The fluid and transcultural self: renegotiating the East Asian female identity in The Clay Marble by Minfong Ho
This paper examines how the contemporary Chinese-American author Minfong Ho (b. 1951) portrays Dara, the female protagonist of The Clay Marble (1991), in her practice of culture in Cambodian society in order to explore the Western perspective of the East Asian female identity as voiceless, submissiv...
| Main Authors: | , |
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| Format: | Article |
| Language: | English |
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Penerbit Universiti Kebangsaan Malaysia
2020
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| Online Access: | http://journalarticle.ukm.my/15153/ http://journalarticle.ukm.my/15153/1/35563-130387-1-PB.pdf |
| _version_ | 1848813727139233792 |
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| author | Syamsina Zahurin Shamsuddin, Ida Baizura Bahar, |
| author_facet | Syamsina Zahurin Shamsuddin, Ida Baizura Bahar, |
| author_sort | Syamsina Zahurin Shamsuddin, |
| building | UKM Institutional Repository |
| collection | Online Access |
| description | This paper examines how the contemporary Chinese-American author Minfong Ho (b. 1951) portrays Dara, the female protagonist of The Clay Marble (1991), in her practice of culture in Cambodian society in order to explore the Western perspective of the East Asian female identity as voiceless, submissive and hypersexual. Using the concepts of identity fluidity as proposed by the sociologist and cultural theorist Stuart Hall (2011) and his views on the decentring of the individual, the paper aims to investigate how the three concepts of the enlightenment subject, the sociological subject and the postmodern subject interact with Arianna Dagnino’s (2015) concept of transculture/ality, or intermingling of cultures, in The Clay Marble through Dara’s practice of culture in Cambodian society and how she is decentred as her identity evolves. Ho’s portrayal of Dara reveals an East Asian female who experiences identity fluidity in her thinking, attitude and behaviour while her stable, regular and fixed self in the enlightenment subject phase becomes decentred through transculture/ality at the sociological subject phase. Here, through transculture/ality, or her interaction or communication within her culture, she links herself to society and transforms as she finds her voice and manifests individual agency. By doing so, Dara enters the third phase, the postmodern subject, where her thinking, attitude and behaviour are constantly changing as are the ways in which she is defined and addressed in her Cambodian culture. |
| first_indexed | 2025-11-15T00:22:47Z |
| format | Article |
| id | oai:generic.eprints.org:15153 |
| institution | Universiti Kebangasaan Malaysia |
| institution_category | Local University |
| language | English |
| last_indexed | 2025-11-15T00:22:47Z |
| publishDate | 2020 |
| publisher | Penerbit Universiti Kebangsaan Malaysia |
| recordtype | eprints |
| repository_type | Digital Repository |
| spelling | oai:generic.eprints.org:151532020-09-08T00:52:15Z http://journalarticle.ukm.my/15153/ The fluid and transcultural self: renegotiating the East Asian female identity in The Clay Marble by Minfong Ho Syamsina Zahurin Shamsuddin, Ida Baizura Bahar, This paper examines how the contemporary Chinese-American author Minfong Ho (b. 1951) portrays Dara, the female protagonist of The Clay Marble (1991), in her practice of culture in Cambodian society in order to explore the Western perspective of the East Asian female identity as voiceless, submissive and hypersexual. Using the concepts of identity fluidity as proposed by the sociologist and cultural theorist Stuart Hall (2011) and his views on the decentring of the individual, the paper aims to investigate how the three concepts of the enlightenment subject, the sociological subject and the postmodern subject interact with Arianna Dagnino’s (2015) concept of transculture/ality, or intermingling of cultures, in The Clay Marble through Dara’s practice of culture in Cambodian society and how she is decentred as her identity evolves. Ho’s portrayal of Dara reveals an East Asian female who experiences identity fluidity in her thinking, attitude and behaviour while her stable, regular and fixed self in the enlightenment subject phase becomes decentred through transculture/ality at the sociological subject phase. Here, through transculture/ality, or her interaction or communication within her culture, she links herself to society and transforms as she finds her voice and manifests individual agency. By doing so, Dara enters the third phase, the postmodern subject, where her thinking, attitude and behaviour are constantly changing as are the ways in which she is defined and addressed in her Cambodian culture. Penerbit Universiti Kebangsaan Malaysia 2020 Article PeerReviewed application/pdf en http://journalarticle.ukm.my/15153/1/35563-130387-1-PB.pdf Syamsina Zahurin Shamsuddin, and Ida Baizura Bahar, (2020) The fluid and transcultural self: renegotiating the East Asian female identity in The Clay Marble by Minfong Ho. 3L; Language,Linguistics and Literature,The Southeast Asian Journal of English Language Studies., 26 (2). pp. 115-126. ISSN 0128-5157 http://ejournal.ukm.my/3l/issue/view/1282 |
| spellingShingle | Syamsina Zahurin Shamsuddin, Ida Baizura Bahar, The fluid and transcultural self: renegotiating the East Asian female identity in The Clay Marble by Minfong Ho |
| title | The fluid and transcultural self: renegotiating the East Asian female identity in The Clay Marble by Minfong Ho |
| title_full | The fluid and transcultural self: renegotiating the East Asian female identity in The Clay Marble by Minfong Ho |
| title_fullStr | The fluid and transcultural self: renegotiating the East Asian female identity in The Clay Marble by Minfong Ho |
| title_full_unstemmed | The fluid and transcultural self: renegotiating the East Asian female identity in The Clay Marble by Minfong Ho |
| title_short | The fluid and transcultural self: renegotiating the East Asian female identity in The Clay Marble by Minfong Ho |
| title_sort | fluid and transcultural self: renegotiating the east asian female identity in the clay marble by minfong ho |
| url | http://journalarticle.ukm.my/15153/ http://journalarticle.ukm.my/15153/ http://journalarticle.ukm.my/15153/1/35563-130387-1-PB.pdf |