Ennio Morricone's Film Music in the Western Genre

This thesis conducts an appraisal and analysis of the western-genre film music of Ennio Morricone (1928–2020), as composed for 34 features released between 1963 and 2015. It ascertains the fundamental compositional characteristics of this body of work, while drawing out their salience against a rang...

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Main Author: Maloney, Hugh B J
Format: Thesis (University of Nottingham only)
Language:English
Published: 2024
Subjects:
Online Access:https://eprints.nottingham.ac.uk/77571/
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author Maloney, Hugh B J
author_facet Maloney, Hugh B J
author_sort Maloney, Hugh B J
building Nottingham Research Data Repository
collection Online Access
description This thesis conducts an appraisal and analysis of the western-genre film music of Ennio Morricone (1928–2020), as composed for 34 features released between 1963 and 2015. It ascertains the fundamental compositional characteristics of this body of work, while drawing out their salience against a range of historical and theoretical contexts: music in the western, Italian cinema, Morricone’s life and wider practice, and film-scoring technique. Beyond the necessary outlining of contextual developments and a largely chronological survey of the works that play host to Morricone’s engagement with the genre, the enquiry is thematically structured, exploring the nature and significance of these characteristics as they manifest within the filmography. The essential aim of the study is to understand Morricone’s relationship with the genre. While this is a notion conventionally alluded to in discussions of Sergio Leone’s cinema, the thesis expands the discourse beyond this limited filmography to include the entirety of Morricone’s experience composing music for westerns, putting the composer’s practice front and centre.
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language English
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spelling nottingham-775712024-07-20T04:40:18Z https://eprints.nottingham.ac.uk/77571/ Ennio Morricone's Film Music in the Western Genre Maloney, Hugh B J This thesis conducts an appraisal and analysis of the western-genre film music of Ennio Morricone (1928–2020), as composed for 34 features released between 1963 and 2015. It ascertains the fundamental compositional characteristics of this body of work, while drawing out their salience against a range of historical and theoretical contexts: music in the western, Italian cinema, Morricone’s life and wider practice, and film-scoring technique. Beyond the necessary outlining of contextual developments and a largely chronological survey of the works that play host to Morricone’s engagement with the genre, the enquiry is thematically structured, exploring the nature and significance of these characteristics as they manifest within the filmography. The essential aim of the study is to understand Morricone’s relationship with the genre. While this is a notion conventionally alluded to in discussions of Sergio Leone’s cinema, the thesis expands the discourse beyond this limited filmography to include the entirety of Morricone’s experience composing music for westerns, putting the composer’s practice front and centre. 2024-07-20 Thesis (University of Nottingham only) NonPeerReviewed application/pdf en cc_by https://eprints.nottingham.ac.uk/77571/1/Ennio%20Morricone%27s%20Film%20Music%20in%20the%20Western%20Genre.pdf Maloney, Hugh B J (2024) Ennio Morricone's Film Music in the Western Genre. PhD thesis, University of Nottingham. Ennio Morricone; film music; Italian cinema; western genre; music composition
spellingShingle Ennio Morricone; film music; Italian cinema; western genre; music composition
Maloney, Hugh B J
Ennio Morricone's Film Music in the Western Genre
title Ennio Morricone's Film Music in the Western Genre
title_full Ennio Morricone's Film Music in the Western Genre
title_fullStr Ennio Morricone's Film Music in the Western Genre
title_full_unstemmed Ennio Morricone's Film Music in the Western Genre
title_short Ennio Morricone's Film Music in the Western Genre
title_sort ennio morricone's film music in the western genre
topic Ennio Morricone; film music; Italian cinema; western genre; music composition
url https://eprints.nottingham.ac.uk/77571/