The cultural institutionalization of photography in France: a brief history

This article provides a historical overview of the cultural institutionalization of photography in France, with a particular focus on the pioneering initiatives of individual photography enthusiasts throughout the 1970s to promote photographic culture. These efforts were roughly simultaneous with ch...

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Main Author: Yacavone, Kathrin
Format: Article
Published: Edinburgh University Press 2014
Subjects:
Online Access:https://eprints.nottingham.ac.uk/41221/
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author Yacavone, Kathrin
author_facet Yacavone, Kathrin
author_sort Yacavone, Kathrin
building Nottingham Research Data Repository
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description This article provides a historical overview of the cultural institutionalization of photography in France, with a particular focus on the pioneering initiatives of individual photography enthusiasts throughout the 1970s to promote photographic culture. These efforts were roughly simultaneous with changes in acquisition and exhibition practices on the part of fine art museums and collections with respect to photography, in response to an increasing world-wide recognition of its status as an art form. The article explains how, despite the promotion of photography as a French invention and a contribution to culture (as early as its inception in 1839), an active cultural politics of photography did not emerge until the early to mid-1980s and was an opportune reaction to, and institutionalized framing of, ground-level cultural developments already underway.
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spelling nottingham-412212020-05-04T16:51:09Z https://eprints.nottingham.ac.uk/41221/ The cultural institutionalization of photography in France: a brief history Yacavone, Kathrin This article provides a historical overview of the cultural institutionalization of photography in France, with a particular focus on the pioneering initiatives of individual photography enthusiasts throughout the 1970s to promote photographic culture. These efforts were roughly simultaneous with changes in acquisition and exhibition practices on the part of fine art museums and collections with respect to photography, in response to an increasing world-wide recognition of its status as an art form. The article explains how, despite the promotion of photography as a French invention and a contribution to culture (as early as its inception in 1839), an active cultural politics of photography did not emerge until the early to mid-1980s and was an opportune reaction to, and institutionalized framing of, ground-level cultural developments already underway. Edinburgh University Press 2014-07-15 Article PeerReviewed Yacavone, Kathrin (2014) The cultural institutionalization of photography in France: a brief history. Nottingham French Studies, 55 (2). pp. 122-135. ISSN 2047-7236 Bibliothèque nationale de France Centre national de la photographie cultural politics Jack Lang Maison européenne de la photographie http://www.euppublishing.com/doi/abs/10.3366/nfs.2014.0080 doi:10.3366/nfs.2014.0080 doi:10.3366/nfs.2014.0080
spellingShingle Bibliothèque nationale de France
Centre national de la photographie
cultural politics
Jack Lang
Maison européenne de la photographie
Yacavone, Kathrin
The cultural institutionalization of photography in France: a brief history
title The cultural institutionalization of photography in France: a brief history
title_full The cultural institutionalization of photography in France: a brief history
title_fullStr The cultural institutionalization of photography in France: a brief history
title_full_unstemmed The cultural institutionalization of photography in France: a brief history
title_short The cultural institutionalization of photography in France: a brief history
title_sort cultural institutionalization of photography in france: a brief history
topic Bibliothèque nationale de France
Centre national de la photographie
cultural politics
Jack Lang
Maison européenne de la photographie
url https://eprints.nottingham.ac.uk/41221/
https://eprints.nottingham.ac.uk/41221/
https://eprints.nottingham.ac.uk/41221/