Medieval intersectionality: uncovering fluid identities in thirteenth and fourteenth century Castilian epic poetry

This thesis assesses two major texts from the epic corpus of medieval Iberia: the Poema de mio Cid and two chronicle redactions of the Siete Infantes de Lara, with the aim of uncovering the way in which the epic poets unconsciously acknowledge the fluid, contextually-contingent nature of identity th...

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Main Author: De Souza, Rebecca
Format: Thesis (University of Nottingham only)
Language:English
Published: 2018
Subjects:
Online Access:https://eprints.nottingham.ac.uk/50742/
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author De Souza, Rebecca
author_facet De Souza, Rebecca
author_sort De Souza, Rebecca
building Nottingham Research Data Repository
collection Online Access
description This thesis assesses two major texts from the epic corpus of medieval Iberia: the Poema de mio Cid and two chronicle redactions of the Siete Infantes de Lara, with the aim of uncovering the way in which the epic poets unconsciously acknowledge the fluid, contextually-contingent nature of identity that evolves according to circumstance. The poetry is, as one would expect, entirely at odds with the models of identity presented in the officialised discourse found in the legal and political texts of their contemporary Iberia, as well as inherited classical and patristic models. It is the first analysis of its kind to depart from a narrow analysis of identity in the epic texts that is solely predicated upon either gender, cultural, religious or social difference. These socialised categories of identity are discussed simultaneously in order to assess the way in which socio-cultural background shifts the dynamics of power within and across characters of both genders. This method is inherently intersectional, and is one that untangles the complexity of defining the self in a pluricultural society within permeable borders next to al-Andalus. The intersectional approach to gender and identity will ultimately tease out an unconscious deconstruction of the pervading power structure that favours male, blood-born Castilian nobility in both texts. An intersectional analysis of character in the Poema de mio Cid locates power in the collective; a fundamentally egalitarian perspective that both thematically and linguistically erases borders between men and women of varying socio-cultural backgrounds. Meanwhile the Siete Infantes de Lara departs from the heroic-epic model in its implicit, often humorous, derision of noble masculinity in Castile, which in turn is held up in sharp relief against the stable counterpoint of al-Andalus.
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spelling nottingham-507422025-02-28T14:03:39Z https://eprints.nottingham.ac.uk/50742/ Medieval intersectionality: uncovering fluid identities in thirteenth and fourteenth century Castilian epic poetry De Souza, Rebecca This thesis assesses two major texts from the epic corpus of medieval Iberia: the Poema de mio Cid and two chronicle redactions of the Siete Infantes de Lara, with the aim of uncovering the way in which the epic poets unconsciously acknowledge the fluid, contextually-contingent nature of identity that evolves according to circumstance. The poetry is, as one would expect, entirely at odds with the models of identity presented in the officialised discourse found in the legal and political texts of their contemporary Iberia, as well as inherited classical and patristic models. It is the first analysis of its kind to depart from a narrow analysis of identity in the epic texts that is solely predicated upon either gender, cultural, religious or social difference. These socialised categories of identity are discussed simultaneously in order to assess the way in which socio-cultural background shifts the dynamics of power within and across characters of both genders. This method is inherently intersectional, and is one that untangles the complexity of defining the self in a pluricultural society within permeable borders next to al-Andalus. The intersectional approach to gender and identity will ultimately tease out an unconscious deconstruction of the pervading power structure that favours male, blood-born Castilian nobility in both texts. An intersectional analysis of character in the Poema de mio Cid locates power in the collective; a fundamentally egalitarian perspective that both thematically and linguistically erases borders between men and women of varying socio-cultural backgrounds. Meanwhile the Siete Infantes de Lara departs from the heroic-epic model in its implicit, often humorous, derision of noble masculinity in Castile, which in turn is held up in sharp relief against the stable counterpoint of al-Andalus. 2018-07-17 Thesis (University of Nottingham only) NonPeerReviewed application/pdf en arr https://eprints.nottingham.ac.uk/50742/1/R%20De%20Souza%20Final%20MA%20by%20Research%20Thesis%20-%20with%20corrections.pdf De Souza, Rebecca (2018) Medieval intersectionality: uncovering fluid identities in thirteenth and fourteenth century Castilian epic poetry. MA(Res) thesis, University of Nottingham. Spanish literature medieval literature epic poetry
spellingShingle Spanish literature
medieval literature
epic poetry
De Souza, Rebecca
Medieval intersectionality: uncovering fluid identities in thirteenth and fourteenth century Castilian epic poetry
title Medieval intersectionality: uncovering fluid identities in thirteenth and fourteenth century Castilian epic poetry
title_full Medieval intersectionality: uncovering fluid identities in thirteenth and fourteenth century Castilian epic poetry
title_fullStr Medieval intersectionality: uncovering fluid identities in thirteenth and fourteenth century Castilian epic poetry
title_full_unstemmed Medieval intersectionality: uncovering fluid identities in thirteenth and fourteenth century Castilian epic poetry
title_short Medieval intersectionality: uncovering fluid identities in thirteenth and fourteenth century Castilian epic poetry
title_sort medieval intersectionality: uncovering fluid identities in thirteenth and fourteenth century castilian epic poetry
topic Spanish literature
medieval literature
epic poetry
url https://eprints.nottingham.ac.uk/50742/