Merleau-Ponty, Godard, Sobchack and the spatial aesthetics of Rashomon / Gopalan Ravindran
Maurice Merleau-Ponty's phenomenological theories have been an important source of inspiration for film theorists like Vivian Sobchack and film makers like Jean-Luc Godard. The Cartesian dichotomy between the subject and object became outmoded with the advent of Merleau-Ponty's conception...
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| Format: | Article |
| Language: | English |
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UPENA
2006
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| Online Access: | https://ir.uitm.edu.my/id/eprint/11599/ |
| _version_ | 1848803021244334080 |
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| author | Ravindran, Gopalan |
| author_facet | Ravindran, Gopalan |
| author_sort | Ravindran, Gopalan |
| building | UiTM Institutional Repository |
| collection | Online Access |
| description | Maurice Merleau-Ponty's phenomenological theories have been an important source of inspiration for film theorists like Vivian Sobchack and film makers like Jean-Luc Godard. The Cartesian dichotomy between the subject and object became outmoded with the advent of Merleau-Ponty's conception of reversible subjects and objects. No other film maker bears the imprint of the Pontean view of reversible subjects and objects better than Godard. His approach to film philosophy and film making not only acknowledges the Pontean influence but provides a clear methodological basis for film makers to apply the Pontean phenomenology. |
| first_indexed | 2025-11-14T21:32:37Z |
| format | Article |
| id | uitm-11599 |
| institution | Universiti Teknologi MARA |
| institution_category | Local University |
| language | English |
| last_indexed | 2025-11-14T21:32:37Z |
| publishDate | 2006 |
| publisher | UPENA |
| recordtype | eprints |
| repository_type | Digital Repository |
| spelling | uitm-115992016-06-06T08:06:23Z https://ir.uitm.edu.my/id/eprint/11599/ Merleau-Ponty, Godard, Sobchack and the spatial aesthetics of Rashomon / Gopalan Ravindran jurnalskrinmalaysia Ravindran, Gopalan General special. Including criticism, aesthetics, etc. Film genres. Semiotics. Illusion in motion pictures Maurice Merleau-Ponty's phenomenological theories have been an important source of inspiration for film theorists like Vivian Sobchack and film makers like Jean-Luc Godard. The Cartesian dichotomy between the subject and object became outmoded with the advent of Merleau-Ponty's conception of reversible subjects and objects. No other film maker bears the imprint of the Pontean view of reversible subjects and objects better than Godard. His approach to film philosophy and film making not only acknowledges the Pontean influence but provides a clear methodological basis for film makers to apply the Pontean phenomenology. UPENA 2006 Article PeerReviewed text en https://ir.uitm.edu.my/id/eprint/11599/1/AJ_GOPALAN%20RAVINDRAN%20JSM%2006.pdf Ravindran, Gopalan (2006) Merleau-Ponty, Godard, Sobchack and the spatial aesthetics of Rashomon / Gopalan Ravindran. (2006) Jurnal Skrin Malaysia <https://ir.uitm.edu.my/view/publication/Jurnal_Skrin_Malaysia.html>, 3. pp. 155-170. ISSN 1823-1020 |
| spellingShingle | General special. Including criticism, aesthetics, etc. Film genres. Semiotics. Illusion in motion pictures Ravindran, Gopalan Merleau-Ponty, Godard, Sobchack and the spatial aesthetics of Rashomon / Gopalan Ravindran |
| title | Merleau-Ponty, Godard, Sobchack and the spatial aesthetics of Rashomon / Gopalan Ravindran |
| title_full | Merleau-Ponty, Godard, Sobchack and the spatial aesthetics of Rashomon / Gopalan Ravindran |
| title_fullStr | Merleau-Ponty, Godard, Sobchack and the spatial aesthetics of Rashomon / Gopalan Ravindran |
| title_full_unstemmed | Merleau-Ponty, Godard, Sobchack and the spatial aesthetics of Rashomon / Gopalan Ravindran |
| title_short | Merleau-Ponty, Godard, Sobchack and the spatial aesthetics of Rashomon / Gopalan Ravindran |
| title_sort | merleau-ponty, godard, sobchack and the spatial aesthetics of rashomon / gopalan ravindran |
| topic | General special. Including criticism, aesthetics, etc. Film genres. Semiotics. Illusion in motion pictures |
| url | https://ir.uitm.edu.my/id/eprint/11599/ |