Interacting with robots as performers and producers of music

Is it really so strange to think about a robot as something, or perhaps someone that can produce music, as a performer or even as a composer? What happens when robots perform on stage to live audiences, and when they are perceived as intelligent? In this abstract we start to unpack and explicate som...

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Bibliographic Details
Main Authors: Chamberlain, Alan, Page, Kevin, De Roure, David, Klyne, Graham
Format: Conference or Workshop Item
Published: 2016
Subjects:
Online Access:https://eprints.nottingham.ac.uk/40824/
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author Chamberlain, Alan
Page, Kevin
De Roure, David
Klyne, Graham
author_facet Chamberlain, Alan
Page, Kevin
De Roure, David
Klyne, Graham
author_sort Chamberlain, Alan
building Nottingham Research Data Repository
collection Online Access
description Is it really so strange to think about a robot as something, or perhaps someone that can produce music, as a performer or even as a composer? What happens when robots perform on stage to live audiences, and when they are perceived as intelligent? In this abstract we start to unpack and explicate some of the issues that emerge when the fields of music technology and robotics come together. The aim of this piece of writing is to prompt the Digital Music Research community to engage in debate, in order develop this emerging field of research.
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format Conference or Workshop Item
id nottingham-40824
institution University of Nottingham Malaysia Campus
institution_category Local University
last_indexed 2025-11-14T19:43:16Z
publishDate 2016
recordtype eprints
repository_type Digital Repository
spelling nottingham-408242020-05-04T18:24:58Z https://eprints.nottingham.ac.uk/40824/ Interacting with robots as performers and producers of music Chamberlain, Alan Page, Kevin De Roure, David Klyne, Graham Is it really so strange to think about a robot as something, or perhaps someone that can produce music, as a performer or even as a composer? What happens when robots perform on stage to live audiences, and when they are perceived as intelligent? In this abstract we start to unpack and explicate some of the issues that emerge when the fields of music technology and robotics come together. The aim of this piece of writing is to prompt the Digital Music Research community to engage in debate, in order develop this emerging field of research. 2016-12-20 Conference or Workshop Item PeerReviewed Chamberlain, Alan, Page, Kevin, De Roure, David and Klyne, Graham (2016) Interacting with robots as performers and producers of music. In: Digital Music Research Network 11 - DMRN+11, 20 Dec 2016, London, UK. robots creativity music interaction HCI CSCW performance composition robotics computer science theory interaction art
spellingShingle robots
creativity
music
interaction
HCI
CSCW
performance
composition
robotics
computer science
theory
interaction
art
Chamberlain, Alan
Page, Kevin
De Roure, David
Klyne, Graham
Interacting with robots as performers and producers of music
title Interacting with robots as performers and producers of music
title_full Interacting with robots as performers and producers of music
title_fullStr Interacting with robots as performers and producers of music
title_full_unstemmed Interacting with robots as performers and producers of music
title_short Interacting with robots as performers and producers of music
title_sort interacting with robots as performers and producers of music
topic robots
creativity
music
interaction
HCI
CSCW
performance
composition
robotics
computer science
theory
interaction
art
url https://eprints.nottingham.ac.uk/40824/