Designing musical soundtracks for Brain Controlled Interface (BCI) systems

This paper presents research based on the creation and development of two Brain Controlled Interface (BCI) based film experiences. The focus of this research is primarily on the audio in the films; the way that the overall experiences were designed, the ways in which the soundtracks were specificall...

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Main Authors: Ramchum, Richard, Chamberlain, Alan, Benford, Steve
Format: Conference or Workshop Item
Language:English
Published: 2018
Online Access:https://eprints.nottingham.ac.uk/54963/
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author Ramchum, Richard
Chamberlain, Alan
Benford, Steve
author_facet Ramchum, Richard
Chamberlain, Alan
Benford, Steve
author_sort Ramchum, Richard
building Nottingham Research Data Repository
collection Online Access
description This paper presents research based on the creation and development of two Brain Controlled Interface (BCI) based film experiences. The focus of this research is primarily on the audio in the films; the way that the overall experiences were designed, the ways in which the soundtracks were specifically developed for the experiences and the ways in which the audience perceived the use of the soundtrack in the film. Unlike traditional soundtracks the adaptive nature of the audio means that there are multiple parts that can be interacted with and combined at specific moments. The design of such adaptive audio systems is something that is yet to be fully understood and this paper goes someway to presenting our initial findings. We think that this research will be of interest and excite the Audio-HCI community.
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institution University of Nottingham Malaysia Campus
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language English
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publishDate 2018
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spelling nottingham-549632019-01-11T11:01:35Z https://eprints.nottingham.ac.uk/54963/ Designing musical soundtracks for Brain Controlled Interface (BCI) systems Ramchum, Richard Chamberlain, Alan Benford, Steve This paper presents research based on the creation and development of two Brain Controlled Interface (BCI) based film experiences. The focus of this research is primarily on the audio in the films; the way that the overall experiences were designed, the ways in which the soundtracks were specifically developed for the experiences and the ways in which the audience perceived the use of the soundtrack in the film. Unlike traditional soundtracks the adaptive nature of the audio means that there are multiple parts that can be interacted with and combined at specific moments. The design of such adaptive audio systems is something that is yet to be fully understood and this paper goes someway to presenting our initial findings. We think that this research will be of interest and excite the Audio-HCI community. 2018-06-18 Conference or Workshop Item PeerReviewed application/pdf en https://eprints.nottingham.ac.uk/54963/7/Brain%20Controlled%20HCI.pdf Ramchum, Richard, Chamberlain, Alan and Benford, Steve (2018) Designing musical soundtracks for Brain Controlled Interface (BCI) systems. In: Audio Mostly 2018: a conference on interaction with sound, 12-14 September 2018, Wrexham, UK. (In Press) https://doi.org/10.1145/3243274.3243288
spellingShingle Ramchum, Richard
Chamberlain, Alan
Benford, Steve
Designing musical soundtracks for Brain Controlled Interface (BCI) systems
title Designing musical soundtracks for Brain Controlled Interface (BCI) systems
title_full Designing musical soundtracks for Brain Controlled Interface (BCI) systems
title_fullStr Designing musical soundtracks for Brain Controlled Interface (BCI) systems
title_full_unstemmed Designing musical soundtracks for Brain Controlled Interface (BCI) systems
title_short Designing musical soundtracks for Brain Controlled Interface (BCI) systems
title_sort designing musical soundtracks for brain controlled interface (bci) systems
url https://eprints.nottingham.ac.uk/54963/
https://eprints.nottingham.ac.uk/54963/