The strength of Malayness through colonial mimicry in Affifudin Omar’s Tun Tuah

The research on Homi Bhabha’s theory of mimicry in postcolonial literature is no longer new. However, in Malay literature, the application of mimicry in order to analyse such fiction is still rare. This paper seeks to utilise the conceptual framework of Homi K. Bhabha’s colonial mimicry in order to...

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Main Authors: Nurhanis Sahiddan, Hashim Ismail, Tengku Intan Marlina Tengku Mohd Ali
Format: Article
Language:English
Published: Penerbit Universiti Kebangsaan Malaysia 2020
Online Access:http://journalarticle.ukm.my/14595/
http://journalarticle.ukm.my/14595/1/37507-118411-1-SM.pdf
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author Nurhanis Sahiddan,
Hashim Ismail,
Tengku Intan Marlina Tengku Mohd Ali,
author_facet Nurhanis Sahiddan,
Hashim Ismail,
Tengku Intan Marlina Tengku Mohd Ali,
author_sort Nurhanis Sahiddan,
building UKM Institutional Repository
collection Online Access
description The research on Homi Bhabha’s theory of mimicry in postcolonial literature is no longer new. However, in Malay literature, the application of mimicry in order to analyse such fiction is still rare. This paper seeks to utilise the conceptual framework of Homi K. Bhabha’s colonial mimicry in order to explain the portrayal of the Malay characters in Tun Tuah and eventually analyse the characters’ strength in terms of their Malayness in critical situations or crises. The conceptual framework have been explicated into three major parts for the analysis of the novels in terms of; a) contesting colonisation, b) metonymy of presence, and c) resisting colonialist discourse. Excerpts from the novels will be extracted and presented for analysis under each part of the conceptual framework as mentioned above. A close reading of Tun Tuah will be applied as methodology to explore how the strong Malay characters could be divided into either those who mimic the people of the West, those who truly fit the Malay identity as being conservative Malays or those having both Western values while also holding onto the Malay identity. This study then explains the findings from the analysis on how the Malay characters thrive towards success in the novel Tun Tuah, in the three processes of colonial mimicry. It is found that the final process of colonial mimicry, resisting colonialist discourse displays how the Malay characters in Tun Tuah, particularly Tun Tuah himself, Tun Perak and Sultan Alauddin Riayat Shah’s strategies for economical and life success consists of them challenging the colonialists’ way of life, while focusing on the Malay traditions and Islamic beliefs.
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spelling oai:generic.eprints.org:145952020-05-10T04:40:18Z http://journalarticle.ukm.my/14595/ The strength of Malayness through colonial mimicry in Affifudin Omar’s Tun Tuah Nurhanis Sahiddan, Hashim Ismail, Tengku Intan Marlina Tengku Mohd Ali, The research on Homi Bhabha’s theory of mimicry in postcolonial literature is no longer new. However, in Malay literature, the application of mimicry in order to analyse such fiction is still rare. This paper seeks to utilise the conceptual framework of Homi K. Bhabha’s colonial mimicry in order to explain the portrayal of the Malay characters in Tun Tuah and eventually analyse the characters’ strength in terms of their Malayness in critical situations or crises. The conceptual framework have been explicated into three major parts for the analysis of the novels in terms of; a) contesting colonisation, b) metonymy of presence, and c) resisting colonialist discourse. Excerpts from the novels will be extracted and presented for analysis under each part of the conceptual framework as mentioned above. A close reading of Tun Tuah will be applied as methodology to explore how the strong Malay characters could be divided into either those who mimic the people of the West, those who truly fit the Malay identity as being conservative Malays or those having both Western values while also holding onto the Malay identity. This study then explains the findings from the analysis on how the Malay characters thrive towards success in the novel Tun Tuah, in the three processes of colonial mimicry. It is found that the final process of colonial mimicry, resisting colonialist discourse displays how the Malay characters in Tun Tuah, particularly Tun Tuah himself, Tun Perak and Sultan Alauddin Riayat Shah’s strategies for economical and life success consists of them challenging the colonialists’ way of life, while focusing on the Malay traditions and Islamic beliefs. Penerbit Universiti Kebangsaan Malaysia 2020 Article PeerReviewed application/pdf en http://journalarticle.ukm.my/14595/1/37507-118411-1-SM.pdf Nurhanis Sahiddan, and Hashim Ismail, and Tengku Intan Marlina Tengku Mohd Ali, (2020) The strength of Malayness through colonial mimicry in Affifudin Omar’s Tun Tuah. e-BANGI: Jurnal Sains Sosial dan Kemanusiaan, 17 (1). pp. 188-200. ISSN 1823-884x http://ejournals.ukm.my/ebangi/issue/view/1244
spellingShingle Nurhanis Sahiddan,
Hashim Ismail,
Tengku Intan Marlina Tengku Mohd Ali,
The strength of Malayness through colonial mimicry in Affifudin Omar’s Tun Tuah
title The strength of Malayness through colonial mimicry in Affifudin Omar’s Tun Tuah
title_full The strength of Malayness through colonial mimicry in Affifudin Omar’s Tun Tuah
title_fullStr The strength of Malayness through colonial mimicry in Affifudin Omar’s Tun Tuah
title_full_unstemmed The strength of Malayness through colonial mimicry in Affifudin Omar’s Tun Tuah
title_short The strength of Malayness through colonial mimicry in Affifudin Omar’s Tun Tuah
title_sort strength of malayness through colonial mimicry in affifudin omar’s tun tuah
url http://journalarticle.ukm.my/14595/
http://journalarticle.ukm.my/14595/
http://journalarticle.ukm.my/14595/1/37507-118411-1-SM.pdf