Rewriting the Atlantic archipelago: modern British poetry at the coast
Despite a so-called ‘oceanic turn’, there has been relatively little attention paid to literary representations of the shoreline as a specific material and cultural site. This thesis examines how modern British poets respond to and represent the coastline in their work, with particular emphasis on n...
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| Format: | Thesis (University of Nottingham only) |
| Language: | English |
| Published: |
2018
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| Online Access: | https://eprints.nottingham.ac.uk/51877/ |
| _version_ | 1848798594727936000 |
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| author | Jones, Philip |
| author_facet | Jones, Philip |
| author_sort | Jones, Philip |
| building | Nottingham Research Data Repository |
| collection | Online Access |
| description | Despite a so-called ‘oceanic turn’, there has been relatively little attention paid to literary representations of the shoreline as a specific material and cultural site. This thesis examines how modern British poets respond to and represent the coastline in their work, with particular emphasis on notions of place and geographic scale. Whilst looking at the use of the archipelago in recent cultural and literary studies of British and Irish writing, this thesis argues for a more refined and complex sense of the archipelagic, one which responds to the needs and demands of an increasingly global and interconnected world. To better understand this relationship between text and coastal landscape, the project draws on the work of Henri Lefebvre and Doreen Massey, as well as Edward Casey’s investigations into the future of place and Philip E. Steinberg’s reconceptualisation of ocean spaces.
In engaging with ideas of place in a newly intense period of globalisation, this thesis contends that a critical desire to focus on disruptions of linear spatial and temporal scales must still negotiate residual notions of bounded communities and national identities. The archipelago emerges both as a site of rupture and interconnection. In attending to these different levels of geographic experience, the thesis also demonstrates how notions of scale must respond to more than spatial distance, becoming attentive to how a variety of emotional and psychological experiences become frayed and disrupted within the shifts between the local, national and planetary. In the poetry of Peter Riley, Wendy Mulford, Robert Hampson, Matt Simpson and Robert Minhinnick, the shore emerges as an ambivalent and fluid terrain but one, nonetheless, in possession of its own social and cultural histories. |
| first_indexed | 2025-11-14T20:22:15Z |
| format | Thesis (University of Nottingham only) |
| id | nottingham-51877 |
| institution | University of Nottingham Malaysia Campus |
| institution_category | Local University |
| language | English |
| last_indexed | 2025-11-14T20:22:15Z |
| publishDate | 2018 |
| recordtype | eprints |
| repository_type | Digital Repository |
| spelling | nottingham-518772025-02-28T14:07:17Z https://eprints.nottingham.ac.uk/51877/ Rewriting the Atlantic archipelago: modern British poetry at the coast Jones, Philip Despite a so-called ‘oceanic turn’, there has been relatively little attention paid to literary representations of the shoreline as a specific material and cultural site. This thesis examines how modern British poets respond to and represent the coastline in their work, with particular emphasis on notions of place and geographic scale. Whilst looking at the use of the archipelago in recent cultural and literary studies of British and Irish writing, this thesis argues for a more refined and complex sense of the archipelagic, one which responds to the needs and demands of an increasingly global and interconnected world. To better understand this relationship between text and coastal landscape, the project draws on the work of Henri Lefebvre and Doreen Massey, as well as Edward Casey’s investigations into the future of place and Philip E. Steinberg’s reconceptualisation of ocean spaces. In engaging with ideas of place in a newly intense period of globalisation, this thesis contends that a critical desire to focus on disruptions of linear spatial and temporal scales must still negotiate residual notions of bounded communities and national identities. The archipelago emerges both as a site of rupture and interconnection. In attending to these different levels of geographic experience, the thesis also demonstrates how notions of scale must respond to more than spatial distance, becoming attentive to how a variety of emotional and psychological experiences become frayed and disrupted within the shifts between the local, national and planetary. In the poetry of Peter Riley, Wendy Mulford, Robert Hampson, Matt Simpson and Robert Minhinnick, the shore emerges as an ambivalent and fluid terrain but one, nonetheless, in possession of its own social and cultural histories. 2018-07-17 Thesis (University of Nottingham only) NonPeerReviewed application/pdf en arr https://eprints.nottingham.ac.uk/51877/1/Thesis%20Final%20Version%20-%20Actually%20finally%20finished%20and%20corrected%20version.pdf Jones, Philip (2018) Rewriting the Atlantic archipelago: modern British poetry at the coast. PhD thesis, University of Nottingham. British poetry contemporary poetry literary geography coast coastline shore place belonging scale Peter Riley Wendy Mulford Matt Simpson Robert Hampson Robert Minhinnick |
| spellingShingle | British poetry contemporary poetry literary geography coast coastline shore place belonging scale Peter Riley Wendy Mulford Matt Simpson Robert Hampson Robert Minhinnick Jones, Philip Rewriting the Atlantic archipelago: modern British poetry at the coast |
| title | Rewriting the Atlantic archipelago: modern British poetry at the coast |
| title_full | Rewriting the Atlantic archipelago: modern British poetry at the coast |
| title_fullStr | Rewriting the Atlantic archipelago: modern British poetry at the coast |
| title_full_unstemmed | Rewriting the Atlantic archipelago: modern British poetry at the coast |
| title_short | Rewriting the Atlantic archipelago: modern British poetry at the coast |
| title_sort | rewriting the atlantic archipelago: modern british poetry at the coast |
| topic | British poetry contemporary poetry literary geography coast coastline shore place belonging scale Peter Riley Wendy Mulford Matt Simpson Robert Hampson Robert Minhinnick |
| url | https://eprints.nottingham.ac.uk/51877/ |