The Chinese opera in fiction film

Chinese opera in the fiction folm introduces the application of Chinese opera which its audience decline year by year, into a fictional film. The topic objectives are to identify the origins of the solo section of Chinese opera are attracted into the fiction film and determine the methods of adapti...

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Bibliographic Details
Main Author: Tan, Sieu Chen
Format: Final Year Project Report / IMRAD
Language:English
English
Published: Universiti Malaysia Sarawak (UNIMAS) 2013
Subjects:
Online Access:http://ir.unimas.my/id/eprint/18683/
http://ir.unimas.my/id/eprint/18683/1/The%20Chinese%20Opera%20in%20fiction%20film%20%2824%20pages%29.pdf
http://ir.unimas.my/id/eprint/18683/7/Tan%20Sieu%20Chen.pdf
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author Tan, Sieu Chen
author_facet Tan, Sieu Chen
author_sort Tan, Sieu Chen
building UNIMAS Institutional Repository
collection Online Access
description Chinese opera in the fiction folm introduces the application of Chinese opera which its audience decline year by year, into a fictional film. The topic objectives are to identify the origins of the solo section of Chinese opera are attracted into the fiction film and determine the methods of adapting Chinese opera into fiction film such as adaptation of play, play within a play, and symbolism. The outcomes of the research will be coming out by the Chinese opera shapes the parallel structures with the fiction story in the fiction film and Chinese opera also enrich the story given by the scripwriting skills above. In the end, the researcher will practice to make a short film called Flee by Night (2013) which incorporates fiction story and Chinese opera performance.
first_indexed 2025-11-15T06:57:34Z
format Final Year Project Report / IMRAD
id unimas-18683
institution Universiti Malaysia Sarawak
institution_category Local University
language English
English
last_indexed 2025-11-15T06:57:34Z
publishDate 2013
publisher Universiti Malaysia Sarawak (UNIMAS)
recordtype eprints
repository_type Digital Repository
spelling unimas-186832024-04-30T03:22:26Z http://ir.unimas.my/id/eprint/18683/ The Chinese opera in fiction film Tan, Sieu Chen N Visual arts (General) For photography, see TR Chinese opera in the fiction folm introduces the application of Chinese opera which its audience decline year by year, into a fictional film. The topic objectives are to identify the origins of the solo section of Chinese opera are attracted into the fiction film and determine the methods of adapting Chinese opera into fiction film such as adaptation of play, play within a play, and symbolism. The outcomes of the research will be coming out by the Chinese opera shapes the parallel structures with the fiction story in the fiction film and Chinese opera also enrich the story given by the scripwriting skills above. In the end, the researcher will practice to make a short film called Flee by Night (2013) which incorporates fiction story and Chinese opera performance. Universiti Malaysia Sarawak (UNIMAS) 2013 Final Year Project Report / IMRAD NonPeerReviewed text en http://ir.unimas.my/id/eprint/18683/1/The%20Chinese%20Opera%20in%20fiction%20film%20%2824%20pages%29.pdf text en http://ir.unimas.my/id/eprint/18683/7/Tan%20Sieu%20Chen.pdf Tan, Sieu Chen (2013) The Chinese opera in fiction film. [Final Year Project Report / IMRAD] (Unpublished)
spellingShingle N Visual arts (General) For photography, see TR
Tan, Sieu Chen
The Chinese opera in fiction film
title The Chinese opera in fiction film
title_full The Chinese opera in fiction film
title_fullStr The Chinese opera in fiction film
title_full_unstemmed The Chinese opera in fiction film
title_short The Chinese opera in fiction film
title_sort chinese opera in fiction film
topic N Visual arts (General) For photography, see TR
url http://ir.unimas.my/id/eprint/18683/
http://ir.unimas.my/id/eprint/18683/1/The%20Chinese%20Opera%20in%20fiction%20film%20%2824%20pages%29.pdf
http://ir.unimas.my/id/eprint/18683/7/Tan%20Sieu%20Chen.pdf