Localizing Mimpi through the artistry of Orang Ulu motifs in the set design

The definite definition of scenography is debatable up until today. Despite the many interpretation and definitions given by theatre practitioners from all over the world, there are some categories of design under that lie under this term. They are scenic design, costume, lighting and sound. This re...

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Main Authors: Nur Syarafina Suhaimy, Nur Qasdina Jeeta Abdullah
Format: Article
Language:English
Published: Fakulti Sains Sosial dan Kemanusiaan, Universiti Kebangsaan Malaysia 2019
Online Access:http://journalarticle.ukm.my/19974/
http://journalarticle.ukm.my/19974/1/242-Article%20Text-338-1-10-20200326.pdf
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author Nur Syarafina Suhaimy,
Nur Qasdina Jeeta Abdullah,
author_facet Nur Syarafina Suhaimy,
Nur Qasdina Jeeta Abdullah,
author_sort Nur Syarafina Suhaimy,
building UKM Institutional Repository
collection Online Access
description The definite definition of scenography is debatable up until today. Despite the many interpretation and definitions given by theatre practitioners from all over the world, there are some categories of design under that lie under this term. They are scenic design, costume, lighting and sound. This research proposes to look for new ideas in creating the world of a play in scenic design of an intercultural theatre. This thesis aims to explore the adaptation of Sarawakian motifs, specifically Orang Ulu’s into the set design of Mimpi. Through the adaptation of the motifs into the set design of Mimpi, the data acquired are collected and analysed through the qualitative and quantitative approach.
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spelling oai:generic.eprints.org:199742022-10-01T16:01:50Z http://journalarticle.ukm.my/19974/ Localizing Mimpi through the artistry of Orang Ulu motifs in the set design Nur Syarafina Suhaimy, Nur Qasdina Jeeta Abdullah, The definite definition of scenography is debatable up until today. Despite the many interpretation and definitions given by theatre practitioners from all over the world, there are some categories of design under that lie under this term. They are scenic design, costume, lighting and sound. This research proposes to look for new ideas in creating the world of a play in scenic design of an intercultural theatre. This thesis aims to explore the adaptation of Sarawakian motifs, specifically Orang Ulu’s into the set design of Mimpi. Through the adaptation of the motifs into the set design of Mimpi, the data acquired are collected and analysed through the qualitative and quantitative approach. Fakulti Sains Sosial dan Kemanusiaan, Universiti Kebangsaan Malaysia 2019-09 Article PeerReviewed application/pdf en http://journalarticle.ukm.my/19974/1/242-Article%20Text-338-1-10-20200326.pdf Nur Syarafina Suhaimy, and Nur Qasdina Jeeta Abdullah, (2019) Localizing Mimpi through the artistry of Orang Ulu motifs in the set design. Jurnal Wacana Sarjana, 3 (3). pp. 1-16. ISSN 2600-9501 https://spaj.ukm.my/jws/index.php/jws/issue/view/11
spellingShingle Nur Syarafina Suhaimy,
Nur Qasdina Jeeta Abdullah,
Localizing Mimpi through the artistry of Orang Ulu motifs in the set design
title Localizing Mimpi through the artistry of Orang Ulu motifs in the set design
title_full Localizing Mimpi through the artistry of Orang Ulu motifs in the set design
title_fullStr Localizing Mimpi through the artistry of Orang Ulu motifs in the set design
title_full_unstemmed Localizing Mimpi through the artistry of Orang Ulu motifs in the set design
title_short Localizing Mimpi through the artistry of Orang Ulu motifs in the set design
title_sort localizing mimpi through the artistry of orang ulu motifs in the set design
url http://journalarticle.ukm.my/19974/
http://journalarticle.ukm.my/19974/
http://journalarticle.ukm.my/19974/1/242-Article%20Text-338-1-10-20200326.pdf