Her voice in the forest: a neo-archetypal ecofeminist analysis of Sang Kancil as the female mousedeer

Sang Kancil, as a trickster mousedeer figure, may be seen as a cultural artefact according to Benedict Anderson's theory of Imagined Communities. Sang Kancil is traditionally seen as male in Malaysian folklore but, in more contemporary retellings, has been re-envisioned as a female trickster. T...

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Main Authors: Quah, Christopher Wai Kheong, Anita Harris Satkunananthan
Format: Article
Language:English
Published: Penerbit Universiti Kebangsaan Malaysia 2025
Online Access:http://journalarticle.ukm.my/25458/
http://journalarticle.ukm.my/25458/1/T%2012.pdf
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author Quah, Christopher Wai Kheong
Anita Harris Satkunananthan,
author_facet Quah, Christopher Wai Kheong
Anita Harris Satkunananthan,
author_sort Quah, Christopher Wai Kheong
building UKM Institutional Repository
collection Online Access
description Sang Kancil, as a trickster mousedeer figure, may be seen as a cultural artefact according to Benedict Anderson's theory of Imagined Communities. Sang Kancil is traditionally seen as male in Malaysian folklore but, in more contemporary retellings, has been re-envisioned as a female trickster. These adaptations reflect socio-cultural changes which incorporate ecocritical perspectives. Therefore, this article interrogates these contemporary retellings through the lens of ecofeminism while creating new categories of neo-archetypes based on Neo-Archetypal Theory. Using contemporary revisionings of Sang Kancil: Sang Kancil & The Crocodiles by Huseinah Madihid (2016), Trick or Tree by M. Shan Mughalingam (2011), and the Millie the Mousedeer series by Robert Kanner (2014), this study looks into how the female mousedeer embodies traits of the teacher, nurturer, and magician. By shifting from the traditional Trickster archetype introduced by Jungian psychoanalysis to a more expanded scope of categories available under Neo-Archetypal Theory, this article interrogates the ways in which the female mousedeer necessitates a diversifying of the Neo-Magician archetype. The expected findings from this paper include understanding the ways in which the female Sang Kancil embodies the Neo-Magician archetype by revealing the role of the feminine in nature as a symbol of empowerment, leadership, and education. The implications of this study lead to a better understanding of the evolution of cultural artefacts over time to be more diverse and gender-inclusive.
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spelling oai:generic.eprints.org:254582025-06-25T07:24:36Z http://journalarticle.ukm.my/25458/ Her voice in the forest: a neo-archetypal ecofeminist analysis of Sang Kancil as the female mousedeer Quah, Christopher Wai Kheong Anita Harris Satkunananthan, Sang Kancil, as a trickster mousedeer figure, may be seen as a cultural artefact according to Benedict Anderson's theory of Imagined Communities. Sang Kancil is traditionally seen as male in Malaysian folklore but, in more contemporary retellings, has been re-envisioned as a female trickster. These adaptations reflect socio-cultural changes which incorporate ecocritical perspectives. Therefore, this article interrogates these contemporary retellings through the lens of ecofeminism while creating new categories of neo-archetypes based on Neo-Archetypal Theory. Using contemporary revisionings of Sang Kancil: Sang Kancil & The Crocodiles by Huseinah Madihid (2016), Trick or Tree by M. Shan Mughalingam (2011), and the Millie the Mousedeer series by Robert Kanner (2014), this study looks into how the female mousedeer embodies traits of the teacher, nurturer, and magician. By shifting from the traditional Trickster archetype introduced by Jungian psychoanalysis to a more expanded scope of categories available under Neo-Archetypal Theory, this article interrogates the ways in which the female mousedeer necessitates a diversifying of the Neo-Magician archetype. The expected findings from this paper include understanding the ways in which the female Sang Kancil embodies the Neo-Magician archetype by revealing the role of the feminine in nature as a symbol of empowerment, leadership, and education. The implications of this study lead to a better understanding of the evolution of cultural artefacts over time to be more diverse and gender-inclusive. Penerbit Universiti Kebangsaan Malaysia 2025 Article PeerReviewed application/pdf en http://journalarticle.ukm.my/25458/1/T%2012.pdf Quah, Christopher Wai Kheong and Anita Harris Satkunananthan, (2025) Her voice in the forest: a neo-archetypal ecofeminist analysis of Sang Kancil as the female mousedeer. 3L; Language,Linguistics and Literature,The Southeast Asian Journal of English Language Studies., 31 (1). pp. 168-182. ISSN 0128-5157 https://ejournal.ukm.my/3l/issue/view/1804
spellingShingle Quah, Christopher Wai Kheong
Anita Harris Satkunananthan,
Her voice in the forest: a neo-archetypal ecofeminist analysis of Sang Kancil as the female mousedeer
title Her voice in the forest: a neo-archetypal ecofeminist analysis of Sang Kancil as the female mousedeer
title_full Her voice in the forest: a neo-archetypal ecofeminist analysis of Sang Kancil as the female mousedeer
title_fullStr Her voice in the forest: a neo-archetypal ecofeminist analysis of Sang Kancil as the female mousedeer
title_full_unstemmed Her voice in the forest: a neo-archetypal ecofeminist analysis of Sang Kancil as the female mousedeer
title_short Her voice in the forest: a neo-archetypal ecofeminist analysis of Sang Kancil as the female mousedeer
title_sort her voice in the forest: a neo-archetypal ecofeminist analysis of sang kancil as the female mousedeer
url http://journalarticle.ukm.my/25458/
http://journalarticle.ukm.my/25458/
http://journalarticle.ukm.my/25458/1/T%2012.pdf