Camera movement in Martin Scorsese's films : an analysis of authorship from script to screen

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Camera movement in Martin Scorsese's films : an analysis of authorship from script to screen

This research applies the auteur theory to study a specific cinematic techniwue in the fils of Martin Scorsese: camera movement n the long take. Particular scenes with this type of shot in Mean Streets (1973), Goodfellas (1990), and Casino (1995) - all directed by Scorsese but using different cinem...

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Bibliographic Details
Main Author:	Chua, Xian Jun
Format:	Final Year Project Report / IMRAD
Language:	English English
Published:	Universiti Malaysia Sarawak (UNIMAS) 2013
Subjects:	N Visual arts (General) For photography, see TR
Online Access:	http://ir.unimas.my/id/eprint/18972/ http://ir.unimas.my/id/eprint/18972/1/Camera%20movement%20in%20Martin%20%2824%20pages%29.pdf http://ir.unimas.my/id/eprint/18972/9/Chua%28fulltext%29.pdf

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