Voiding cinema: subjectivity beside itself, or unbecoming cinema in Enter the void

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Voiding cinema: subjectivity beside itself, or unbecoming cinema in Enter the void

This essay examines Gaspar Noë's film, Enter the Void (2009), in light of the work of both Gilles Deleuze and Alain Badiou. Arguing that the film shows to viewers the 'void' that separates subjects from objects, the essay also considers Noë's film in the light of drug literature...

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Bibliographic Details
Main Authors:	Brown, William, Fleming, David H.
Format:	Article
Language:	English
Published:	Edinburgh University Press 2015
Subjects:	Gaspar Noë; Enter the Void; Alain Badiou; Gilles Deleuze; altered states; cinema; drugs
Online Access:	https://eprints.nottingham.ac.uk/47434/

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