Negotiating existential concerns of death and meaninglessness through the grotesque in Oscar Wilde’s The Canterville Ghost

Grotesque and existentialism in the field of literature generally raise four points. On the one hand, the grotesque has always been associated with negative connotation elements that usually include deformity, death, violence or monstrosity. In fact, the grotesque often carries pejorative connot...

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Main Authors: Seach, Jin Beng, Arbaayah Ali Termizi, Rosli Talif, Zainor Izat Zainal
Format: Article
Language:English
Published: Penerbit Universiti Kebangsaan Malaysia 2020
Online Access:http://journalarticle.ukm.my/16541/
http://journalarticle.ukm.my/16541/1/41379-145060-2-PB.pdf
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author Seach, Jin Beng
Arbaayah Ali Termizi,
Rosli Talif,
Zainor Izat Zainal,
author_facet Seach, Jin Beng
Arbaayah Ali Termizi,
Rosli Talif,
Zainor Izat Zainal,
author_sort Seach, Jin Beng
building UKM Institutional Repository
collection Online Access
description Grotesque and existentialism in the field of literature generally raise four points. On the one hand, the grotesque has always been associated with negative connotation elements that usually include deformity, death, violence or monstrosity. In fact, the grotesque often carries pejorative connotations for it challenges traditions and deviates from what is accepted as the norm. On the other hand, existentialism, traced way back to as early as the 19th century, often question the meaning of life and struggle with the anxiety of death while constantly looking for ways to justify one’s existence in a world that is filled with pessimism. Thus, this paper aims to find a point of convergence between existentialism and the grotesque by primarily focusing on how the male protagonist, Sir Simon in Oscar Wilde’s The Canterville Ghost employs the grotesque as a way to deal with existential concerns as pointed out by Irvin Yalom namely death, meaninglessness, freedom and existential isolation with an emphasis on the first two concerns. Three grotesque elements, specifically, Bakhtin’s carnivalesque, Thomson’s exaggeration, and Kohut’s narcissism will be studied alongside the two existential concerns, death and meaninglessness. By focusing on grotesque and existential elements, the paper will illustrate how the male protagonist is able to rely on the grotesque to subdue his fear and terror brought upon by the existential concerns in order to justify his sense of existence.
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spelling oai:generic.eprints.org:165412021-05-10T02:34:22Z http://journalarticle.ukm.my/16541/ Negotiating existential concerns of death and meaninglessness through the grotesque in Oscar Wilde’s The Canterville Ghost Seach, Jin Beng Arbaayah Ali Termizi, Rosli Talif, Zainor Izat Zainal, Grotesque and existentialism in the field of literature generally raise four points. On the one hand, the grotesque has always been associated with negative connotation elements that usually include deformity, death, violence or monstrosity. In fact, the grotesque often carries pejorative connotations for it challenges traditions and deviates from what is accepted as the norm. On the other hand, existentialism, traced way back to as early as the 19th century, often question the meaning of life and struggle with the anxiety of death while constantly looking for ways to justify one’s existence in a world that is filled with pessimism. Thus, this paper aims to find a point of convergence between existentialism and the grotesque by primarily focusing on how the male protagonist, Sir Simon in Oscar Wilde’s The Canterville Ghost employs the grotesque as a way to deal with existential concerns as pointed out by Irvin Yalom namely death, meaninglessness, freedom and existential isolation with an emphasis on the first two concerns. Three grotesque elements, specifically, Bakhtin’s carnivalesque, Thomson’s exaggeration, and Kohut’s narcissism will be studied alongside the two existential concerns, death and meaninglessness. By focusing on grotesque and existential elements, the paper will illustrate how the male protagonist is able to rely on the grotesque to subdue his fear and terror brought upon by the existential concerns in order to justify his sense of existence. Penerbit Universiti Kebangsaan Malaysia 2020 Article PeerReviewed application/pdf en http://journalarticle.ukm.my/16541/1/41379-145060-2-PB.pdf Seach, Jin Beng and Arbaayah Ali Termizi, and Rosli Talif, and Zainor Izat Zainal, (2020) Negotiating existential concerns of death and meaninglessness through the grotesque in Oscar Wilde’s The Canterville Ghost. 3L; Language,Linguistics and Literature,The Southeast Asian Journal of English Language Studies., 26 (4). pp. 114-126. ISSN 0128-5157 https://ejournals.ukm.my/3l/issue/view/1364
spellingShingle Seach, Jin Beng
Arbaayah Ali Termizi,
Rosli Talif,
Zainor Izat Zainal,
Negotiating existential concerns of death and meaninglessness through the grotesque in Oscar Wilde’s The Canterville Ghost
title Negotiating existential concerns of death and meaninglessness through the grotesque in Oscar Wilde’s The Canterville Ghost
title_full Negotiating existential concerns of death and meaninglessness through the grotesque in Oscar Wilde’s The Canterville Ghost
title_fullStr Negotiating existential concerns of death and meaninglessness through the grotesque in Oscar Wilde’s The Canterville Ghost
title_full_unstemmed Negotiating existential concerns of death and meaninglessness through the grotesque in Oscar Wilde’s The Canterville Ghost
title_short Negotiating existential concerns of death and meaninglessness through the grotesque in Oscar Wilde’s The Canterville Ghost
title_sort negotiating existential concerns of death and meaninglessness through the grotesque in oscar wilde’s the canterville ghost
url http://journalarticle.ukm.my/16541/
http://journalarticle.ukm.my/16541/
http://journalarticle.ukm.my/16541/1/41379-145060-2-PB.pdf