The representation of social changes in Indonesian Muslim society: a semiotic analysis of ‘Ketika Mas Gagah Pergi’

This research investigates the social changes concerning Islam's revitalisation, which was constructed by the movie Ketika Mas Gagah Pergi (KMGP). The research criticises structuration theory, which does not accommodate religion as part of social changes, especially in making new social cha...

Full description

Bibliographic Details
Main Authors: Muh. Bahruddin, Ibnu Hamad, Triputra, Pinckey
Format: Article
Language:English
Published: Penerbit Universiti Kebangsaan Malaysia 2021
Online Access:http://journalarticle.ukm.my/16970/
http://journalarticle.ukm.my/16970/1/41223-159621-1-PB.pdf
_version_ 1848814191960391680
author Muh. Bahruddin,
Ibnu Hamad,
Triputra, Pinckey
author_facet Muh. Bahruddin,
Ibnu Hamad,
Triputra, Pinckey
author_sort Muh. Bahruddin,
building UKM Institutional Repository
collection Online Access
description This research investigates the social changes concerning Islam's revitalisation, which was constructed by the movie Ketika Mas Gagah Pergi (KMGP). The research criticises structuration theory, which does not accommodate religion as part of social changes, especially in making new social changes. The researcher utilised semiotic logic by using the process of meaning or signification, which comprises signs or representation, object, and interpretant. The researcher also conducted in-depth interviews with filmmakers to understand the context from which the texts were produced. As a result, it was discovered that KMGP utilised signs to construct social changes through the act of wearing a veil, Islamic religious music, and the prohibition of shaking someone's hands which is not his/her mahram (legal spouse or guardian based on Islamic law), the separation of men and women in a wedding occasion, and other new rules which were previously not familiar in society. Nevertheless, to legitimise the new rules in these particular social practices, KMGP often used structure resources. For example, Gagah legitimated his action by referring to the tradition of Sundanese (one of the Indonesian tribes) to the prohibition of shaking a non-mahram’s hands. This is supported by hadith (speech, attitude, and behaviour of Prophet Muhammad) about this particular action. This movie also proved that the rules of Islamic religion became an important element that changed social order, especially in Indonesia.
first_indexed 2025-11-15T00:30:10Z
format Article
id oai:generic.eprints.org:16970
institution Universiti Kebangasaan Malaysia
institution_category Local University
language English
last_indexed 2025-11-15T00:30:10Z
publishDate 2021
publisher Penerbit Universiti Kebangsaan Malaysia
recordtype eprints
repository_type Digital Repository
spelling oai:generic.eprints.org:169702021-07-05T02:01:32Z http://journalarticle.ukm.my/16970/ The representation of social changes in Indonesian Muslim society: a semiotic analysis of ‘Ketika Mas Gagah Pergi’ Muh. Bahruddin, Ibnu Hamad, Triputra, Pinckey This research investigates the social changes concerning Islam's revitalisation, which was constructed by the movie Ketika Mas Gagah Pergi (KMGP). The research criticises structuration theory, which does not accommodate religion as part of social changes, especially in making new social changes. The researcher utilised semiotic logic by using the process of meaning or signification, which comprises signs or representation, object, and interpretant. The researcher also conducted in-depth interviews with filmmakers to understand the context from which the texts were produced. As a result, it was discovered that KMGP utilised signs to construct social changes through the act of wearing a veil, Islamic religious music, and the prohibition of shaking someone's hands which is not his/her mahram (legal spouse or guardian based on Islamic law), the separation of men and women in a wedding occasion, and other new rules which were previously not familiar in society. Nevertheless, to legitimise the new rules in these particular social practices, KMGP often used structure resources. For example, Gagah legitimated his action by referring to the tradition of Sundanese (one of the Indonesian tribes) to the prohibition of shaking a non-mahram’s hands. This is supported by hadith (speech, attitude, and behaviour of Prophet Muhammad) about this particular action. This movie also proved that the rules of Islamic religion became an important element that changed social order, especially in Indonesia. Penerbit Universiti Kebangsaan Malaysia 2021 Article PeerReviewed application/pdf en http://journalarticle.ukm.my/16970/1/41223-159621-1-PB.pdf Muh. Bahruddin, and Ibnu Hamad, and Triputra, Pinckey (2021) The representation of social changes in Indonesian Muslim society: a semiotic analysis of ‘Ketika Mas Gagah Pergi’. Jurnal Komunikasi ; Malaysian Journal of Communication, 37 (2). pp. 68-82. ISSN 0128-1496 https://ejournal.ukm.my/mjc/issue/view/1401
spellingShingle Muh. Bahruddin,
Ibnu Hamad,
Triputra, Pinckey
The representation of social changes in Indonesian Muslim society: a semiotic analysis of ‘Ketika Mas Gagah Pergi’
title The representation of social changes in Indonesian Muslim society: a semiotic analysis of ‘Ketika Mas Gagah Pergi’
title_full The representation of social changes in Indonesian Muslim society: a semiotic analysis of ‘Ketika Mas Gagah Pergi’
title_fullStr The representation of social changes in Indonesian Muslim society: a semiotic analysis of ‘Ketika Mas Gagah Pergi’
title_full_unstemmed The representation of social changes in Indonesian Muslim society: a semiotic analysis of ‘Ketika Mas Gagah Pergi’
title_short The representation of social changes in Indonesian Muslim society: a semiotic analysis of ‘Ketika Mas Gagah Pergi’
title_sort representation of social changes in indonesian muslim society: a semiotic analysis of ‘ketika mas gagah pergi’
url http://journalarticle.ukm.my/16970/
http://journalarticle.ukm.my/16970/
http://journalarticle.ukm.my/16970/1/41223-159621-1-PB.pdf