Influences, identity and historiography in Colombia: the reception of Brazilian modernism (1940s–1960s)

The reception of Brazilian architectural modernism in Colombia has been dismissed and underestimated by national historiography. This article aims to provide a first overview of the rich system of transnational relations between Colombia and Brazil. Moving from the first acknowledgments of Brazilian...

Full description

Bibliographic Details
Main Author: Botti, Giaime
Format: Article
Language:English
Published: Routledge 2019
Subjects:
Online Access:https://eprints.nottingham.ac.uk/59613/
_version_ 1848799653422694400
author Botti, Giaime
author_facet Botti, Giaime
author_sort Botti, Giaime
building Nottingham Research Data Repository
collection Online Access
description The reception of Brazilian architectural modernism in Colombia has been dismissed and underestimated by national historiography. This article aims to provide a first overview of the rich system of transnational relations between Colombia and Brazil. Moving from the first acknowledgments of Brazilian architectural production in Colombia — in which triangulations with the USA played an important role, not least after the Brazil Builds exhibition catalogue reached an international audience — this article displays a varied system of transference routes that made Brazilian-Cariocan modernism one of the main references for Colombian architects during the 1950s. This text examines recognised seminal events and lesser-known facts, highlighting the existence of a wide system of connections. It analyses the reception of the work of Niemeyer and other architects in Colombian magazines and underlines the movements of Colombian architects toward Brazil. It finally recollects a varied group of projects from the 1950s that evidence the diffusion of Brazilian-Cariocan repertories in Colombia among professionals and students. The article highlights how the reception of Brazilian modernism in Colombia should be read as the result of local cases within the global process of modernism’s ‘tropicalisation’. By doing so, it also discusses the reasons that pushed this process to the margins of the mainstream historiographic narrative.
first_indexed 2025-11-14T20:39:05Z
format Article
id nottingham-59613
institution University of Nottingham Malaysia Campus
institution_category Local University
language English
last_indexed 2025-11-14T20:39:05Z
publishDate 2019
publisher Routledge
recordtype eprints
repository_type Digital Repository
spelling nottingham-596132020-01-09T03:30:31Z https://eprints.nottingham.ac.uk/59613/ Influences, identity and historiography in Colombia: the reception of Brazilian modernism (1940s–1960s) Botti, Giaime The reception of Brazilian architectural modernism in Colombia has been dismissed and underestimated by national historiography. This article aims to provide a first overview of the rich system of transnational relations between Colombia and Brazil. Moving from the first acknowledgments of Brazilian architectural production in Colombia — in which triangulations with the USA played an important role, not least after the Brazil Builds exhibition catalogue reached an international audience — this article displays a varied system of transference routes that made Brazilian-Cariocan modernism one of the main references for Colombian architects during the 1950s. This text examines recognised seminal events and lesser-known facts, highlighting the existence of a wide system of connections. It analyses the reception of the work of Niemeyer and other architects in Colombian magazines and underlines the movements of Colombian architects toward Brazil. It finally recollects a varied group of projects from the 1950s that evidence the diffusion of Brazilian-Cariocan repertories in Colombia among professionals and students. The article highlights how the reception of Brazilian modernism in Colombia should be read as the result of local cases within the global process of modernism’s ‘tropicalisation’. By doing so, it also discusses the reasons that pushed this process to the margins of the mainstream historiographic narrative. Routledge 2019-11-28 Article PeerReviewed application/pdf en cc_by https://eprints.nottingham.ac.uk/59613/1/Influences.pdf Botti, Giaime (2019) Influences, identity and historiography in Colombia: the reception of Brazilian modernism (1940s–1960s). The Journal of Architecture, 24 (6). pp. 731-755. ISSN 1360-2365 Architectural history; Latin American modernism; Architectural magazines; Traveling ideas; Colombian modernism http://dx.doi.org/10.1080/13602365.2019.1684971 doi:10.1080/13602365.2019.1684971 doi:10.1080/13602365.2019.1684971
spellingShingle Architectural history; Latin American modernism; Architectural magazines; Traveling ideas; Colombian modernism
Botti, Giaime
Influences, identity and historiography in Colombia: the reception of Brazilian modernism (1940s–1960s)
title Influences, identity and historiography in Colombia: the reception of Brazilian modernism (1940s–1960s)
title_full Influences, identity and historiography in Colombia: the reception of Brazilian modernism (1940s–1960s)
title_fullStr Influences, identity and historiography in Colombia: the reception of Brazilian modernism (1940s–1960s)
title_full_unstemmed Influences, identity and historiography in Colombia: the reception of Brazilian modernism (1940s–1960s)
title_short Influences, identity and historiography in Colombia: the reception of Brazilian modernism (1940s–1960s)
title_sort influences, identity and historiography in colombia: the reception of brazilian modernism (1940s–1960s)
topic Architectural history; Latin American modernism; Architectural magazines; Traveling ideas; Colombian modernism
url https://eprints.nottingham.ac.uk/59613/
https://eprints.nottingham.ac.uk/59613/
https://eprints.nottingham.ac.uk/59613/