‘Such a ceremonial perversion!’ baroque, capitalism, and a mouthful of birds

The baroque culture of the seventeenth century has considerable affinities with the culture industry of late capitalism. This paper focuses on Caryl Churchill and David Lan’s A Mouthful of Birds, premiered by Joint Stock at Repertory Theater in 1986, and tries to discover the baroque elements the pl...

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Main Authors: Beyad, Maryam Soltan, Rezaei, Tahereh
Format: Article
Language:English
Published: Pusat Pengajian Bahasa dan Linguistik, FSSK, UKM 2013
Online Access:http://journalarticle.ukm.my/6516/
http://journalarticle.ukm.my/6516/1/2786-7443-1-PB.pdf
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author Beyad, Maryam Soltan
Rezaei, Tahereh
author_facet Beyad, Maryam Soltan
Rezaei, Tahereh
author_sort Beyad, Maryam Soltan
building UKM Institutional Repository
collection Online Access
description The baroque culture of the seventeenth century has considerable affinities with the culture industry of late capitalism. This paper focuses on Caryl Churchill and David Lan’s A Mouthful of Birds, premiered by Joint Stock at Repertory Theater in 1986, and tries to discover the baroque elements the play incorporates. This study is mainly concerned with the text of the play and does not deal with its performance or choreography. The writers aim to show that Churchill’s play is informed with baroque techniques, which although at times make compromise with the premises of capitalism, yet enhance its potential to criticize the culture industry of late capitalism.
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institution Universiti Kebangasaan Malaysia
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spelling oai:generic.eprints.org:65162016-12-14T06:41:24Z http://journalarticle.ukm.my/6516/ ‘Such a ceremonial perversion!’ baroque, capitalism, and a mouthful of birds Beyad, Maryam Soltan Rezaei, Tahereh The baroque culture of the seventeenth century has considerable affinities with the culture industry of late capitalism. This paper focuses on Caryl Churchill and David Lan’s A Mouthful of Birds, premiered by Joint Stock at Repertory Theater in 1986, and tries to discover the baroque elements the play incorporates. This study is mainly concerned with the text of the play and does not deal with its performance or choreography. The writers aim to show that Churchill’s play is informed with baroque techniques, which although at times make compromise with the premises of capitalism, yet enhance its potential to criticize the culture industry of late capitalism. Pusat Pengajian Bahasa dan Linguistik, FSSK, UKM 2013 Article PeerReviewed application/pdf en http://journalarticle.ukm.my/6516/1/2786-7443-1-PB.pdf Beyad, Maryam Soltan and Rezaei, Tahereh (2013) ‘Such a ceremonial perversion!’ baroque, capitalism, and a mouthful of birds. 3L; Language,Linguistics and Literature,The Southeast Asian Journal of English Language Studies., 19 (2). pp. 13-25. ISSN 0128-5157 http://ejournals.ukm.my/3l
spellingShingle Beyad, Maryam Soltan
Rezaei, Tahereh
‘Such a ceremonial perversion!’ baroque, capitalism, and a mouthful of birds
title ‘Such a ceremonial perversion!’ baroque, capitalism, and a mouthful of birds
title_full ‘Such a ceremonial perversion!’ baroque, capitalism, and a mouthful of birds
title_fullStr ‘Such a ceremonial perversion!’ baroque, capitalism, and a mouthful of birds
title_full_unstemmed ‘Such a ceremonial perversion!’ baroque, capitalism, and a mouthful of birds
title_short ‘Such a ceremonial perversion!’ baroque, capitalism, and a mouthful of birds
title_sort ‘such a ceremonial perversion!’ baroque, capitalism, and a mouthful of birds
url http://journalarticle.ukm.my/6516/
http://journalarticle.ukm.my/6516/
http://journalarticle.ukm.my/6516/1/2786-7443-1-PB.pdf