The design of future music technologies: ‘sounding out’ AI, immersive experiences & brain controlled interfaces
This paper outlines some of the issues that we will be discussing in the workshop “The Design of Future Music Technologies: ‘Sounding Out’ AI, Immersive Experiences & Brain Controlled Interfaces.” Musical creation, performance and consumption is at a crossroads, how will future technologies be a...
| Main Authors: | , , , , , , , |
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| Format: | Conference or Workshop Item |
| Language: | English |
| Published: |
2018
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| Subjects: | |
| Online Access: | https://eprints.nottingham.ac.uk/54956/ |
| _version_ | 1848799088660709376 |
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| author | Chamberlain, Alan Bødker, Mads Kallionpää, Maria Ramchurn, Richard De Roure, David Benford, Steve Dix, Alan Gasselseder, Hans-Peter |
| author_facet | Chamberlain, Alan Bødker, Mads Kallionpää, Maria Ramchurn, Richard De Roure, David Benford, Steve Dix, Alan Gasselseder, Hans-Peter |
| author_sort | Chamberlain, Alan |
| building | Nottingham Research Data Repository |
| collection | Online Access |
| description | This paper outlines some of the issues that we will be discussing in the workshop “The Design of Future Music Technologies: ‘Sounding Out’ AI, Immersive Experiences & Brain Controlled Interfaces.” Musical creation, performance and consumption is at a crossroads, how will future technologies be affected by exciting and innovative new developments in artificial intelligence, immersive technologies and developing mechanisms for interfacing with music, such as Brain Controlled systems.
In many respects this document acts as a mini survey, made up of supporting material, a bibliography of works and offers a series of quotes from work that has mainly emerged from the FAST Project – see: www.semanticaudio.co.uk. |
| first_indexed | 2025-11-14T20:30:07Z |
| format | Conference or Workshop Item |
| id | nottingham-54956 |
| institution | University of Nottingham Malaysia Campus |
| institution_category | Local University |
| language | English |
| last_indexed | 2025-11-14T20:30:07Z |
| publishDate | 2018 |
| recordtype | eprints |
| repository_type | Digital Repository |
| spelling | nottingham-549562018-09-17T04:30:15Z https://eprints.nottingham.ac.uk/54956/ The design of future music technologies: ‘sounding out’ AI, immersive experiences & brain controlled interfaces Chamberlain, Alan Bødker, Mads Kallionpää, Maria Ramchurn, Richard De Roure, David Benford, Steve Dix, Alan Gasselseder, Hans-Peter This paper outlines some of the issues that we will be discussing in the workshop “The Design of Future Music Technologies: ‘Sounding Out’ AI, Immersive Experiences & Brain Controlled Interfaces.” Musical creation, performance and consumption is at a crossroads, how will future technologies be affected by exciting and innovative new developments in artificial intelligence, immersive technologies and developing mechanisms for interfacing with music, such as Brain Controlled systems. In many respects this document acts as a mini survey, made up of supporting material, a bibliography of works and offers a series of quotes from work that has mainly emerged from the FAST Project – see: www.semanticaudio.co.uk. 2018-06-18 Conference or Workshop Item PeerReviewed application/pdf en https://eprints.nottingham.ac.uk/54956/1/Music%20Technology.pdf Chamberlain, Alan, Bødker, Mads, Kallionpää, Maria, Ramchurn, Richard, De Roure, David, Benford, Steve, Dix, Alan and Gasselseder, Hans-Peter (2018) The design of future music technologies: ‘sounding out’ AI, immersive experiences & brain controlled interfaces. In: Audio Mostly 2018: a conference on interaction with sound, 12-14 September 2018, Wrexham, UK. (In Press) Music Technology Artificial Intelligence Brain Controlled Interfaces HCI NIME Immersive Virtual Reality Locative Art Design Agents Creativity Performance Interactive Ubicomp IoT CSCW Sound Instruments Composition Algorithm |
| spellingShingle | Music Technology Artificial Intelligence Brain Controlled Interfaces HCI NIME Immersive Virtual Reality Locative Art Design Agents Creativity Performance Interactive Ubicomp IoT CSCW Sound Instruments Composition Algorithm Chamberlain, Alan Bødker, Mads Kallionpää, Maria Ramchurn, Richard De Roure, David Benford, Steve Dix, Alan Gasselseder, Hans-Peter The design of future music technologies: ‘sounding out’ AI, immersive experiences & brain controlled interfaces |
| title | The design of future music technologies: ‘sounding out’ AI, immersive experiences & brain controlled interfaces |
| title_full | The design of future music technologies: ‘sounding out’ AI, immersive experiences & brain controlled interfaces |
| title_fullStr | The design of future music technologies: ‘sounding out’ AI, immersive experiences & brain controlled interfaces |
| title_full_unstemmed | The design of future music technologies: ‘sounding out’ AI, immersive experiences & brain controlled interfaces |
| title_short | The design of future music technologies: ‘sounding out’ AI, immersive experiences & brain controlled interfaces |
| title_sort | design of future music technologies: ‘sounding out’ ai, immersive experiences & brain controlled interfaces |
| topic | Music Technology Artificial Intelligence Brain Controlled Interfaces HCI NIME Immersive Virtual Reality Locative Art Design Agents Creativity Performance Interactive Ubicomp IoT CSCW Sound Instruments Composition Algorithm |
| url | https://eprints.nottingham.ac.uk/54956/ |