Developing local film production in Indonesia: tactical hustling among Yogyakarta film practitioners, 2000-2019

Indonesia’s political reformation of 1998 and afterwards, resulted not only in the end of President Suharto’s decades of authoritarian rule, but also stimulated rapid growth and cultural contestation within the country’s film industry. Diverse film cultures proliferated throughout the archipelagic n...

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Main Author: Suwarto, Dyna
Format: Thesis (University of Nottingham only)
Language:English
Published: 2024
Subjects:
Online Access:https://eprints.nottingham.ac.uk/78139/
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author Suwarto, Dyna
author_facet Suwarto, Dyna
author_sort Suwarto, Dyna
building Nottingham Research Data Repository
collection Online Access
description Indonesia’s political reformation of 1998 and afterwards, resulted not only in the end of President Suharto’s decades of authoritarian rule, but also stimulated rapid growth and cultural contestation within the country’s film industry. Diverse film cultures proliferated throughout the archipelagic nation. One of the most important sites of this cultural contestation through film emerged in the Special Region of Yogyakarta Province. While local film culture in Yogyakarta has a history dating from the 1940s, the period between 2000-2019 was a key period of transformation, and saw the development of a distinct production culture where dynamics of amateurism and professionalism, informality and formality, collaboration and creative precarity, defined film practice. This thesis uses an intrinsic case study method to investigate critical conditions and dynamics that have shaped Yogyakarta film culture among local filmmakers in the post-reformation period. Specifically, it uses the lens of ‘hustle culture’ to investigate conditions of local production practice, the work of local film companies (Fourcolors Films, Lima Enam Films, and Bosan Berisik Lab), and the development of a local film festival, Jogja-Netpac Asian Film Festival, as a ‘hustle space’ for Yogyakarta’s growing regional and national film status. From a critical perspective, the thesis reveals how local film industries can be shaped by distinct and specific (informal) production cultures, elucidating how, in the case of Yogyakarta, a provincial film culture emerges, develops, and sustains into a vibrant film site in the context of rapid changes in the national social, economic, and political landscape, hand in hand with shifts in global film culture.
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spelling nottingham-781392025-02-28T15:20:53Z https://eprints.nottingham.ac.uk/78139/ Developing local film production in Indonesia: tactical hustling among Yogyakarta film practitioners, 2000-2019 Suwarto, Dyna Indonesia’s political reformation of 1998 and afterwards, resulted not only in the end of President Suharto’s decades of authoritarian rule, but also stimulated rapid growth and cultural contestation within the country’s film industry. Diverse film cultures proliferated throughout the archipelagic nation. One of the most important sites of this cultural contestation through film emerged in the Special Region of Yogyakarta Province. While local film culture in Yogyakarta has a history dating from the 1940s, the period between 2000-2019 was a key period of transformation, and saw the development of a distinct production culture where dynamics of amateurism and professionalism, informality and formality, collaboration and creative precarity, defined film practice. This thesis uses an intrinsic case study method to investigate critical conditions and dynamics that have shaped Yogyakarta film culture among local filmmakers in the post-reformation period. Specifically, it uses the lens of ‘hustle culture’ to investigate conditions of local production practice, the work of local film companies (Fourcolors Films, Lima Enam Films, and Bosan Berisik Lab), and the development of a local film festival, Jogja-Netpac Asian Film Festival, as a ‘hustle space’ for Yogyakarta’s growing regional and national film status. From a critical perspective, the thesis reveals how local film industries can be shaped by distinct and specific (informal) production cultures, elucidating how, in the case of Yogyakarta, a provincial film culture emerges, develops, and sustains into a vibrant film site in the context of rapid changes in the national social, economic, and political landscape, hand in hand with shifts in global film culture. 2024-07-20 Thesis (University of Nottingham only) NonPeerReviewed application/pdf en cc_by https://eprints.nottingham.ac.uk/78139/2/Suwarto%2C%20Dyna%2C%2020109283%2C%20second.pdf Suwarto, Dyna (2024) Developing local film production in Indonesia: tactical hustling among Yogyakarta film practitioners, 2000-2019. PhD thesis, University of Nottingham. film production film industry indonesia
spellingShingle film production
film industry
indonesia
Suwarto, Dyna
Developing local film production in Indonesia: tactical hustling among Yogyakarta film practitioners, 2000-2019
title Developing local film production in Indonesia: tactical hustling among Yogyakarta film practitioners, 2000-2019
title_full Developing local film production in Indonesia: tactical hustling among Yogyakarta film practitioners, 2000-2019
title_fullStr Developing local film production in Indonesia: tactical hustling among Yogyakarta film practitioners, 2000-2019
title_full_unstemmed Developing local film production in Indonesia: tactical hustling among Yogyakarta film practitioners, 2000-2019
title_short Developing local film production in Indonesia: tactical hustling among Yogyakarta film practitioners, 2000-2019
title_sort developing local film production in indonesia: tactical hustling among yogyakarta film practitioners, 2000-2019
topic film production
film industry
indonesia
url https://eprints.nottingham.ac.uk/78139/