Reframing a'theory of origin' of Malay architecture : a basis from the public realm

The origins of Malay architecture is typically linked to its vernacular past and vocabulary, primarily expressed in its residential timber traditions and arising from its detailed timber artisanship and constructions. Its constructional ingenuities had evolved a rich diverse language and grammar wit...

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Main Authors: Puteri Shireen Jahn Kassim, Noor Hanita Abdul Majid, Norwina Mohd Nawawi, Tengku Anis Qarihah
Format: Article
Language:English
Published: Penerbit Universiti Kebangsaan Malaysia 2019
Online Access:http://journalarticle.ukm.my/19866/
http://journalarticle.ukm.my/19866/1/32795-101834-1-SM.pdf
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author Puteri Shireen Jahn Kassim,
Noor Hanita Abdul Majid,
Norwina Mohd Nawawi,
Tengku Anis Qarihah,
author_facet Puteri Shireen Jahn Kassim,
Noor Hanita Abdul Majid,
Norwina Mohd Nawawi,
Tengku Anis Qarihah,
author_sort Puteri Shireen Jahn Kassim,
building UKM Institutional Repository
collection Online Access
description The origins of Malay architecture is typically linked to its vernacular past and vocabulary, primarily expressed in its residential timber traditions and arising from its detailed timber artisanship and constructions. Its constructional ingenuities had evolved a rich diverse language and grammar with its own localised aesthetics. Localized skills of the indigenous translate into structural and constructional marvels. This paper however, attempts to reframe a theory of origin of Malay architecture, extending from this basis and into the public realm of the Malay world. The roots of form of its traditional palaces and mosques represents the architectural and urban core of the regional past and thus can constitute a resource of expanding an ‘urban’ language. This paper reports on the mapping these palaces, using visual resources and reconstructions of surviving 17th century to the 1800s, to align these “early classicalised” and compact structures of different regions of Malay world, with shared expressions in their elevations and ornaments. Using these as departure points, the paper conceptualises an evolutionary ‘tree’ or geneanology which can account for the multiple and varied ethnocentric origins of the Malay world, argued as three main streams that had synthesised and mixed across time. The diverse public forms at different sites are linked to common archetypes in an attempt to re-enact a theory of origin. A qualitative approach taken in this research, focusing on aligning past ethnographic and anthropological findings of other researchers; including ethnolinguistic classifications and evolutions from different regionsargues to find geneanological roots and variants that explain the diversity. Using existing drawings, sketches on site visit, photography and literature reviewa, the paper selecta key regions as case studies, and the configurations of the public buildings are mapped in order to reframe into a theoretical taxonomy of origins. The taxonomy suggests a probable genealogical ‘tree’ of Malay architecture, from which its narrative can be reconstructed. Data in terms of elevational design, suggest five formal archetypes , which are the linear axial, layout configuration, deep plan projection, binuclear form, central and peristyle forms; and three ‘strands’ of ornamental character and stylisation. It proposes that a Classicalised language of Malay architecture, is possible which can mirror its ethnolinguistic and socio-political ‘urban’ origins, rather than stagnate into the hegemony of the ‘indigineous’; into a universal theory of beginning.
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spelling oai:generic.eprints.org:198662022-09-26T07:30:39Z http://journalarticle.ukm.my/19866/ Reframing a'theory of origin' of Malay architecture : a basis from the public realm Puteri Shireen Jahn Kassim, Noor Hanita Abdul Majid, Norwina Mohd Nawawi, Tengku Anis Qarihah, The origins of Malay architecture is typically linked to its vernacular past and vocabulary, primarily expressed in its residential timber traditions and arising from its detailed timber artisanship and constructions. Its constructional ingenuities had evolved a rich diverse language and grammar with its own localised aesthetics. Localized skills of the indigenous translate into structural and constructional marvels. This paper however, attempts to reframe a theory of origin of Malay architecture, extending from this basis and into the public realm of the Malay world. The roots of form of its traditional palaces and mosques represents the architectural and urban core of the regional past and thus can constitute a resource of expanding an ‘urban’ language. This paper reports on the mapping these palaces, using visual resources and reconstructions of surviving 17th century to the 1800s, to align these “early classicalised” and compact structures of different regions of Malay world, with shared expressions in their elevations and ornaments. Using these as departure points, the paper conceptualises an evolutionary ‘tree’ or geneanology which can account for the multiple and varied ethnocentric origins of the Malay world, argued as three main streams that had synthesised and mixed across time. The diverse public forms at different sites are linked to common archetypes in an attempt to re-enact a theory of origin. A qualitative approach taken in this research, focusing on aligning past ethnographic and anthropological findings of other researchers; including ethnolinguistic classifications and evolutions from different regionsargues to find geneanological roots and variants that explain the diversity. Using existing drawings, sketches on site visit, photography and literature reviewa, the paper selecta key regions as case studies, and the configurations of the public buildings are mapped in order to reframe into a theoretical taxonomy of origins. The taxonomy suggests a probable genealogical ‘tree’ of Malay architecture, from which its narrative can be reconstructed. Data in terms of elevational design, suggest five formal archetypes , which are the linear axial, layout configuration, deep plan projection, binuclear form, central and peristyle forms; and three ‘strands’ of ornamental character and stylisation. It proposes that a Classicalised language of Malay architecture, is possible which can mirror its ethnolinguistic and socio-political ‘urban’ origins, rather than stagnate into the hegemony of the ‘indigineous’; into a universal theory of beginning. Penerbit Universiti Kebangsaan Malaysia 2019 Article PeerReviewed application/pdf en http://journalarticle.ukm.my/19866/1/32795-101834-1-SM.pdf Puteri Shireen Jahn Kassim, and Noor Hanita Abdul Majid, and Norwina Mohd Nawawi, and Tengku Anis Qarihah, (2019) Reframing a'theory of origin' of Malay architecture : a basis from the public realm. e-BANGI: Jurnal Sains Sosial dan Kemanusiaan, 16 (4). pp. 1-20. ISSN 1823-884x https://ejournal.ukm.my/ebangi/issue/view/1185
spellingShingle Puteri Shireen Jahn Kassim,
Noor Hanita Abdul Majid,
Norwina Mohd Nawawi,
Tengku Anis Qarihah,
Reframing a'theory of origin' of Malay architecture : a basis from the public realm
title Reframing a'theory of origin' of Malay architecture : a basis from the public realm
title_full Reframing a'theory of origin' of Malay architecture : a basis from the public realm
title_fullStr Reframing a'theory of origin' of Malay architecture : a basis from the public realm
title_full_unstemmed Reframing a'theory of origin' of Malay architecture : a basis from the public realm
title_short Reframing a'theory of origin' of Malay architecture : a basis from the public realm
title_sort reframing a'theory of origin' of malay architecture : a basis from the public realm
url http://journalarticle.ukm.my/19866/
http://journalarticle.ukm.my/19866/
http://journalarticle.ukm.my/19866/1/32795-101834-1-SM.pdf