Musical stage theory: a novel account for the ontology of musical works and the authenticity of music
Listening to music is one of the most common human activities. Yet, answering the question ‘What is a musical work?’ has kept many scholars busy. In this thesis, I present a novel account for the ontology of musical works: Musical Stage Theory. Traditional theories describe musical works as abstract...
| Main Author: | Moruzzi, Caterina |
|---|---|
| Format: | Thesis (University of Nottingham only) |
| Language: | English |
| Published: |
2018
|
| Subjects: | |
| Online Access: | https://eprints.nottingham.ac.uk/55326/ |
Similar Items
Every performance is a stage: musical stage theory as a novel account for the ontology of musical works
by: Moruzzi, Caterina
Published: (2018)
by: Moruzzi, Caterina
Published: (2018)
Jazz improvisation as situated cognition: historical and analytical perspectives on the music of Milt Jackson
by: Gagatsis, Alexander Christos
Published: (2018)
by: Gagatsis, Alexander Christos
Published: (2018)
Delusions of grandeur? Aria and the development of Soviet metal music
by: Hazle, Dawn
Published: (2018)
by: Hazle, Dawn
Published: (2018)
Shared Emotions in Music
by: Cochrane, Thomas
Published: (2007)
by: Cochrane, Thomas
Published: (2007)
^muzicode$: composing and performing musical codes
by: Greenhalgh, Chris, et al.
Published: (2016)
by: Greenhalgh, Chris, et al.
Published: (2016)
The 5th IMC World Forum on Music: New Music for viola and piano
by: Bennett, Dawn, et al.
Published: (2013)
by: Bennett, Dawn, et al.
Published: (2013)
Comparing the vocal techniques of jazz and classical music
by: Crabtree, Jacob
Published: (2024)
by: Crabtree, Jacob
Published: (2024)
Characteristics of music teachers that influence secondary music students' music learning / Katrine Malim
by: Malim, Katrine
Published: (2013)
by: Malim, Katrine
Published: (2013)
MUSIC COLLOQUIUM
by: The Star,
Published: (2012)
by: The Star,
Published: (2012)
The techniques of memorization music pieces: a case study of students of Faculty of Music Shah Alam / Mohd Rizal Mohd Man Sha
by: Mohd Man Sha, Mohd Rizal
Published: (2013)
by: Mohd Man Sha, Mohd Rizal
Published: (2013)
The absence of Baroque ornamentation in performing baroque music on the classical guitar among UiTM music students / Muhammad Adil Putera Badrul Hisham
by: Badrul Hisham, Muhammad Adil Putera
Published: (2013)
by: Badrul Hisham, Muhammad Adil Putera
Published: (2013)
Musical identities mediate musical development
by: Hargreaves, David, et al.
Published: (2012)
by: Hargreaves, David, et al.
Published: (2012)
Music Preferences of Undergraduate Students in a Multi-Musical Country
by: Yeoh, Miranda Poh Khoon
Published: (1999)
by: Yeoh, Miranda Poh Khoon
Published: (1999)
The preferred genre between classical music and modern music among students in the Faculty of Music UiTM / Shammir Horace
by: Horace, Shammir
Published: (2014)
by: Horace, Shammir
Published: (2014)
Lost in Music: Popular Music, Film and Multiculturalism
by: Stratton, Jon
Published: (2005)
by: Stratton, Jon
Published: (2005)
How can Christian ideology re-shape jam sessions to enable participants to experience Christian freedom?
