“What’s past is prologue”: negotiating the authority of tense in reviewing Shakespeare

This paper, rooted in reviewing practice, engages with a little-discussed practical aspect of reviewing: the tense in which a theatre review is written. Noting that journalistic reviews use the present tense, whereas academic reviews use the past, this paper asks when a review moves into the past, a...

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Main Author: Kirwan, Peter
Format: Article
Published: Taylor and Francis 2010
Online Access:https://eprints.nottingham.ac.uk/37575/
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author Kirwan, Peter
author_facet Kirwan, Peter
author_sort Kirwan, Peter
building Nottingham Research Data Repository
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description This paper, rooted in reviewing practice, engages with a little-discussed practical aspect of reviewing: the tense in which a theatre review is written. Noting that journalistic reviews use the present tense, whereas academic reviews use the past, this paper asks when a review moves into the past, and what implications the use of tense has for the review. The paper contends that the two tenses confer different kinds of authority on a review, which in turn have implications for positioning the object of review and the reviewer in relation to one another. Distinctions are made between reviewing a production or a single performance; between reviewing as a promise or as an archive; and between the omnipotent narrator and subjective spectator. The paper concludes that, in an age of increasingly cheap opinion, the past tense may be appropriated as a means for professional reviewers in all disciplines to consolidate the specificity of their reviewing authority.
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spelling nottingham-375752020-05-04T16:29:37Z https://eprints.nottingham.ac.uk/37575/ “What’s past is prologue”: negotiating the authority of tense in reviewing Shakespeare Kirwan, Peter This paper, rooted in reviewing practice, engages with a little-discussed practical aspect of reviewing: the tense in which a theatre review is written. Noting that journalistic reviews use the present tense, whereas academic reviews use the past, this paper asks when a review moves into the past, and what implications the use of tense has for the review. The paper contends that the two tenses confer different kinds of authority on a review, which in turn have implications for positioning the object of review and the reviewer in relation to one another. Distinctions are made between reviewing a production or a single performance; between reviewing as a promise or as an archive; and between the omnipotent narrator and subjective spectator. The paper concludes that, in an age of increasingly cheap opinion, the past tense may be appropriated as a means for professional reviewers in all disciplines to consolidate the specificity of their reviewing authority. Taylor and Francis 2010-08-23 Article PeerReviewed Kirwan, Peter (2010) “What’s past is prologue”: negotiating the authority of tense in reviewing Shakespeare. Shakespeare, 6 (3). pp. 337-342. ISSN 1745-0926 http://www.tandfonline.com/doi/abs/10.1080/17450918.2010.497856 doi:10.1080/17450918.2010.497856 doi:10.1080/17450918.2010.497856
spellingShingle Kirwan, Peter
“What’s past is prologue”: negotiating the authority of tense in reviewing Shakespeare
title “What’s past is prologue”: negotiating the authority of tense in reviewing Shakespeare
title_full “What’s past is prologue”: negotiating the authority of tense in reviewing Shakespeare
title_fullStr “What’s past is prologue”: negotiating the authority of tense in reviewing Shakespeare
title_full_unstemmed “What’s past is prologue”: negotiating the authority of tense in reviewing Shakespeare
title_short “What’s past is prologue”: negotiating the authority of tense in reviewing Shakespeare
title_sort “what’s past is prologue”: negotiating the authority of tense in reviewing shakespeare
url https://eprints.nottingham.ac.uk/37575/
https://eprints.nottingham.ac.uk/37575/
https://eprints.nottingham.ac.uk/37575/