Paul Auster’s The Locked Room as a critique of the hyperreal

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Paul Auster’s The Locked Room as a critique of the hyperreal

Auster’s The Locked Room (1986) presents a protagonist in a desperate quest for a lost character whose absence functions as the only significant storyline to which the narrative unfolds. Although, stylistically, the entire plot revolves around the disappeared Fanshawe, nowhere in the narrative can...

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Bibliographic Details
Main Authors:	Torkamaneh, Pouria, Taghizadeh, Ali
Format:	Article
Language:	English
Published:	Penerbit Universiti Kebangsaan Malaysia 2016
Online Access:	http://journalarticle.ukm.my/10702/ http://journalarticle.ukm.my/10702/1/11212-39667-1-PB.pdf

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