by: Egan, Joseph
Published: (2024)
by: Egan, Joseph
Published: (2024)
Music preference among music degree students in UiTM / Joshua Athur James
by: James, Joshua Athur
Published: (2009)
by: James, Joshua Athur
Published: (2009)
Music policy into practice: ethnographic perspectives on local music service provisions in England
by: Horner, Kristen Jade
Published: (2024)
by: Horner, Kristen Jade
Published: (2024)
Perceived musical and non-musical benefits of participating in choral activities among music and non-music majors / Cylvesora Paunus
by: Paunus, Cylvesora
Published: (2017)
by: Paunus, Cylvesora
Published: (2017)
Music education right on track
by: The Star,
Published: (2012)
by: The Star,
Published: (2012)
Music Teachers's Perceptions of the Effectiveness of the Music Studies of the Malaysian Diploma in Teaching
by: Mah, Kok Heng
Published: (2002)
by: Mah, Kok Heng
Published: (2002)
"Punk goes pop": a post-semiotic theory of gestural transformation as signifier of style, meaning, and authenticity
by: Upton, Robert John Peter
Published: (2017)
by: Upton, Robert John Peter
Published: (2017)
Rhythm and temporality: a phenomenological examination of music performance
by: Boast, Philip James
Published: (2018)
by: Boast, Philip James
Published: (2018)
Music in dementia care: a review of interactive and receptive musical activities
by: Morris, Elizabeth
Published: (2021)
by: Morris, Elizabeth
Published: (2021)
Use of ontology technology for standardization of medical records and dealing with associated privacy issues
by: Hadzic, Maja, et al.
Published: (2006)
by: Hadzic, Maja, et al.
Published: (2006)
Self-confidance in performing among music students Faculty Of Music at UiTM / Carol S. Sumail
by: S. Sumail, Carol
Published: (2011)
by: S. Sumail, Carol
Published: (2011)
Music composition realisation: the effectiveness of using musical instrument digital interface(MIDI) among music composition students / Nor Farahein Yacob
by: Yacob, Nor Farahein
Published: (2016)
by: Yacob, Nor Farahein
Published: (2016)
Traditional musical instruments in present musical life of Lebu' Kulit in Sungai Asap, Sarawak
by: Chieng, Julia Chin Yee
Published: (2012)
by: Chieng, Julia Chin Yee
Published: (2012)
Musical exposures and creativity among music major trainee teachers in Malaysia / Lim Zek Chew
by: Lim, Zek Chew
Published: (2014)
by: Lim, Zek Chew
Published: (2014)
Music communication : a study on the functions and perception of music as a communication tool in the movie industry
by: Chung, Joanna Suet Kim
Published: (2001)
by: Chung, Joanna Suet Kim
Published: (2001)
Choral music in the 21st century
by: Grimes, Sam
Published: (2024)
by: Grimes, Sam
Published: (2024)
Viola Soloist: public recital given at the University of Music and Performing Arts, Vienna
by: Bennett, Dawn, et al.
Published: (2013)
by: Bennett, Dawn, et al.
Published: (2013)
Performing classical music in atypical venues
by: Lin, Suyun
Published: (2023)
by: Lin, Suyun
Published: (2023)
The Place of British Electronic Dance Music
by: Sanders, Thomas
Published: (2022)
by: Sanders, Thomas
Published: (2022)
Viola Soloist: public recital at the Sydney Conservatorium of Music March 2013
by: Bennett, Dawn, et al.
Published: (2013)
by: Bennett, Dawn, et al.
Published: (2013)
Musical borrowing from Western art music to C-Pop from 1999 to 2011 / Peng Lin
by: Peng , Lin
Published: (2018)
by: Peng , Lin
Published: (2018)
Musical activities between father and toddler in local music centre in Klang Valley / Kang Yee Farn
by: Kang , Yee Farn
Published: (2020)
by: Kang , Yee Farn
Published: (2020)
Social music machine: crowdsourcing for composition & creativity
by: Chamberlain, Alan, et al.
Published: (2017)
by: Chamberlain, Alan, et al.
Published: (2017)
Neurofeedback and Beethoven music for relieve of stress
by: Vee Fely, Malek, et al.
Published: (2016)
by: Vee Fely, Malek, et al.
Published: (2016)
Music in Euripides' Medea
by: Thomas, Oliver
Published: (2018)
by: Thomas, Oliver
Published: (2018)
Similar Items
-
Every performance is a stage: musical stage theory as a novel account for the ontology of musical works
by: Moruzzi, Caterina
Published: (2018) -
Jazz improvisation as situated cognition: historical and analytical perspectives on the music of Milt Jackson
by: Gagatsis, Alexander Christos
Published: (2018) -
Delusions of grandeur? Aria and the development of Soviet metal music
by: Hazle, Dawn
Published: (2018) -
Shared Emotions in Music
by: Cochrane, Thomas
Published: (2007) -
^muzicode$: composing and performing musical codes
by: Greenhalgh, Chris, et al.
Published: (2016)