts (General) For photography, see TR |
| url | http://ir.unimas.my/id/eprint/4388/ http://ir.unimas.my/id/eprint/4388/1/Hasnizam.pdf |