Defensive realism and the Concert of Europe

Why do great powers expand? Offensive realist John Mearsheimer claims that states wage an eternal struggle for power, and that those strong enough to seek regional hegemony nearly always do. Mearsheimer's evidence, however, displays a selection bias. Examining four crises between 1814 and 1840,...

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Main Author: Rendall, Matthew
Format: Article
Published: British International Studies Association 2006
Subjects:
Online Access:https://eprints.nottingham.ac.uk/540/
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author Rendall, Matthew
author_facet Rendall, Matthew
author_sort Rendall, Matthew
building Nottingham Research Data Repository
collection Online Access
description Why do great powers expand? Offensive realist John Mearsheimer claims that states wage an eternal struggle for power, and that those strong enough to seek regional hegemony nearly always do. Mearsheimer's evidence, however, displays a selection bias. Examining four crises between 1814 and 1840, I show that the balance of power restrained Russia, Prussia and France. Yet all three also exercised self-restraint; Russia, in particular, passed up chances to bid for hegemony in 1815 and to topple Ottoman Turkey in 1829. Defensive realism gives a better account of the Concert of Europe, because it combines structural realism with non-realist theories of state preferences.
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spelling nottingham-5402020-05-04T20:30:15Z https://eprints.nottingham.ac.uk/540/ Defensive realism and the Concert of Europe Rendall, Matthew Why do great powers expand? Offensive realist John Mearsheimer claims that states wage an eternal struggle for power, and that those strong enough to seek regional hegemony nearly always do. Mearsheimer's evidence, however, displays a selection bias. Examining four crises between 1814 and 1840, I show that the balance of power restrained Russia, Prussia and France. Yet all three also exercised self-restraint; Russia, in particular, passed up chances to bid for hegemony in 1815 and to topple Ottoman Turkey in 1829. Defensive realism gives a better account of the Concert of Europe, because it combines structural realism with non-realist theories of state preferences. British International Studies Association 2006 Article PeerReviewed Rendall, Matthew (2006) Defensive realism and the Concert of Europe. Review of International Studies, 32 (3). pp. 523-540. ISSN 0260-2105 Europe Great powers hegemony 1814 1840 Russia Ottoman Turkey Concert of Europe http://journals.cambridge.org/action/displayAbstract?fromPage=online&aid=461173&fileId=S0260210506007145 doi:10.1017/S0260210506007145 doi:10.1017/S0260210506007145
spellingShingle Europe
Great powers
hegemony
1814
1840
Russia
Ottoman Turkey
Concert of Europe
Rendall, Matthew
Defensive realism and the Concert of Europe
title Defensive realism and the Concert of Europe
title_full Defensive realism and the Concert of Europe
title_fullStr Defensive realism and the Concert of Europe
title_full_unstemmed Defensive realism and the Concert of Europe
title_short Defensive realism and the Concert of Europe
title_sort defensive realism and the concert of europe
topic Europe
Great powers
hegemony
1814
1840
Russia
Ottoman Turkey
Concert of Europe
url https://eprints.nottingham.ac.uk/540/
https://eprints.nottingham.ac.uk/540/
https://eprints.nottingham.ac.uk/540/