Camera movement in Martin Scorsese's films : an analysis of authorship from script to screen
This research applies the auteur theory to study a specific cinematic techniwue in the fils of Martin Scorsese: camera movement n the long take. Particular scenes with this type of shot in Mean Streets (1973), Goodfellas (1990), and Casino (1995) - all directed by Scorsese but using different cinem...
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| Format: | Final Year Project Report / IMRAD |
| Language: | English English |
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Universiti Malaysia Sarawak (UNIMAS)
2013
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| Online Access: | http://ir.unimas.my/id/eprint/18972/ http://ir.unimas.my/id/eprint/18972/1/Camera%20movement%20in%20Martin%20%2824%20pages%29.pdf http://ir.unimas.my/id/eprint/18972/9/Chua%28fulltext%29.pdf |
| _version_ | 1848838620532703232 |
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| author | Chua, Xian Jun |
| author_facet | Chua, Xian Jun |
| author_sort | Chua, Xian Jun |
| building | UNIMAS Institutional Repository |
| collection | Online Access |
| description | This research applies the auteur theory to study a specific cinematic techniwue in the fils of Martin Scorsese: camera movement n the long take. Particular scenes with this type of shot in Mean Streets (1973), Goodfellas (1990), and Casino (1995) - all directed by Scorsese but using different cinematographers and writers - are analyzed to assess the true authorship of this camera movement. This research has then been applied in the production of a short film, in the same genre as the three afirementioned fils, featuring dynamic camera movement in a long take. |
| first_indexed | 2025-11-15T06:58:27Z |
| format | Final Year Project Report / IMRAD |
| id | unimas-18972 |
| institution | Universiti Malaysia Sarawak |
| institution_category | Local University |
| language | English English |
| last_indexed | 2025-11-15T06:58:27Z |
| publishDate | 2013 |
| publisher | Universiti Malaysia Sarawak (UNIMAS) |
| recordtype | eprints |
| repository_type | Digital Repository |
| spelling | unimas-189722023-12-01T07:00:28Z http://ir.unimas.my/id/eprint/18972/ Camera movement in Martin Scorsese's films : an analysis of authorship from script to screen Chua, Xian Jun N Visual arts (General) For photography, see TR This research applies the auteur theory to study a specific cinematic techniwue in the fils of Martin Scorsese: camera movement n the long take. Particular scenes with this type of shot in Mean Streets (1973), Goodfellas (1990), and Casino (1995) - all directed by Scorsese but using different cinematographers and writers - are analyzed to assess the true authorship of this camera movement. This research has then been applied in the production of a short film, in the same genre as the three afirementioned fils, featuring dynamic camera movement in a long take. Universiti Malaysia Sarawak (UNIMAS) 2013 Final Year Project Report / IMRAD NonPeerReviewed text en http://ir.unimas.my/id/eprint/18972/1/Camera%20movement%20in%20Martin%20%2824%20pages%29.pdf text en http://ir.unimas.my/id/eprint/18972/9/Chua%28fulltext%29.pdf Chua, Xian Jun (2013) Camera movement in Martin Scorsese's films : an analysis of authorship from script to screen. [Final Year Project Report / IMRAD] (Unpublished) |
| spellingShingle | N Visual arts (General) For photography, see TR Chua, Xian Jun Camera movement in Martin Scorsese's films : an analysis of authorship from script to screen |
| title | Camera movement in Martin Scorsese's films : an analysis of authorship from script to screen |
| title_full | Camera movement in Martin Scorsese's films : an analysis of authorship from script to screen |
| title_fullStr | Camera movement in Martin Scorsese's films : an analysis of authorship from script to screen |
| title_full_unstemmed | Camera movement in Martin Scorsese's films : an analysis of authorship from script to screen |
| title_short | Camera movement in Martin Scorsese's films : an analysis of authorship from script to screen |
| title_sort | camera movement in martin scorsese's films : an analysis of authorship from script to screen |
| topic | N Visual arts (General) For photography, see TR |
| url | http://ir.unimas.my/id/eprint/18972/ http://ir.unimas.my/id/eprint/18972/1/Camera%20movement%20in%20Martin%20%2824%20pages%29.pdf http://ir.unimas.my/id/eprint/18972/9/Chua%28fulltext%29.pdf |