Experimental fiction or classical story-telling?: Alexander Kluge’s multi-media authorship

Alexander Kluge has created a huge oeuvre concerned with history and story-telling. His books, combine short narrative forms into large constructions in which the different parts all complement each other and create a seemingly never-ending series of connections which endeavour to create a portayal...

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Main Author: Uecker, Matthias
Format: Article
Published: University of Wisconsin Press 2017
Subjects:
Online Access:https://eprints.nottingham.ac.uk/49582/
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author Uecker, Matthias
author_facet Uecker, Matthias
author_sort Uecker, Matthias
building Nottingham Research Data Repository
collection Online Access
description Alexander Kluge has created a huge oeuvre concerned with history and story-telling. His books, combine short narrative forms into large constructions in which the different parts all complement each other and create a seemingly never-ending series of connections which endeavour to create a portayal of the world – past, present, and future – both as it is and as humans imagine and wish it to be. Kluge’s story-telling challenges the established distinctions between genres and media as well as the distinction between fact and fiction. It also challenges established modes of publication and reception. While the organisation of Kluge’s book can be described as experimental, they make use of long-established forms of story-telling. The paper will investigate the relationship between classical forms and experimental challenges in Kluge’s work.
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spelling nottingham-495822020-05-04T19:18:59Z https://eprints.nottingham.ac.uk/49582/ Experimental fiction or classical story-telling?: Alexander Kluge’s multi-media authorship Uecker, Matthias Alexander Kluge has created a huge oeuvre concerned with history and story-telling. His books, combine short narrative forms into large constructions in which the different parts all complement each other and create a seemingly never-ending series of connections which endeavour to create a portayal of the world – past, present, and future – both as it is and as humans imagine and wish it to be. Kluge’s story-telling challenges the established distinctions between genres and media as well as the distinction between fact and fiction. It also challenges established modes of publication and reception. While the organisation of Kluge’s book can be described as experimental, they make use of long-established forms of story-telling. The paper will investigate the relationship between classical forms and experimental challenges in Kluge’s work. University of Wisconsin Press 2017-11-20 Article NonPeerReviewed Uecker, Matthias (2017) Experimental fiction or classical story-telling?: Alexander Kluge’s multi-media authorship. Monatshefte für den deutschsprachigen Unterricht, 110 (3). ISSN 1934-2810 (In Press) Alexander Kluge; experimental writing; 20th century German literature
spellingShingle Alexander Kluge; experimental writing; 20th century German literature
Uecker, Matthias
Experimental fiction or classical story-telling?: Alexander Kluge’s multi-media authorship
title Experimental fiction or classical story-telling?: Alexander Kluge’s multi-media authorship
title_full Experimental fiction or classical story-telling?: Alexander Kluge’s multi-media authorship
title_fullStr Experimental fiction or classical story-telling?: Alexander Kluge’s multi-media authorship
title_full_unstemmed Experimental fiction or classical story-telling?: Alexander Kluge’s multi-media authorship
title_short Experimental fiction or classical story-telling?: Alexander Kluge’s multi-media authorship
title_sort experimental fiction or classical story-telling?: alexander kluge’s multi-media authorship
topic Alexander Kluge; experimental writing; 20th century German literature
url https://eprints.nottingham.ac.uk/49582/