Authorship Abu Bakar Ellah di dalam telemovie arahannya

This research is intended to analyse five telemovies directed by Abu Bakar Ellah. The Autuer theory was applied as a conceptual framework in this study. The problem statement of this study was there is no scientific research that has been conducted in the aspects of Abu Bakar Ellah’s directing st...

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Main Author: Sydney Thomas, Sibangan
Format: Thesis
Language:English
Published: Universiti Malaysia Sarawak, (UNIMAS) 2015
Subjects:
Online Access:http://ir.unimas.my/id/eprint/10756/
http://ir.unimas.my/id/eprint/10756/5/Sydney%20ft.pdf
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author Sydney Thomas, Sibangan
author_facet Sydney Thomas, Sibangan
author_sort Sydney Thomas, Sibangan
building UNIMAS Institutional Repository
collection Online Access
description This research is intended to analyse five telemovies directed by Abu Bakar Ellah. The Autuer theory was applied as a conceptual framework in this study. The problem statement of this study was there is no scientific research that has been conducted in the aspects of Abu Bakar Ellah’s directing style. The objectives of this research were to study Abu Bakar Ellah’s backgrounds as a practitioner in the arts and analysing his five telemovies to identify his directing style. The sample of this research was five telemovies directed by Abu Bakar Ellah from the year 2004 until the year 2006, namely ‘PTI’ (2004), ‘Ampal 2: Atek dan Atok’ (2005), ‘Orang Kita 2’ (2006), ‘PTI 2’ (2006), and ‘KDM’ (2006). This study finds that in all of his telemovies, Abu Bakar Ellah consistently repeated aspects of genres, talents, shooting locations, the used of various language, and cultural presentation. Besides that, this study prove that Abu Bakar Ellah only presented the reality of Sabah in his telemovies.
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spelling unimas-107562024-03-22T03:01:28Z http://ir.unimas.my/id/eprint/10756/ Authorship Abu Bakar Ellah di dalam telemovie arahannya Sydney Thomas, Sibangan N Visual arts (General) For photography, see TR This research is intended to analyse five telemovies directed by Abu Bakar Ellah. The Autuer theory was applied as a conceptual framework in this study. The problem statement of this study was there is no scientific research that has been conducted in the aspects of Abu Bakar Ellah’s directing style. The objectives of this research were to study Abu Bakar Ellah’s backgrounds as a practitioner in the arts and analysing his five telemovies to identify his directing style. The sample of this research was five telemovies directed by Abu Bakar Ellah from the year 2004 until the year 2006, namely ‘PTI’ (2004), ‘Ampal 2: Atek dan Atok’ (2005), ‘Orang Kita 2’ (2006), ‘PTI 2’ (2006), and ‘KDM’ (2006). This study finds that in all of his telemovies, Abu Bakar Ellah consistently repeated aspects of genres, talents, shooting locations, the used of various language, and cultural presentation. Besides that, this study prove that Abu Bakar Ellah only presented the reality of Sabah in his telemovies. Universiti Malaysia Sarawak, (UNIMAS) 2015 Thesis NonPeerReviewed text en http://ir.unimas.my/id/eprint/10756/5/Sydney%20ft.pdf Sydney Thomas, Sibangan (2015) Authorship Abu Bakar Ellah di dalam telemovie arahannya. Masters thesis, Universiti Malaysia Sarawak, (UNIMAS).
spellingShingle N Visual arts (General) For photography, see TR
Sydney Thomas, Sibangan
Authorship Abu Bakar Ellah di dalam telemovie arahannya
title Authorship Abu Bakar Ellah di dalam telemovie arahannya
title_full Authorship Abu Bakar Ellah di dalam telemovie arahannya
title_fullStr Authorship Abu Bakar Ellah di dalam telemovie arahannya
title_full_unstemmed Authorship Abu Bakar Ellah di dalam telemovie arahannya
title_short Authorship Abu Bakar Ellah di dalam telemovie arahannya
title_sort authorship abu bakar ellah di dalam telemovie arahannya
topic N Visual arts (General) For photography, see TR
url http://ir.unimas.my/id/eprint/10756/
http://ir.unimas.my/id/eprint/10756/5/Sydney%20ft.pdf