Interaction, instruments and performance: HCI and the design of future music technologies

QR Code

Interaction, instruments and performance: HCI and the design of future music technologies

Rationale There has been little chance for researchers, performers and designers in the UK to come together in order to explore the use and design of new and evolving technologies for performance. This workshop examines the interplay between people, musical instruments, performance and technology....

Full description

Bibliographic Details
Main Authors:	Chamberlain, Alan, Pestova, Xenia, Bødker, Mads, Kallionpää, Maria, De Roure, David, Benford, Steve
Format:	Conference or Workshop Item
Published:	2017
Online Access:	https://eprints.nottingham.ac.uk/45614/

Similar Items

The design of future music technologies: ‘sounding out’ AI, immersive experiences & brain controlled interfaces
by: Chamberlain, Alan, et al.
Published: (2018)

Audio in place: media, mobility & HCI: creating meaning in space
by: Chamberlain, Alan, et al.
Published: (2016)

Audio technology and mobile human-computer interaction: from space and place, to social media, music, composition and creation
by: Chamberlain, Alan, et al.
Published: (2017)

The art and ‘science’ of opera: composing, staging & designing new forms of interactive theatrical performance
by: Chamberlain, Alan, et al.
Published: (2017)

Approaches to notation in music for piano and live electronics: the performer’s perspective
by: Pestova, Xenia
Published: (2017)

Interacting with robots as performers and producers of music
by: Chamberlain, Alan, et al.
Published: (2016)

A landscape of design: interaction, interpretation and the development of experimental expressive interfaces
by: Chamberlain, Alan, et al.
Published: (2018)

An agent on my shoulder: AI, privacy and the application of human-like computing technologies to music creation
by: Chamberlain, Alan, et al.
Published: (2017)

Affect theory and autoethnography in ordinary information systems
by: Bødker, Mads, et al.
Published: (2016)

Ways of walking: understanding walking's implications for the design of handheld technology via a humanistic ethnographic approach
by: Eslambolchilar, Parisa, et al.
Published: (2016)

Designing for exploratory play with a hackable digital musical instrument
by: McPherson, Andrew P., et al.
Published: (2016)

Social music machine: crowdsourcing for composition & creativity
by: Chamberlain, Alan, et al.
Published: (2017)

Making music together: an exploration of amateur and pro-am Grime music production
by: McGrath, Sean, et al.
Published: (2016)

Designing musical soundtracks for Brain Controlled Interface (BCI) systems
by: Ramchum, Richard, et al.
Published: (2018)

Nine questions for HCI researchers in the making
by: Bødker, Susanne, et al.
Published: (2016)

Sounding out ethnography and design: developing metadata frameworks for designing personal heritage soundscapes
by: Chamberlain, Alan, et al.
Published: (2018)

Mapping media and meaning: autoethnography as an approach to designing personal heritage soundscapes
by: Chamberlain, Alan, et al.
Published: (2017)

Toy pianos, poor tools: virtuosity and imagination in a limited context
by: Pestova, Xenia
Published: (2017)

The Grime scene: social media, music, creation and consumption
by: McGrath, Sean, et al.
Published: (2016)

Playing fast and loose with music recognition
by: Greenhalgh, Chris, et al.
Published: (2017)

Considering musical structure in location-based experiences
by: Hazzard, Adrian, et al.
Published: (2015)

A survey of the trajectories conceptual framework: investigating theory use in HCI
by: Velt, Raphael, et al.
Published: (2017)

Understanding social media and sound: music, meaning and membership, the case of SoundCloud
by: Chamberlain, Alan, et al.
Published: (2015)

Musical intersections across the digital and physical
by: Hazzard, Adrian, et al.
Published: (2014)

Under construction – contemporary opera in the crossroads between new aesthetics, techniques, and technologies
by: Kallionpää, Maria, et al.
Published: (2018)

Doing it for themselves: the practices of amateur musicians and DIY music networks in a digital age
by: Hoare, Michaela, et al.
Published: (2014)

The gift of the algorithm: beyond autonomy and control
by: Chamberlain, Alan, et al.
Published: (2017)

The ethical implications of HCI’s turn to the cultural
by: Benford, Steve, et al.
Published: (2015)

"They're all going out to something weird": workflow, legacy and metadata in the music production process
by: McGarry, Glenn, et al.
Published: (2017)

HCI in the era of ambient media - And beyond 2009 INTERACT tutorial
by: Lugmayr, Artur
Published: (2009)

Interconnected alchemy: an apparatus for alchemical algorithms
by: De Roure, David, et al.
Published: (2017)

Hearing the humanities: sonifying Steele’s Shakespeare
by: Emsley, Iain, et al.
Published: (2017)

A network of noise: designing with a decade of data to sonify JANET
by: Emsley, Iain, et al.
Published: (2017)

Doing the single person study in human computer interaction (HCI) / Fariza Hanis Abdul Razak and Alan Dix
by: Abdul Razak, Fariza Hanis, et al.
Published: (2010)

Designing the audience journey through repeated experiences
by: Benford, Steve, et al.
Published: (2018)

Are the robots coming? Designing with autonomy & control for musical creativity & performance
by: Chamberlain, Alan
Published: (2017)

Searching for music: understanding the discovery, acquisition, processing and organization of music in a domestic setting for design
by: Chamberlain, Alan, et al.
Published: (2016)

Sculpting a mobile musical soundtrack
by: Hazzard, Adrian, et al.
Published: (2015)

^muzicode$: composing and performing musical codes
by: Greenhalgh, Chris, et al.
Published: (2016)

A study of technological development in music and musical instrument digital interface (midi) in the music industry in Malaysia from 1982 until now
by: Hasnizam, Abdul Wahid
Published: (2007)