The emotional politics of limerence in romantic comedy films

‘Limerence’ describes the intensity of emotions often felt during the pair-forming stage of a romantic relationship, a period that is also the primary focus of many romantic comedy films. This article asks how filmmakers have used depictions of limerence to highlight spaces in which its potential fo...

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Main Author: Moss-Wellington, Wyatt
Format: Article
Language:English
Published: Amsterdam University Press 2019
Subjects:
Online Access:https://eprints.nottingham.ac.uk/60292/
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author Moss-Wellington, Wyatt
author_facet Moss-Wellington, Wyatt
author_sort Moss-Wellington, Wyatt
building Nottingham Research Data Repository
collection Online Access
description ‘Limerence’ describes the intensity of emotions often felt during the pair-forming stage of a romantic relationship, a period that is also the primary focus of many romantic comedy films. This article asks how filmmakers have used depictions of limerence to highlight spaces in which its potential for both disruption and loving care could be brought to political spheres. I look at a series of millennial romantic comedies that express emotional upheaval, vulnerability, and openness to change as qualities of relevance to both a romantic and political selfhood. These ‘political romcoms’ reveal a range of dynamic relations between notions of character competence, moral fibre, personality and deservedness, and invite investigation of complex emotions that modify a more generalised positive affect associated with romantic comedy cinema: humiliation as a comic device and the existential fear of rejection.
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spelling nottingham-602922020-04-13T02:06:21Z https://eprints.nottingham.ac.uk/60292/ The emotional politics of limerence in romantic comedy films Moss-Wellington, Wyatt ‘Limerence’ describes the intensity of emotions often felt during the pair-forming stage of a romantic relationship, a period that is also the primary focus of many romantic comedy films. This article asks how filmmakers have used depictions of limerence to highlight spaces in which its potential for both disruption and loving care could be brought to political spheres. I look at a series of millennial romantic comedies that express emotional upheaval, vulnerability, and openness to change as qualities of relevance to both a romantic and political selfhood. These ‘political romcoms’ reveal a range of dynamic relations between notions of character competence, moral fibre, personality and deservedness, and invite investigation of complex emotions that modify a more generalised positive affect associated with romantic comedy cinema: humiliation as a comic device and the existential fear of rejection. Amsterdam University Press 2019-05-27 Article PeerReviewed application/pdf en cc_by https://eprints.nottingham.ac.uk/60292/1/Wyatt%20Moss-Wellington%20merge.pdf Moss-Wellington, Wyatt (2019) The emotional politics of limerence in romantic comedy films. NECSUS. European Journal of Media Studies . ISSN 2215-1222 romantic comedy; political emotions; existential feelings; liminality; love https://necsus-ejms.org/the-emotional-politics-of-limerence-in-romantic-comedy-films/
spellingShingle romantic comedy; political emotions; existential feelings; liminality; love
Moss-Wellington, Wyatt
The emotional politics of limerence in romantic comedy films
title The emotional politics of limerence in romantic comedy films
title_full The emotional politics of limerence in romantic comedy films
title_fullStr The emotional politics of limerence in romantic comedy films
title_full_unstemmed The emotional politics of limerence in romantic comedy films
title_short The emotional politics of limerence in romantic comedy films
title_sort emotional politics of limerence in romantic comedy films
topic romantic comedy; political emotions; existential feelings; liminality; love
url https://eprints.nottingham.ac.uk/60292/
https://eprints.nottingham.ac.uk/60292/